For as long as they’ve been making music, DIIV have been victims of a world without the vocabulary to describe their willingness to braid the harshness of genres like shoegaze (on 2024’s Frog In Boiling Water) and grunge (2019’s Deceiver) with mellifluous and memorable pop melody. Over the years, the world has caught up with them, with artists like Slayyyter, Eartheater and Turnstile forcing old-guard gatekeepers to find new ways to describe this gleeful disregard for old-fashioned scene designations and genre tags. With ZIRP! – and their embrace of The New Alternative – DIIV lock in on a name for the universe they’ve been chasing for all these years, and a sound that represents the apotheosis of that universe.
Produced by British pop wizard A. G. Cook (Caroline Polachek, Charli XCX, Troy Sivan) – a chief architect of our current post-category future – ZIRP!, named for the zero interest rate policies that drew us into a world of failed startups and turned us all into atomised “users,” expands on the themes of Frog In Boiling Water with a newfound lightness. Here, Palantir, societal breakdown and streaming’s endless hamster wheel are all fodder for rich, sparkling pop songs: Album opener and lead single ‘The Fountain’ pairs the sprawl and squall of DIIV records past with a jolting rhythmic guitar section that has arena-filling potential. Throughout, the band is zeroing in on its punchiest, most memorable melodies to date, each new internal hook and tossed-off earworm indicative of a band more than ready to make good on its ability to play in the mainstream.
When DIIV initially approached Cook, the producer says, “it was in the spirit of destroying & rebuilding their demos, Screamadelica-style, into a finished product, but that hybrid, half-remix approach felt completely wrong to me.” Instead, he became a professor of DIIV studies, attending the band’s shows and forming a unified theory of where the band needed to go next. “I became a bit obsessed with their live sound, and insisted on recording live drums before most of the songs were even finished. We spent a lot of time recording intricate guitar parts with specific guitar pedals, and as little time as possible doing anything on a computer, at least by my standards,” he says. “After a few rounds of that, ZIRP! emerged as a concept, and a sort of utopian, dystopian mantra. For me it became a vehicle to push the band into new territory.”
The new album follows DIIV’s June 2025 Australian tour, which included headline performances at Melbourne’s Northcote Theatre, Brisbane’s Princess Theatre, and Perth’s The Naval Store, alongside appearances at RISING (Melbourne Town Hall), Hobart’s Dark Mofo and VIVID Sydney (Carriageworks).
DIIV will be performing at Balaclava Fest in Brazil on September 27 ahead of supporting Interpol on select dates across North America this October. DIIV will also perform with Basement on October 20 at LA’s Shrine Expo Hall. Tickets can be purchased tickets HERE.
Watch/listen to ‘Kid’, pre-order/save ZIRP!, and see full album details below.
