Live Review: Morcheeba

Morcheeba

Forum, Melbourne

The 90s saw the rise of trip- hop and one band that has lasted the distance is Morcheeba. Back in Australia to showcase 2021 album Blackest Blue and a range of hits.

Skye Edwards slides out onto the stage, wearing impossibly high shoes and a gorgeous top hat. Her honeyed voice fills the theater,  opening with Trigger Hippie, instantly mesmerizing the crowd.  Her voice captivates as she glides around the space, engaging and entertaining.

Playing a variety of tracks, from the popular The Sea  to Easy Way, and Part Of The Process, Edwards only stops a few times to engage the crowd. Stopping to take off her shoes, she sits down and casually tells the crowd she can’t balance anymore, so the shoes have to go before launching into Jam.

Deciding to peak early, they don’t save the popular hit Rome Wasn’t Built in a Day until last, instead sandwiching it in between a cover of Dawn Penn’s  You Don’t Love Me (No, No, No) and Never Undo. 

Skye Edwards is one of those performers that has a voice that you could easily listen to all night and never tire of it’s beauty. She delights in bringing people together to share the experience of being in a room, forgetting the world outside to step into hers. Before the evening ends, she entices the audience to dance along to a cover of David Bowie’s  Let’s Dance– and it’s a perfect way to end what has been an incredible evening of sensuous music.

 

‘WE ARE THE VOICE’ ANNOUNCES GUEST LINEUP FOR SIDNEY MYER MUSIC BOWL JOHN FARNHAM SINGALONG

The Australian Book of Records today announces the full performer lineup for We Are The Voice, an unforgettable world record singalong event celebrating the music of John Farnham, set to take place at Sidney Myer Music Bowl on Friday 13 March 2026.

Thousands of Farnham fans are expected to gather under the Melbourne skyline as the audience becomes the headline act, forming a colossal choir in an official attempt to set a world record for the largest singalong to John Farnham songs alongside some iconic guest vocalists, all while raising vital funds and awareness for Head and Neck Cancer Australia.

Leading the charge as Musical Director is the incomparable Chong Lim, performing alongside the legendary Farnham Band, who will reunite for this special occasion. Together, they will anchor a powerful night of music featuring some of Australia’s most dynamic performers.

Beloved entertainer Em Rusciano will host the evening, bringing her trademark wit, powerhouse vocals and unmistakable energy to the Bowl. Acclaimed choir master Jonathon Welch AM will prepare and conduct the audience as the ultimate mass choir, guiding thousands of voices through iconic anthems including You’re The Voice and other Farnham classics.

Adding to the spectacle, ARIA Hall of Fame inductee Jack Jones, rising country star Taylor Moss, dynamic vocalists Crackup Sister Iffy (Nerida Matthaei) and Rachel Bostock, and renowned hypnotist entertainer Mark Anthony will each bring their unique flair to what promises to be a once-in-a-lifetime celebration. And to up the ante even further, Mark Anthony will be attempting a world record for hypnotising the most people at one time on stage at the Bowl!

“Chong has done a wonderful job producing this show,” beams Farnham. “From one of my favourite singers, Jack Jones to the touching voices that make up the Choir of Hard Knocks…I hope you all have a great night!”

Performing together for the first time since Fire Fight Australia in 2020, the Farnham Band are thrilled to reunite in honour of John and for a cause close to his heart. “This will be a powerful night of music, unity and celebration,” says Musical Director Chong Lim. “To stand on stage with the Farnham Band again and hear thousands of Australians singing these songs together will be something truly special.”

John Farnham, whose personal battle with oral cancer has helped shine a national spotlight on Head and Neck Cancer awareness, has expressed his gratitude for the event and its purpose.

Nadia Rosin, CEO of Head and Neck Cancer Australia, says the event is more than just a celebration of music.

“John Farnham has become an unexpected but incredibly powerful voice for Head and Neck Cancer awareness. By sharing his own diagnosis, he has helped educate Australians about a cancer that is often diagnosed too late. This event will not only celebrate John’s extraordinary musical legacy — it will help save lives through awareness and early detection.”

Tickets to this wholesome family friendly event are onsale now from https://www.artscentremelbourne.com.au/whats-on/2026/contemporary-music/we-are-the-voice.

 

FRI 13 MAR | WE ARE THE VOICE – JOHN FARNHAM WORLD RECORD SINGALONG | SIDNEY MYER MUSIC BOWL | ALL AGES | TICKETS

AUSTRALIAN FUNNYMAN JIM JEFFERIES ANNOUNCES ‘SON OF A CARPENTER’ AUSTRALIA TOUR FOR JULY/AUGUST 2026

Australia’s global comedy heavyweight, Jim Jefferies will bring his internationally acclaimed Son of a Carpenter tour home in 2026 for a huge run of dates across the country, hitting arenas and theatres this July and August.

Kicking off in Sydney with a few shows at Enmore Theatre from July 4, the tour will move through Gold Coast, Adelaide, Hobart, Melbourne, Bendigo, Geelong, Wollongong, Canberra, Western Sydney, Newcastle, Perth, Darwin, Brisbane, Toowoomba, and Rockhampton, before completing the epic run in Cairns.

A fan and promoter pre-sale will begin Friday 20 February at 11:00am local time, and tickets will go on sale to the general public on Monday 23 February at 11:00am local time.

After selling out theatres and arenas across North America and Europe, the infamously provocative comedian will return to home soil to perform his largest ever run of Aussie shows, delivering his razor-sharp, fearless comedy to audiences nationwide. Son of a Carpenter has already cemented itself as one of his most successful tours to date, with critics and fans praising the show’s no-holds-barred storytelling, biting social commentary and brutally honest reflections on life, family and the absurdity of the modern world.

Now, Australian fans will finally get to experience their hometown hero live in action.

Excited to perform everywhere from intimate theatre settings to major arenas, Jefferies says, “Coming back to Australia with this tour feels massive. I’ve been yelling at Americans and Europeans for the last 2 years now, so it’s only fair I come home and yell at you lot too. No matter how far I travel, I’m still just an Aussie bloke who somehow turned my stories into a career. I’m looking forward to bringing this show back where it all started – and keen to perform in some places I’ve never been before!”

A household name both at home and abroad, Jefferies has built a career on fearless, boundary-pushing comedy that pulls no punches. From his globally streamed stand-up specials to his acclaimed television work, he has established himself as one of the most recognisable and respected comedians of his generation.

With Son of a Carpenter, Jefferies is at his unapologetic best – sharper, bolder and funnier than ever, proving once again why he remains one of the most in-demand comedians on the planet. Aussie audiences can expect a night of massive laughs, shocking truths and the kind of outrageous honesty that has become his trademark.

Presale tickets go on sale on Friday 20 February at 11am local time. Fans can register for a chance to win tickets to Jim Jefferies & the Rugby League Las Vegas Event Week here: https://arep.co/p/jimjefferies2026.

 

Tickets will go on sale to the general public on Monday 23 February at 11:00am local time.

 

For full tour and ticket information, visit www.jimjefferies.com or www.teglive.com.au.

JIM JEFFERIES SON OF A CARPENTER AUSTRALIA 2026

SAT 04 JUL | ENMORE THEATRE, SYDNEY
MON 06 JUL | ENMORE THEATRE, SYDNEY
FRI 10 JUL | THE STAR GOLD COAST, GOLD COAST
SUN 12 JUL | THEBARTON THEATRE, ADELAIDE

THU 16 JUL | MYSTATE BANK ARENA, HOBART
FRI 17 JUL | JOHN CAIN ARENA, MELBOURNE
SAT 18 JUL | RED ENERGY ARENA, BENDIGO
SUN 19 JUL | GEELONG ARTS CENTRE, GEELONG

THU 23 JUL | WIN ENT CENTRE, WOLLONGONG
FRI 24 JUL | ROYAL THEATRE, CANBERRA
SAT 25 JUL | COLISEUM THEATRE, WESTERN SYDNEY
SUN 26 JUL | NEWCASTLE ENTERTAINMENT CENTRE (NEC), NEWCASTLE
THU 30 JUL | RAC ARENA, PERTH

SAT 01 AUG | AANT CENTRE, DARWIN
WED 05 AUG | BRISBANE ENTERTAINMENT CENTRE, BRISBANE

THU 06 AUG | THE EMPIRE THEATRE, TOOWOOMBA
FRI 07 AUG | GREAT WESTERN HOTEL ROCKHAMPTON
SAT 08 AUG | CPAC THEATRE, CAIRNS

 

WEBSITE                    INSTAGRAM             FACEBOOK

 

OUT 2 LUNCH FESTIVAL WITH VODAFONE GOES NATIONAL IN 2026

FISHER’S MONSTER PARTY IS TAKING LUNCH NATIONWIDE!

After exploding onto the scene as one of Australia’s most in-demand new festivals with a history-making debut on Coolangatta Beach in 2024, followed by a triumphant return in 2025, OUT 2 LUNCH Festival with Vodafone is back this May and bigger than ever, expanding beyond its sunshine state origins to deliver four massive open-air shows across Melbourne, Gold Coast, Sydney and Perth.

 

Joining FISHER for the ride is an all-star lineup of international and Australian acts. English electronic music duo, Gorgon City,  bass-heavy dance music master, Skream, DJ and label boss Sarah Story, boundary-pushing electronic artist Azzecca, dancefloor favourite, Little Fritter, and more.

The OUT 2 LUNCH Festival tour kicks off in Melbourne on Saturday 2 May, before heading to Gold Coast on Sunday 3 May, Sydney on Saturday 9 May, and then out west to finish in Perth on Sunday 10 May.

 

Vodafone customers can access an exclusive pre-sale at www.vodafone.com.au/ticket/out-2-lunch, starting Friday 20 February, 12:00pm local time and ending Monday 23 February, 11:00am local time and is your best chance to secure 1st and 2nd release prices. An OUT 2 LUNCH fan pre-sale will run from Tuesday 24 February, 12:00pm local time until Wednesday 25 February, 11:00am local time. Want to go on tour with OUT 2 LUNCH? Register for the fan presale here and go into the draw to fly with the fish.

Tickets will go on sale to the general public Wednesday 25 February, 12:00pm local time. First release tickets start at $189.90. Level up your experience with ‘The Ultimate Lunch Club’ or ‘Fisher Fast Pass VIP packages’. Check out with Afterpay and pay in 4 interest-free installments. For full Event information and FAQs visit out2lunchfestival.com.

Created and curated by Australian dance icon FISHER, OUT 2 LUNCH has quickly become one of the country’s most talked-about new festivals, combining world-class electronic music, iconic open-air locations and FISHER’s signature chaos-meets-community energy. Now, following overwhelming demand, the festival is expanding beyond its hometown roots to deliver the phenomenal OUT 2 LUNCH experience to fans around the country, hitting four iconic outdoor venues, transforming parks and racecourses into daytime party playgrounds before rolling on to the next city.

 

Melbourne were left wanting more after FISHER played last year’s Melbourne Cup Carnival, and he’ll be back at the iconic Flemington Racecourse to turn the energy up to 11. Gold Coast, the home of OUT 2 LUNCH will see FISHER stake ownership of the festival’s new home at the staggeringly breathtaking Doug Jennings Park. Sydney International Regatta Centre is ready to vibe after Sydney got a very special warmup when FISHER announced a B2B pop up with Chris Lake a few days after last year’s festival, announcing just 48 hours ahead of the show, snagging over 25,000 sign ups and selling out instantly! And Perth, born by the water in the sunshine state, this festival was destined for the west coast, so it is only fitting that Perth will complete the run when OUT 2 LUNCH transforms the illustrious Wellington Square.

Electronic music production duo, Gorgon City have been entrenched in global club culture since their inception over a decade ago, offering a heady mix of big room house and underground bassline that has seen them amass over 1.5billion collective streams, sell out iconic venues such as Red Rocks Amphitheatre, LA’s The Shrine, and close stages at Glastonbury and Coachella.

 

Skream aka Oliver Jones is one of the UK’s most treasured electronic music artists that is keeping the legacy of UK rave culture alive. Having toured the world countless times playing every major festival and club, the London-based producer and DJ has enjoyed a 20+ year career working with everyone from Seth Troxler to Dom Dolla, Oblig or Dennis Ferrer to Mala and his original partner in crime, Benga.

 

Sarah Story is a DJ, label boss and curator who has become a central figure in club culture, bridging underground innovation with global reach. She’s no stranger to the big stage, bringing her fresh, forward-facing energy that captures both the heritage and future of dance music to stages around the world, such as Glastonbury, Creamfields, Parklife, Eastern Electrics and more.

 

Azzecca brings techno/house/dark dance to her high energy, thoughtfully curated sets, with the Chicago DJ’s sound residing in the outer spaces between rolling psychedelia, old school house, euphoric trance, and playful techno.

 

Gold Coast’s Little Fritter is no stranger to bringing good times to the masses at OUT 2 LUNCH, notching 2026 up as his third year running, with the talented DJ and producer showcasing his technicolour creations at some of Australia’s most iconic events, as well as international institutions over the years.

Having won us all over with his acclaimed cuts Losing It, You Little Beauty, Atmosphere, and Stay, the main man himself, FISHER returned with his first new music for 2026, last week releasing his high energy new single, Rain, which picked up a full across the board add at triple j week of service, and will no doubt get a guernsey on the OUT 2 LUNCH stages across Australia in May.

OUT 2 LUNCH Festival with Vodafone has quickly earned a reputation as one of the hottest tickets in the country, delivering stacked lineups, premium production and the kind of euphoric daytime party atmosphere only FISHER knows how to throw.

If you thought lunch was just a meal, think again.

OUT 2 LUNCH FESTIVAL WITH VODAFONE 2026
NATIONAL TOUR DATES

MELBOURNE
Flemington Racecourse
Saturday, May 2, 2026

GOLD COAST
Doug Jennings Park
Sunday, May 3, 2026

SYDNEY
Sydney International Regatta Centre
Saturday, May 9, 2026

PERTH
Wellington Square
Sunday, May 10, 2026

ANNOUNCE & ON SALE TIMELINE

Vodafone Presale: Fri 20 Feb, 12pm – Mon 23 Feb, 11am (Local)
VISA Partner Presale: Mon 23 Feb, 12pm – Tue 24 Feb, 11am (Local)
Out 2 Lunch Fan Presale: Tue 24 Feb, 12pm – Wed 25 Feb, 11am (Local)
NRMA Presale: Tue 24 Feb, 1pm – Wed 25 Feb, 11am (Local)

General Public On Sale: Wed 25 Feb, 12pm (Local)

For full Event information and FAQs visit out2lunchfestival.com.

Find OUT 2 LUNCH Festival online

Website | Instagram | TikTok | Watch O2L 2025 Day 1 Live Set

 

Find FISHER online

Website | Instagram | TikTok | Watch Fisher Live From Tomorrowland 2025

 

Live Review: One Republic at Sidney Myer Music Bowl

Live Review: One Republic at Sidney Myer Music Bowl

15 Feb 2026

OneRepublic turns Sidney Myer Music Bowl into a mass singalong of pop anthems and polished showmanship, with Freya Ridings setting the tone through a spellbinding, piano-led support set.

Freya Ridings emerges first, cutting a striking figure dressed entirely in black with a dramatic cape flowing behind her for an almost gothic-pop vibe. She opens with ‘Wicker Woman’, her voice immediately commands attention with its rich, and raw trembling intensity.

It’s Ridings’ first time back in Australia in 6 years. Over the last 3 years she’s been working on a new album, she reveals excitedly. “During the making of this album I was going through a little bit of a difficult time and feeling defeated by life and a little bit heartbroken. So, I wrote this song ‘Undefeated’ as a kind of spell to remind myself that as long as we’re still breathing, then there is something to fight for,” she shares, before taking a seat at the piano to play the anthemic song.

‘Face In The Crowd’ follows, its yearning chorus ringing out across the amphitheatre, before she switches things up with another new song performed on acoustic guitar with a similar theme that inspires listeners to find strength in heartbreak. Stripped back and earnest, it showcases her songwriting chops and further cementing the sense that Ridings is entering a new creative chapter. If these unreleased tracks are anything to go by, it’s one steeped in resilience and emotional clarity.

Of course, the loudest singalong of her set comes with ‘Lost Without You’ dedicated to anyone who’s ever lost anyone in their lives. From the opening piano notes, thousands of voices join hers, turning the Bowl into a communal heartbreak choir.

The last two songs are a bit happier to help us rise up stronger than we were before and rebuild after heartbreak. She closes with ‘Euphoria’, another new offering, this time pulsing with what she describes as a Celtic tribal vibe. The rhythm builds steadily, percussive and primal, layering over her soaring vocal lines. It feels expansive and cinematic with a bold ending that hints at a broader sonic palette ahead.

OneRepublic takes to the stage as the night falls and the city lights shimmer in the distance. They waste no time launching into ‘RUNAWAY’, immediately injecting high-octane energy into the Bowl. Frontman Ryan Tedder bounds across the stage, exuding charisma from the first beat.

‘Feel Again’ and ‘Good Life’ follow in quick succession, their buoyant choruses ricocheting around the venue. Tedder’s stage presence is magnetic. He kicks and tosses his tambourine around like a hacky-sack, barely breaking stride vocally. It’s that effortless multitasking that makes him such a compelling performer.

One Republic have been together as a band for 19 years and they’re like a family. “We have a lot of music to get through but the most important song in our catalogue is the 2nd song we ever put out ‘Stop and Stare’. The first song everybody knows, but the second one is the reason we’re still a band, and funny enough, it was right here in Australia when we came here for the first time in 2008 and the day we landed here, the song went to number one here,” Tedder recalls.

Mid-set highlights include ‘Rescue Me’ and the technicolour rush of ‘Life in Colour’. Before singing ‘Something I Need’ Tedder shares a story of the song’s origin – written after a trip to Australia in 2012 after a night out in Sydney. “We went out and we made a mistake going toe-to-toe with some local Aussies drink-for-drink,” he laughs.

Tedder isn’t shy about working with the most famous singers in the industry, including everyone from Taylor Swift to Adele, Ed Sheeran, Ozzy Osbourne and even Australians like Matt Corby and Empire Of the Sun. Outside of One Republic he’s got an endless list of songwriting credits on just about every hit record in the past two decades. He chooses a couple of those songs that he’s co-written for other artists to sing himself tonight including Beyoncé’s ‘Halo,’ delivered with theatrical flair, followed by a powerful rendition of Leona Lewis’ ‘Bleeding Love’.

‘Wherever I Go’, ‘Run’ and ‘Lose Somebody’ keeps the momentum high before the inevitable emotional swell of ‘Apologize’. Even after all these years, its chorus still hits with cinematic force in a live setting.

One of the night’s most charming moments comes with the introduction of a new song that he reveals is coming out in early April called, ‘I Need Your Love.’ Tedder dedicates to “every barista in Melbourne.” The crowd roars in approval — a city that runs on coffee appreciates a shoutout. The track itself felt warm and radio-ready, classic OneRepublic with a polished pop sheen.

As the set barrels toward its finale, Tedder amps up the theatrics — kicking signed Wallaby team balls out into the audience for lucky fans to catch, adding a distinctly Australian touch to the proceedings. ‘I Ain’t Worried’, ‘I Lived’ and ‘Sunshine’ ensure the energy never dips, while a blistering guitar solo from Zach Filkins offers a moment of rock indulgence.

Before the final stretch, Tedder grins and declares, “We don’t need a DJ to close — we are the DJ.” What follows is a euphoric megamix of ‘I Don’t Wanna Wait,’ ‘Calling (Lose My Mind)’ and ‘If I Lose Myself’, complete with a surprise chorus of Olivia Dean’s ‘Man I Need’ woven in to finish. It’s a slick, celebratory and undeniably fun — the band fully embraces their dance-pop instincts.

‘Counting Stars’ provide the inevitable climax, tens of thousands chanting the hook into the Melbourne night. As the band takes their bows, Oasis’ ‘Wonderwall’ plays over the speakers, the crowd singing along one last time as OneRepublic exits the stage.

Words by Michael Prebeg

News: MUMDEATHCAKE ANNOUNCES NEW DUAL SINGLE ‘BILLY NO MATES’ OUT FEB 21st

MUMDEATHCAKE ANNOUNCES NEW DUAL SINGLE ‘BILLY NO

MATES’ OUT FEB 21st +ANNOUNCES NEW EP ‘IT’S NOT A RACE’

Naarm/Melbourne-based indie garage deadbeat mumdeathcake

announces new dual single ‘billy no mates’ releasing 21/02/2026. The single features two tracks; ‘billy no mates’ &‘ dossier’, the first taste of his upcoming EP ‘it’s not a race’; a brutally honest collection of self-produced tracks. ‘billy no mates’ takes the retro fuzziness of mumdeathcake’s previous EPs ‘The Big Slow’ & ‘It’s not a race’, and delves deeper than ever before, blending grinding garage soundscapes with a floaty bedroom dreaminess that invokes a deep sense of nostalgia and self-reflection.

“billy no mates is probably the heaviest song to come out of this project to date, both sonically and in subject matter. It’s a bit of a character study, looking back at myself when I first moved out of home, the instability that came with that and the unhealthy coping mechanisms that came about as a result. It’s sort of a conversation with my younger self, really what I wish someone could have told me back then when I was deep in it y’know? It’s probably the most vulnerable song I’ve ever written and releasing it scares the ever loving shit out of me. That being said it feels important to release in case someone’s in the same position I was back then and needs to hear those words.” – Darcy Hemingway (mumdeathcake)

“dossier the first song I started writing for this phase of mumdeathcake and it set the vibe for the entire EP, I was experimenting with different song structures, textures and vocal styles to try and create something fresh but still in line with the sound I’d established over the past two EPs. At the time I was listening to  a lot of slow core and indie folk and I think that really came through in this one. This one’s about giving yourself up completely to someone and learning to be comfortable with sharing every part of yourself with them. It’s a super vulnerable position to be in, but under the right circumstances and with the right person, it can be the most freeing thing in the world.” – Darcy Hemingway(mumdeathcake)Darcy is currently rehearsing with a live band composed of some of his closest friends to bring mumdeathcake to stages across melbourne in 2026. “I really want this project to feel like it felt in I first started playing music with my mates in a rundown shed in rural Victoria, and I’m willing to take the time to get that right and create something truly special for the stage.” – Darcy Hemingway (mumdeathcake)

mumdeathcake operates in the space where fuzzy indie rock meets dreamy bedroom-produced soundscapes.

Leaning into raw tones, blown-out textures, and a deliberately unpolished approach, the Naarm/Melbourne-based solo project of Darcy Hemingway prioritizes feel and immediacy over refinement. There’s a casual confidence to the sound—unforced, instinctive, honest, and rooted in grunge tradition. The project is intended to be a vessel forintrospection and personal growth, tackling issues close to home, and promoting self-acceptance.

mumdeathcake’s new EP ‘it’s not a race’ follows his first two EPs, ‘The Big Slow’ and ‘Marigold,’ which were

featured by Happy Mag & Scenestr, and received airplay across community radio (SYN.FM, 3CR, 7EDG, and Radio Adelaide).

 

Photography: Young Ha Kim (@painted.sun.in.abstract)

 

Live Gallery: Victor Wooten and The Wooten Brothers

Victor Wooten and The Wooten Brothers
Supported by Jaron Jay
Northcote Theatre, Melbourne
14th of February 2026

Victor Wooten and The Wooten Brothers put on an amazing show at the Northcote Theatre last night. Jaron Jay started things off with an incredible set, and the energy really picked up when Victor and his brothers Regi (Guitar), Roy (Drums) , and Joseph (Keyboard) hit the stage. They played a great mix of funk, jazz, and R&B, showing just how well they work together as a family. It was a fun, high-energy night that the Melbourne crowd really enjoyed.

Photos and words by Matt Ling.

Jaron Jay

Victor Wooten and The Wooten Brothers

News: SATANIC PANIC AS TURKISH GOVERNMENT CANCELS BEHEMOTH

SATANIC PANIC AS TURKISH GOVERNMENT CANCELS BEHEMOTH

Australia Now Stands to Face the Band’s Full, Unrestrained Wrath

On the eve of their Chant of the Eastern Lands Australian Tour, the Governor of Istanbul has cancelled Behemoth’s concert there in an effort to save Turkish youth from “exposure to Satanic Filth”.

Gül addressed the cancelations on social media today, stating: “No activity that corrupts society in Istanbul has ever been permitted up to this day, and it will not be permitted in the future either.”

Thankfully, here in Australia we are all on board with “Satanic Filth” and the band will deliver their biggest shows yet when they arrive in the country next week. Australian fans can now expect an ultra fired-up Behemoth to attack their shows with Unrestrained Wrath and Hellfire!

Australia Behemoth are coming with full force! They will not back down.

BEHEMOTH Australian Tour Dates

Wednesday, February 18th The Tivoli, Brisbane

Friday, February 20th The Metro, Sydney

Saturday, February 21st The Forum, Melbourne

Sunday, February 22nd The Gov, Adelaide

Tickets From: https://thephoenix.au/behemoth-2026/

 

Milina Mihic Debuts A New Era With Heartbreaking First Single, Overpass

22 year-old Sydney singer/songwriter Milina Mihic debuts a new era with the release of Overpass, a heartbreaking, emotional alt-pop track that delves into mental health and learning to care for yourself.

 

Channelling the likes of Phoebe Bridgers and Ethel Cain on Overpass, Milina brings a crunchy, edgy approach, making her take on the type of alt-pop sound uniquely her own. Written in collaboration with producer and label A&R Blake Wares, she has retired her rockier alias MILINA, under which she released singles “Do you know me now?” and “Anyday”. These tracks saw her spotlighted as an artist to watch by triple j unearthed in 2024, with her most recent single released in August 2024.

 

Vulnerable, honest and moody, Overpass is awash with moody baritone guitars, slide guitar, and plunky pianos. Milina’s hauntingly beautiful voice grows in power as the song goes on, anchoring the track, and bringing depth and emotion well beyond her years. Lyrically, Milina delves deep into the complexity of mental health and how she’s tried to help others going through a crisis, whilst also making sure that she looks after herself. In that way, Overpass became an outlet for her to recount and process those experiences, and how they’ve helped shape her. 

 

“I wrote this song about how complex dealing with others’ mental illness can be, while also attempting to care for yourself in the process”, Milina said. “There have been a few times in my life where I’ve had to accept my limits, because there’s a point where you can do more harm than good. I feel like this song lives in between the moment you choose to help, and the moment you choose to stop.”

Hailing from Western Sydney, Milina Mihic started singing when she was 6 years old – and has been infatuated with music ever since. “It was the only thing that could keep me calm, hype me up, or make me focus. I remember listening to a few big artists at a young age and telling my mum that I wanted to do what they did”. After finishing high school, she auditioned for The Voice in 2021, and watched as all of the judges’ chairs turned for her performance of Freya Riding’s Castles. After being eliminated, she went back to studying, before debuting her MILINA project in 2024 with “Do you know me now?”, “Anyday” and “All At Once”. 

Throughout 2025, she took the time to reassess her direction, rebrand as Milina Mihic – her full name – and worked with Blake Wares and Real Life Records to finalise new music that will roll out in 2026. With a voice beyond her years, Milina Mihic delves into her thoughts and feelings around coming-of-age and her teenage experiences. “I was listening to a lot of Fiona Apple, Jeff Buckley, Phoebe Bridgers and Nothing but Thieves when I was writing this song. I feel like those artists have always inspired me so there will always be a piece of them in my music” Milina said about her influences. “Winter by Tori Amos was also playing a lot when I wrote Overpass, and I feel like the melancholy in that song is something I wanted to replicate in Overpass.” 

 

On her re-brand and shift in direction, Milina noted that “Milina Mihic is the person that I want to be. I’m more vulnerable, and sometimes too honest, but I lay everything out on the table – including my flaws. The world this music lives in is fragmented, confusing, and dreamlike, like it’s planted in a memory you can’t quite decipher.”

 

Speaking specifically about Overpass, Milina said; “It feels amazing to (finally) be releasing it! I took a bit of time between releases to really hone in on this single and the next few songs I wrote. I’ve been trying to make my music feel as ‘me’ as possible, and I’m extremely proud of how it’s all turned out”. 

 

Overpass is out today.

 

Stream: Overpass

 

WANSTOCK ADDS ‘THE ROMANTICS’ TO 2026 LINEUP

Aussie rock festival Wanstock returns in 2026 with its biggest lineup yet, announcing Sydney and Melbourne events, with the rock gods set to descend on Shoppingtown Hotel in Doncaster (Melb) for two nights on Friday 20 March and Saturday 21 March, and Selina’s (Syd) on Friday 20 March. US icons The Romantics will grace the Shoppingtown Hotel stage alongside New Zealand icons Dragon, Aussie heroes 1927, Pseudo Echo, Bachelor Girl, Taxiride featuring Jason Singh and more in Melbourne, and Sydney will see The Romantics, Choirboys, Taxiride featuring Jason Singh and Ventura bringing the rock to the eastern beaches of Sydney.

Born from organiser Geoff Wansbrough’s love of the legendary Aussie pub rock era in the 80s and 90s, Wanstock has evolved since 2018 into an annual showcase of world-class acts alongside talented up-and-comers and the 2026 edition is no exception when it comes to homegrown and international artists from the rock realms. Tickets for Wanstock 2026 are on sale now from https://www.wanstock.com.au/.

Headlining Wanstock on Saturday will be none other than influential USA rockers, THE ROMANTICS, bringing nearly five decades of iconic hits to the stage. Fans can expect electrifying performances of MTV-era classics like ‘What I Like About You’, ‘Talking In Your Sleep’ and ‘One In A Million’, alongside favourites such as ‘Rock You Up’ and ‘When I Look In Your Eyes’. The Romantics – Wally Palmar, Coz Canler, Bruce Witkin, Joey Malone, and Mike Rizzi continue their global 2025–2026 tour with an unforgettable Wanstock appearance.

Headlining Friday’s stage will be 1927, formed in 1987, the band made a devastating entry into the ears of its listeners with the release of their debut album …iSH in 1988. Three months after the release, 1927 was catapulted to meteoric fame, with …iSH going on become the highest selling debut album release by an Australian artist. The quintuple Platinum selling album contained a staggering six charted singles, and for 46 weeks, …iSH remained in the TOP 50 of the Australian Music Charts. 1927 again found enormous success with the release of their multi-Platinum second album The Otherside.  The band’s second album unleashed yet more charted singles, and for an astounding 19 weeks The Othersideremained in the TOP 50 of the Australian Music Charts. With 7x Platinum Records from multiple albums, a third self-titled album, which also charted, and their best work to date…the most recent studio album ‘Generation-i’, 1927 has firmly established their status as an iconic Australian band.

Returning to the Wanstock stage, Dragon formed in New Zealand in the 1970s before relocating to Australia, the long-time rock purveyors have never been ones to play it safe throughout their colourful and ongoing creative journey. Leaning into a heavy progressive rock sound that garnered a cult-like following and early success, the group have remained a stalwart fixture in the rock world, with hit tracks Are You Old Enough, April Sun in Cuba and Rain solidifying Dragon’s staying power and widespread appeal.

“We are so excited to be part of Wanstock once again, it’s been too long,” says Dragon. It’s always a pleasure to have a spot on such a great line-up with so much Australian talent, and the iconic Romantics from the US!”

An event run by a music lover and for music lovers, the spark for Wanstock festival first ignited when organiser Geoff Wansbrough approached some of his favourite bands to play for his birthday a few years back. Spurred by his love of classic Australian rock and the spirit of the original Woodstock Music Festival, Wanstock was soon born, holding its inaugural event in 2018 at the Burvale Hotel before growing into the event’s current home, the Shoppingtown Hotel, in 2019. And, as Geoff Wansbrough explains, each year is designed to be bigger and better than ever before, with 2026 set to simultaneously offer two nights of amazing acts as well as the chance to catch The Romantics, “I grew up in that awesome Aussie pub rock era of the 1980s and 90s. Every pub had bands and the cream rose to the top and we gave the world some great acts. As such, I used to see a lot of bands back in the day, and I still do. Wanstock came about when I was having a birthday a few years ago. I thought I would have a favourite band play. Then I thought: why not have a few of my favorite bands. That, plus the fact that I was a big admirer of the original Woodstock Music Festival, is really how it came about. Each year, I try and make it bigger and better. Now, it consists of a few components: to have two or three of the classic acts from back in the day, to give a some of the emerging talent a chance to play, and to have a cover band playing all our favorites to get everyone partying and dancing. Basically, I put it on to support our local music talent and so we can have a bit of fun while we still can. I really look forward to putting on Wanstock each year. It gives us all a chance to forget about our worries and enjoy some of that great music of our youth. For this next event, I am particularly proud to be bringing The Romantics to Australian shores. The line up for both nights is stacked with talent, including hall of famers 1927, Dragon and Pseudo Echo – it is bound to have you rocking out all night!”

Tickets for Wanstock Melbourne are on sale now from www.wanstock.com.au/ and Sydney from https://selinas.com.au/ .

 

WANSTOCK 2026

 

FRI 20 MARCH | SELINA’S, COOGEE NSW | 18+
Tickets available from https://selinas.com.au/

THE ROMANTICS
CHOIRBOYS

TAXIRIDE FEAT. JASON SINGH
VENTURA

FRI 20 MARCH | SHOPPINGTOWN HOTEL, DONCASTER VIC | 18+
Tickets available from www.wanstock.com.au/

1927
DRAGON
BACHELOR GIRL
STONETRIP
STRAIT SHOOTERS

SAT 21 MARCH | SHOPPINGTOWN HOTEL, DONCASTER VIC | 18+
Tickets available from https://www.wanstock.com.au/

THE ROMANTICS

PSEUDO ECHO
TAXIRIDE FEAT. JASON SINGH
STANDING ROOM ONLY
DAYDREAMERS

MUSIC ARTS MEDIA