The music video for covering faces was shot in Japan and directed by Erik Rojas, capturing Carlie in solitude as she navigates different settings — sitting beneath a tree, riding the subway, and walking through bustling streets. The melancholy tone of the video shifts when she makes a connection with a stranger on a bench. This moment of unexpected camaraderie mirrors the song’s middle finger vibe, adding a layer of hope and transformation to its otherwise raw and introspective energy.
The choice of Japan as the location was symbolic for Carlie, representing her feeling of being a “nomad” in her current phase of her life. After spending almost seven years in Los Angeles, Carlie returned to her hometown of Wisconsin, only to later find herself seeking something beyond any one place. Japan, a land she had never been to, became the perfect backdrop for her exploration of self-discovery. “It just felt fitting for the attitude of the song… to go across the world on this journey. To continue to find out and learn more about myself and the world around me. Move forward from the past,”explains Carlie.
With too late to cry, Carlie Hanson marks a new era in her career, taking full control of her creative process while delivering a deeply emotional, yet empowering message. As she says, “When you listen to this, I want you to feel hope, sadness, nostalgia, inspiration, or just anything at all. If my music can help you be motivated or sit with your feelings for a second, there would be nothing better. I’m not as depressed as I was as a 17-year-old girl. I’m taking charge. I’m growing up. I’m writing the music I want to write.”
|