News: TORI AMOS ANNOUNCES NEW STUDIO ALBUM RELEASE DATE AND DETAILS!

TORI AMOS ANNOUNCES NEW STUDIO ALBUM RELEASE DATE AND DETAILS!

12 million-selling singer-songwriter’s new album “In Times of Dragons” will be released on May 1 via Universal/Fontana

Pre-Order Now HERE Includes limited edition ‘Smoke Swirl’ color vinyl with signed art card available

DOWNLOAD ASSETS HERE

A pioneer across platforms, Tori Amosis a multiplatinum singer-songwriter, pianist and composer who’s illustrious 35-year career has generated over 12 million global album sales and eight Grammy nominations including for the soundtrack to her 2025 New York Timesbestselling children’s book Tori and the Muses. Today, Tori announced the May 1st release date and unveiled the artwork for her 18th studio albumIn Times of Dragons”.

Revered for building a multifaceted and unifying career of work defined by fearless activism and otherworldly musicianship, the new music track collection continues this storytelling tradition through a dynamic cast of characters. It is a powerful journey of resilience and awakening where the pursuit of freedom meets forces that seek to control and silence.

Tori shares, “In Times of Dragons is a metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons’ in their usurpation of America.”

The captivating In Times of Dragons album cover artwork (featured above) is also revealed today, intricately created using a unique vintage process. Photographer Kasia Wozniak worked with direct paper positives using the RA-4 process, shooting everything on a large-format camera. Says Woniak of the full artwork “Each photograph was slowly composed, photographed, and processed. It felt magical to weave Tori’s work and vision with my own. We moved from photograph to photograph with an intuitive rhythm, aligned in every shot. The process became a kind of ritual“. Speaking on the process of creating the album artwork Tori continues, “To work with Kasia and Stylist Karen Binns to bring the story and characters to life was a truly moving experience. Seeing our collaborations come to life, with them and the whole team will live with me forever“.

With In Times of Dragons, Tori once again brings together the political and the personal in a work which resonates with the urgency of modern times.

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Live Review & Gallery: MUKI

MUKI’s set at Bodriggy on January 22 felt less like a formal EP showcase and more like a communal exhale, a room full of people gathering around an artist stepping confidently into his own world. The Naarm/Melbourne-based artist (born in Dubai with Indian roots) played through his new EP in full, and from the opening moments it was clear this was music shaped by patience, intention, and lived experience.

Tracks like “My Sweet Anxiety” and “Music of the Trees” set the emotional tone early, balancing vulnerability with warmth. There’s an ease to MUKI’s delivery that never feels forced; he allows space for the songs to breathe, trusting the room to meet him there. “Gasoline,” the project’s namesake and a standout of the night, carried a quiet intensity, restrained but powerful, and landed with particular weight live, its textures unfolding naturally in the intimate Bodriggy setting.

“Morning Music” closed the loop on the EP’s arc, offering a sense of lightness and calm that contrasted beautifully with the heavier emotional moments earlier in the set. Throughout the night, MUKI’s connection to the crowd felt genuine and unguarded. At one point, he handed out his trademark white sunglasses to audience members, a small but telling gesture that blurred the line between performer and friend, stage and floor.

What made the night especially memorable was the atmosphere in the room. Bodriggy was filled with friends supporting friends, familiar faces, shared smiles, and a collective pride in watching someone take this step forward. There was no sense of spectacle for spectacle’s sake; instead, the show thrived on sincerity, shared history, and mutual respect.

MUKI’s EP launch wasn’t about proving anything, it was about presence. At Bodriggy, he showed that his debut under the MUKI moniker isn’t just a starting point, but the result of years of quiet work finally finding its moment.

Words and images by Monique Pizzica

Live Review: Tom Odell at Festival Hall

Live Review: Tom Odell
Festival Hall
21 Jan 2026

Melbourne-based singer-songwriter Them & I kicks off with an emotive set starting off with an exceptional cover of Adele’s ‘Someone Like You.’ With a live cellist and piano by his side the emotional delivery is amplified to command our attention. His soft and vulnerable vocal delivery with restraint gently unfolds in the silence of the hall as the crowd listens attentively leaning into the intimacy and melodic simplicity.

There is a warmth to the performance that feels genuine and organic. Lyrically reflective and emotionally open, Them & I sets the tone for the night ahead. He includes an extended version of his track ‘a tape for what I couldn’t say’ and a beautiful cover of Coldplay ‘Sparks’ to win us over.

Tom Odell makes a quiet entrance with immediate impact starting out solo at grand piano under the spotlight for first three songs ‘Strange House’, ‘ugly’ and ‘Best Day Of My Life’. He wastes no time establishing the emotional stakes of the night. There’s a rawness to Odell’s live presence that studio recordings don’t fully do justice — his voice quivers, strains, and soars, often sounding like it’s on the verge of collapse, yet never quite tipping over. This tension between fragility and power underpins the entire set.

The full band joins in for ‘Grow Old With Me’ and the set continues to with a good mix from his catalogue including his latest album ‘Wonderful Life’. He explores themes of love, despair, resilience, and the search for meaning, all delivered with an almost confessional intensity. Songs build slowly before erupting into full-band crescendos that reverberate through the room.

Tracks like ‘Don’t Let Me Go’ and ‘Can We Just Go Home Now’ showcase Odell’s continued evolution as a songwriter, while older songs ‘I Know’ and ‘Can’t Pretend’ land with renewed weight. Rather than feeling dated, they sound re-energised and reshaped by time. Odell hasn’t toured Australia for more than a decade, so he notes that he’s been really excited for this show for a long time – just like his fans. “Anytime you want us to come back to Melbourne, we’ll come back and play for you. It’s amazing to spend time here,” he exclaims.

Odell’s band provides subtle but powerful support, never overshadowing the core of his performance. Piano and voice remain central, with guitars, strings, brass and percussion swelling in at just the right moments to elevate the emotion without dulling its edge. The dynamics are masterfully controlled, allowing the quieter moments to feel just as impactful as the loudest.

To the audience’s delight, a six-song-encore keeps the night going long after Odell briefly leaves the stage after ‘Black Friday’. The emotional peak arrives when he takes us back to the beginning of his career with ‘Heal’ and Odell opens up and addresses the crowd with an emotionally inspiring speech.

“In the early years, I didn’t really ever sing this song, I couldn’t connect to it, and then it’s in recent years I’ve connected the lyrics much more. I want to leave it with you. I know a lot of people that listen to my music have being through shit, are going through shit, and they use the music as a way to not feel so alone. I hope that my songs, which aren’t the happiest of songs do that.”

“If there’s anything that we all have in common in life, is that no one makes it through without a hand during loss but music is there. It’s the fabric that ties us together and it reminds you that there’s no experience that you ever have to go through on your own. Someone else is almost definitely going for it and that’s an incredible thing. I hope that by being vulnerable in my songs, it encourages you to be vulnerable in your lives.”

As expected, ‘Another Love’ serves as the final track of the evening and as soon as the opening notes ring out, the crowd erupts, every word sung back with conviction. Phones light up the room, voices crack, and for a few minutes, Festival Hall feels suspended in time.

Tom Odell’s Melbourne return is a powerful reminder of the enduring strength of emotionally driven songwriting. His ability to hold a room and to invite thousands of people into his inner world and make them feel seen in the process is rare and compelling.

Words by Michael Prebeg

News: Mumford & Sons Prizefighter Tour Australia and New Zealand April / May 2026

Mumford & Sons Prizefighter Tour Australia and New Zealand April/May 2026 – Tour expands with addition of a Brisbane show to meet demand!

Mumford & Sons

Prizefighter Tour

Australia and New Zealand April / May 2026  

Tour expands with addition of a Brisbane show to meet demand! 

Tickets go on sale on Tuesday 27 January

Hudson Freeman added to lineup as opening act

Access media assets here

MELBOURNE (22 January):  Following the announcement ofMumford & Sons’ highly anticipated return to Australia and New Zealand in 2026 for full-scale arena shows on theirPrizefighter Tour, comes news that the Grammy award winning folk-rock band have added an exclusive Brisbane show to their tour itinerary, responding to fan demand!

This new date is Tuesday 28 April at Brisbane Entertainment Centre.

Mumford & Sons’ 2026 Prizefighter Australia & New Zealand Tour now includes 5 massive arena dates: Friday 24 and Saturday 25 April at Melbourne’s Rod Laver Arena, Tuesday 28 April at Brisbane Entertainment Centre, Wednesday 29 April at Sydney’s Qudos Bank Arena and Saturday 2 May at Auckland’s Spark Arena.

General public tickets for this new Brisbane show go on sale Tuesday 27 January at 10am (AEST)

An Artist presale will commence Friday January 23 at 9am and will run until Tuesday January 27, 9am.

Mastercard cardholders have special access to presale tickets from Friday 23 January, 9am to Tuesday 27 January, 9am. Plus, Preferred ticket access to some of the best tickets is available from Tuesday 27 January at 10am. Check out priceless.com/music for details.

All times are local.

For tickets and further information, head to secretsounds.com,  livenation.com.au and livenation.co.nz.

Mumford & Sons will be joined by special guests Folk Bitch Trio, with Brooklyn based folk artist Hudson Freeman joining the line up as opener across all shows. Freeman has quickly emerged as one of indie’s most enthralling new voices, a gifted songwriter with an undeniable knack for melody.

These 2026 dates land in the wake of Mumford & Sons’forthcoming sixth studio album Prizefighter – out on February 20 via Gentlemen of the Road/Island Records – a new chapter co-produced with The National’s Aaron Dessner and featuring guest appearances from Hozier, Gracie Abrams, Chris Stapleton and Gigi Perez. Arriving just months after 2025’s Rushmere, Prizefighter finds the band in a remarkably prolific, re-energised phase, and these shows will give fans the first chance to experience the new songs alongside the anthems that have defined their career.

 

MUMFORD & SONS

PRIZEFIGHTER TOUR – AUSTRALIA AND NEW ZEALAND 2026

WITH SPECIAL GUESTS FOLK BITCH TRIO AND HUDSON FREEMAN

Presented by Secret Sounds and Live Nation

 

Rod Laver Arena, Melbourne, AU

Friday 24 April

Saturday 25 April

 

Brisbane Entertainment Centre, Brisbane AU

Tuesday 28 April – new show*

 

Qudos Bank Arena, Sydney, AU

Wednesday 29 April

 

Spark Arena, Auckland, NZ

Saturday 2 May

 

*TICKETS ON SALE TUESDAY 27 JANUARY AT 10AM (AEST)

*Artist presale: Friday January 23, 9am – Tuesday January 27, 9am.

*Mastercard presale: Friday 23 January, 9am – Tuesday 27 January, 9am.

All times are local.

 

For tickets and further information, head to secretsounds.com, livenation.com.au and livenation.co.nz.

Once again, Mumford & Sons have partnered with PLUS1 to support War Child. $1 from every ticket sold will help War Child to protect, educate, and stand up for the rights of children affected by war. https://www.warchild.org.uk/

 

 

MAXON SHARES UPLIFTING NEW SINGLE + VIDEO ‘EVERYBODY’ & DEBUT ALBUM ‘TALKING WITH STRANGERS’ DUE OUT APRIL 8

Every now and then a song grabs you and feels like a homecoming for the soul. And courtesy of award-winning singer-songwriter Maxon, the release today of her new single Everybody, as well as its accompanying lyric video, washes over you like a warm port in the storm, while also providing a stunning peek further into her upcoming debut album Talking With Strangers, due out on Wednesday April 8.

 

Opening with glistening instrumentals and warm folk rock tones, Everybody swiftly glows and grows into a track powerfully helmed by Maxon’s silken vocals and cathartic prowess (along with a powerhouse choir, and an army of friends and community members adding some instrumental magic to proceedings). A song that effortlessly came to life via a magnetic collision of creative minds, Everybody also dazzles with its deeply authentic subject matter, its uplifting chorus and, ultimately, Maxon’s own powerful personal connection. “Honestly….it feels whole,” shares Maxon of Everybody. “Something magical happened the day we laid down the rhythm section. It gave the song and the entire album a real sense of belonging. I wanted the album to feel like home for people, even when I’m telling deeply heartfelt and somewhat emotional stories about my life…and also my coming out story which was so hard for me to tell for so long.”

 

“There were no direct references for this one,” Maxon adds. “It was pure chemistry – magical people coming together in a magical moment. Nay and I wrote it, but the transformation and groundedness you hear came from the musicians who were there that fateful day…. Ezekiel Fenn, Ryan Lim, and Lachlan O’Kane. Everyone brought their own flavour, and it just clicked.”

 

“A lot of the songs on the album – while hopeful – carry a thread of sadness,” Maxon continues, hinting at what’s to come on the upcoming album Talking With Strangers. “Everybody felt like the emotional homecoming. Nay [Pattuwage] and I wanted to write something that celebrates love and connection; something that uplifts.”

 

“I’ve been through dark spaces in my life, and I know first-hand that singing together is healing. Everybody is a reminder that joy and love are just as infectious as pain. Let this song be an anthem for togetherness. Honestly, I’d love to make a world choir with this one – send me your audition tapes! Let’s heal the world together, hehe!”

 

Also arriving today with an equally stunning lyric video, made with Heaps Stoked Productions, aka Nay Pattuwage, and also featuring some in-studio and recording footage filmed by Charlie Hurd, Everybody’s accompanying visuals cements the track as a charming anthem to resilience, passion and introspection. “The lyric video for Everybody is very special!” shares Maxon. “You’ll see behind-the-scenes moments from recording the song, including the community choir session at Abbotsford Convent, which captures the spirit of the track perfectly.”

 

A two-time recipient of the Mornington Peninsula Development Arts Grant, winner of the Green Wedge Songwriting Comp and City of Melbourne Grant Recipient, Maxon’s ability to shatter yet heal hearts with her raw creations and powerful depth simultaneously makes any listener feel instantly seen, understood and coaxed into the light. An LGBTQIA+ creative powerhouse fluent in fusing Americana with 70s folk-rock and a modern sheen, Maxon’s relationship with music spans beyond the studio and the stage: “I’ve always used singing as a kind of self-regulation tool – it’s been my best friend through everything,” she shares. “We didn’t have a stereo growing up in our home, so I didn’t have a huge musical upbringing. Just the radio – and my own voice when things were tough at home”. From devouring John Mayer’s Room for Squares on CD on a family road trip through to rapidly developing her own love for singing and songwriting, Maxon has since gone on to share stages and lineups with the likes of Tones and I, Ella Hooper, Alex Lahey more, and has also appeared at major festivals including St Kilda Festival and Melbourne Fringe. And in 2026, there will definitely be even more unforgettable live moments when Maxon takes to the stage, with the talented artist already locked in to appear at Out Loud on the Ninch and Flinders Fringe Festival in February, and at the Seven Sisters Festival in March. And, as Maxon reveals, there will definitely be some extra special shows still to come celebrating Talking With Strangers.

 

“We’ll be announcing the album launch party date soon!” Maxon shares. “The upcoming shows will be more intimate, reimagined versions of the songs. But the Melbourne launch will be the full six-piece band – lots of energy, harmonies, and love. We’ll also be inviting community members to join the choir live too… more on that soon!”

 

Now primed to release her long-awaited debut album this April, supported by Mornington Peninsula Arts & Culture, Creative Victoria Music Works and City of Melbourne, Maxon’s unwavering authenticity, along with her passion for songwriting and melody, is dynamically amplified by her true desire: to spread the message of unconditional love. And it’s this driving foundation that beats deeply at the heart of both her latest single, Everybody, as well as her stunning debut album breathlessly waiting for release later this year.

 

“Everybody feels like the glue holding my album…and honestly, my life…together right now,” Maxon reveals. “It’s a reminder that as humans, as energetic beings, we are love. When we understand the give and take of energy, we start living in a more loving space. It’s a personal reminder that no matter where we come from or how we’ve been raised, we are all one collective consciousness. We thrive in community and that’s why it was so important to me to have people come and sing along with us on this song. Nay and I wrote this song to remind people that we all deserve to feel love, to be loved, and to offer love…with kindness.”

 

“My upcoming album is all about unconditional love – what happens when we don’t give it to ourselves, and how that affects our mental and physical health,” Maxon concludes. “Everybody gave me a kind of healing I hadn’t yet experienced. It helped me understand that love is the one true thing we all not only need to feel – but deserve to feel – to be seen and made whole.”

 

Everybody is out today.

Talking With Strangers is due out Wednesday April 8.

Supported by Mornington Peninsula Arts & Culture, Creative Victoria Music Works and City of Melbourne.

 

LISTEN: EVERYBODY

WATCH: EVERYBODY

 

MAXON – UPCOMING SHOWS:

SAT FEB 7 | OUT LOUD ON THE NINCH, A MID SUMMA ACTIVATION, MORNINGTON, VIC | ALL AGES
Tickets available from www.itsmemaxon.com | info.maxonofficial@gmail.com

SAT FEB 28 | FLINDERS FRINGE FESTIVAL, FLINDERS, VIC | ALL AGES
Tickets available from www.itsmemaxon.com | info.maxonofficial@gmail.com

SAT MAR 21 | SEVEN SISTERS FESTIVAL, GLENOURA, VIC | ALL AGES
Tickets available from https://www.sevensistersfestival.com/

 

News: CUT COPY ANNOUNCE ENMORE THEATRE LIVE PERFORMANCE

CUT COPY ANNOUNCE ENMORE THEATRE LIVE PERFORMANCE

FEATURING SPECIAL GUESTS
HARVEY SUTHERLAND & DRIFTING CLOUDS

TICKETS HERE

AHEAD OF PERFORMANCES AT BYRON BAY, MELBOURNE & GOLDEN PLAINS FESTIVAL

Wednesday 7 June, Sydney – GRAMMY nominated, ARIA award-winning Australian electronic pioneers Cut Copy today announce a very special return to Sydney’s Enmore Theatre for a headline live performance, supported by Harvey Sutherland and Drifting Clouds.

The show joins a handful of tour dates for the band in March 2026, including stops at Byron Bay’s Beach Hotel, Melbourne’s Live at the Gardens series at Royal Botanic Gardens, and Meredith, Victoria for Golden Plains Festival.

The tour dates will celebrate the band’s 2025 album Moments, released in September to wide acclaim from mixmag, Rolling Stone Australia, triple j, The Australian, Stereogum, Clash, Flood Magazine and more. Moments arrived as a masterful series of sonic vignettes and moments in time, inspired by the free-flowing, melting pot mindset behind early hip hop and electro, proto-house and punk disco. The band fused unexpected styles and instruments to create something mutant, unassuming and utterly addictive, traversing electronic to synth pop, crossing trip-hop and rock sensibilities between, threaded by a simple, collective desire to try and make sense of life’s ups and downs. The record went on to be named Double J Feature Album, Triple R’s Album of the Week, #35 in ABC’s ‘Best Albums of 2025’ and #18 in KCRW’s ‘Top albums of 2025’ lists.

The Enmore Theatre performance will feature special guest performances by Melbourne-born record producer, keyboard player, club DJ and bandleader Harvey Sutherland, and the ethereal sounds of rising Arnhem Land act, Drifting Clouds.

Earlier this year Cut Copy took the new album on a tour to various stops in Australia and across North America. In 2026, they return home once more for a string of memorable live shows not to be missed.

Find all upcoming Australian tour dates below. Tickets for their Enmore Theatre show will be on sale from 9:00am AEDT on Friday, 9 January.

MOMENTS IS OUT NOW
BUY/STREAM HERE

CUT COPY
WEBSITE I FACEBOOK I INSTAGRAM

AUSTRALIAN TOUR DATES
TICKETS HERE

Thursday, 5 March – Enmore Theatre, Sydney NSW // supported by Harvey Sutherland & Drifting Clouds
Friday, 6 March – Beach Hotel, Byron Bay NSW // supported by Drifting Clouds
Saturday, 7 March – Golden Plains Festival @ Meredith Supernatural Amphitheatre, Meredith VIC
Friday, 13 March – Live at the Gardens @ Royal Botanic Gardens, Melbourne VIC

General on-sale for Enmore Theatre – 9:00am AEDT, Friday 9 January

News: RED HOT SUMMER TOUR ANNOUNCES FOUR NEW SHOWS

FOUR NEW SHOWS ADDED TO ALL AUSTRALIAN LINE-UP

 

RED HOT SUMMER TOUR continues to turn up the heat with Mornington VIC, Hervey Bay QLD, Hillarys WA & Sandstone Point QLD joining this year’s run of shows.  The renowned outdoor festival will be headlined by our most iconic and enduring singer/songwriter, Paul Kelly.  The master storyteller, whose music is woven through the fabric of modern Australia, will be supported by much loved crowd favourites, Missy Higgins, The Cruel Sea, The Cat Empire, Kasey Chambers, and Jess Hitchcock.

Paul Kelly says, “The band and I have many great memories from our last Red Hot Summer tour. We’re looking forward to making some new ones!”

Paul Kelly stands as Australia’s most treasured musical storyteller, a songwriter whose four-decade career has created the soundtrack to modern Australian life. Over forty years and across thirty albums, Kelly has carved out a unique position among world songwriters through the sheer range and innovation of his work, crafting songs that span from the intimate streets of St Kilda to the vast emotional landscapes of the human experience. His legendary compositions like “To Her Door,” “Deeper Water,” and the now-classic “How to Make Gravy” have become part of Australia’s cultural DNA, with the latter growing from a 1996 release into a beloved Christmas anthem that captures the essence of family, regret, and hope.

Kelly’s artistic vision extends far beyond individual songs to encompass the broader Australian story. He has penned tributes to the country’s greatest cricketer in “Bradman” and its most infamous bushranger in “Our Sunshine,” while his collaboration with Kev Carmody on “From Little Things Big Things Grow” taught more Australians about land rights history than any newspaper headline ever could. Since the late eighties, his work alongside Indigenous artists including Archie Roach and Yothu Yindi has seen him stand shoulder to shoulder in the fight for justice, cementing his role not just as entertainer but as conscience of the nation.

The breadth of Kelly’s artistic restlessness is extraordinary. He has set Shakespeare sonnets to music, explored everything from bluegrass to experimental dub, collaborated with jazz legends, and created multilingual Christmas albums featuring Hebrew, Te Reo Maori, and Latin. His 2017 album Life is Finebecame his first No 1 album, while recent releases like 2024’s Fever Longing Still and the forthcoming SEVENTY prove that at 70, this Order of Australia recipient remains creatively vital and still finding new ways to move hearts and minds.

Fresh from wrapping up a sold-out arena tour of Australia and New Zealand, where he premiered the infectious sequel to “How to Make Gravy” “Rita Wrote A Letter”Kelly brings decades of masterful storytelling to Red Hot Summer. This darkly comic ghost story, told from Rita’s perspective nearly 30 years after we first met Dan, Joe and Rita, promises to become another beloved addition to the Kelly songbook, proving that even his most cherished characters still have stories to tell. In the kellyverse of love, loss, legend, wit, and poetry, every performance is an invitation to gather around the fire and hear the stories that matter most.

Missy Higgins is one of Australia’s most beloved singer/songwriters.  She has struck a deep and enduring chord with her irresistible melodies, ‘arrow through the heart’ lyrics, unforgettable live concerts, plus classic songs like ‘Scar’, ‘The Special Two’, ‘Steer’, ‘Everyone’s Waiting’, ‘Futon Couch’ and ‘A Complicated Truth’.

Missy has blazed a trail for female singer/songwriters in Australia, marching to her own drumbeat, earning 26 ARIA Award nominations and seven ARIA #1’s (so far!).

2024 was a huge year for Missy with the release of her new album The Second Act – “a kind of sequel” to her hugely influential debut The Sound Of White. That raw and introspective classic was about taking on the world as a 20-year-old while The Second Act is about doing that all over again as a 40-year-old, after the stories you told yourself turned out not to be true. Written, produced, and performed largely on her own, it’s a powerful statement which topped the ARIA charts 20 years to the day after Missy’s The Sound Of White reached #1. She also hit the road across 2024 with The Second ActTour which won the publicly voted ARIA Award for Best Live Act on a night when Missy was inducted into the ARIA Hall Of Fame, taking her career total to 11 ARIAs and capping a year which was transformative.

Missy’s stunning 2024 success was followed in 2025 headlining some of Australia’s leading summer festivals and placing twice in triple j’s Hottest 100 of Australian Songs including ‘Scar’ at #4, cementing her place as an artist of singular and enduring influence to multiple generations.

Formed in 1987, The Cruel Sea carved their place in Australian music history with a genre-blurring sound, fusing blues, roots, surf, rock, soul, and cinematic soundscapes, led by charismatic frontman Tex Perkins. Their albums This Is Not The Way Home (1991), The Honeymoon Is Over (1993) and Three Legged Dog (1995) catapulted them to national stardom, earning them eight ARIA Awards and cementing their legacy with hits like Better Get a Lawyer, Black Stick, and The Honeymoon Is Over. Their 1993 timeless classic album, The Honeymoon Is Over, became the soundtrack of a generation, spending more than a year in the ARIA album chart, solidifying the seminal album its place in Australian history.

With the first-ever vinyl release of The Honeymoon Is Over on its 30th anniversary in 2023, the band was encouraged to return to touring.  Late last year, The Cruel Seasupported Cold Chisel on their Big 5-0 tour of Australia, and earlier this year, they released their first album of new original material in 23 years, Straight Into The Sun.  The result is an album that explores new territory while retaining their signature sound that made the band great in the first place.

Aussie icons The Cat Empire catapulted into 2023 with a fresh new line-up of band members, with Felix Riebl and Ollie McGillcontinuing on the legacy, while preserving the vibrant energy and exhilarating musicality that fans adore.  In August 2023, they released their nineth studio album Where The Angels Fall which was met with great acclaim, debuting at #5 on the ARIA Charts, charting at #1 on the AMRAP Metro Charts for three consecutive singles.

The Cat Empire illuminated stages across the globe performing to sold-out crowds across Europe, UK, North America, and Australia. Their magnetic force captivating millions with their high energy performances and explosive sound and visuals.  In 2024, they set off on a massive 40-date world-wide tour across the UK, including Glastonbury Festival, Europe and North America, before heading home for a string of electrifying sold-out performances.  These shows featured their most beloved tunes and exuberant new music with Australian symphony orchestras in premiere venues across the country.

2025 has seen The Cat Empire release their tenth studio album Bird in Paradise, which debuted at #2 on the ARIA charts, and marked a triumphant return to a more organic, “live in the room” sound.  From the outset, the band made the bold decision to ditch the fragmented methods of modern production, opting instead to capture the magic of musicians playing together in the same space.  For fans, this album offers a refreshing callback to The Cat Empire’s earlier days, while showcasing the wisdom and musicality they’ve honed over two decades. It’s a testament to their ability to create worlds within their music—worlds that are expansive, colourful, and authentic.  With Bird in Paradise, The Cat Empire prove they’re not just making music; they’re building a legacy that continues to surprise, inspire, and soar.

Kasey Chambers is widely celebrated as one of Australia’s most exceptional live performers, earning a devoted following through her raw, emotionally charged stage presence and unmistakable voice. Over a career spanning more than two decades, Chambers has become a festival favourite, captivating audiences across Australia and the United States with her heartfelt storytelling and genre-defying music.

Known for her authenticity and down-to-earth charm, Kasey’s live shows are both intimate and powerful, often described as transformative experiences

With a catalogue of acclaimed albums and countless live shows under her belt, Kasey Chambers remains a standout artist whose live performances continue to resonate, inspire, and leave lasting impressions wherever she plays.

Jess Hitchcock is a power-house vocalist who has been captivating audiences.  Paul Kelly has called her his ‘secret weapon’.  You likely know her from her duet with Paul, ‘Every Day My Mother’s Voice’, and this Red Hot Summer Jess is joining Paul’s band again but also bringing her own band and new music to the line-up to kick things off for the day.

 

RED HOT SUMMER TOUR DATES 2026:

 

Saturday 10th January

Mackay Park, Batemans Bay NSW

 

Saturday 17th January

Warrnambool Racecourse, Warrnambool VIC

 

Saturday 24th January

Speers Point Park, Lake Macquarie NSW

 

Saturday 31st January

Westport Park, Port Macquarie NSW

 

Sunday 1st February

Broadwater Parklands, Southport QLD

 

Sunday 8th February

Werribee Park, Werribee South VIC

 

Saturday 14th February

Berry Showground, Berry NSW

 

Sunday 15th February

Bella Vista Farm, Bella Vista NSW

 

Saturday 28th February

Gateway Lakes, Wodonga VIC

 

Sunday 8th March

Launceston Country Club, Launceston TAS

 

Saturday 14th March

Bendigo Racecourse, Bendigo VIC

 

Saturday 21st March

Kent Reserve, Victor Harbor SA

 

Saturday 11th April

Mornington Racecourse, Mornington VIC

***NEW SHOW***

 

Saturday 18th April

Seafront Oval, Hervey Bay QLD

***NEW SHOW***

 

Saturday 9th May

Whitfords Nodes Park, Hillarys WA

***NEW SHOW***

 

Saturday 23rd May

Sandstone Point Hotel, Sandstone Point QLD

***NEW SHOW***

 

 Ticketmaster presale:

Wednesday 21st January at 9.00am > 11.59pm (local time)

 

General Public on sale:

Thursday 22nd January at 9.00am (local time)

 

Tickets are available at:

www.ticketmaster.com.au

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Live Review & Gallery: Turi Tharma

Turi Tharma’s performance at Howler on January 17 offered a compelling snapshot of an artist confidently shaping his own lane within Australia’s evolving R&B and hip hop landscape. Australian-born and deeply connected to his Tamil roots, Tharma’s sound draws from a blend of hip hop, R&B and Carnatic influences, resulting in music that feels both contemporary and deeply grounded in personal history.

From the outset, Tharma commanded the room with a quiet assurance. His vocal delivery moved effortlessly between restraint and release, carried by melodic choices that felt deliberate and emotionally informed. There was a sense of patience throughout the set, with songs allowed to build organically rather than rushing toward obvious climaxes. This control gave the performance a depth that kept the audience engaged from start to finish.

A clear highlight of the night came with “Found Myself,” which quickly revealed itself as a crowd favourite. As the track unfolded, phones were lifted across the room, capturing a moment that felt instinctively shareable. The response spoke to the song’s emotional clarity and Tharma’s ability to connect without spectacle, letting melody and sentiment do the heavy lifting.

The crowd at Howler met the performance with focused attention, allowing softer moments to sit comfortably in silence before responding with warm applause as songs reached their peaks. Visually, the set remained understated, with minimal staging and subtle lighting shifts ensuring the focus stayed firmly on Tharma’s voice and compositional ideas.

By the end of the set, it was evident that Turi Tharma is not simply experimenting with genre, but thoughtfully expanding it. His Howler performance felt less like a singular moment and more like an early chapter in a longer artistic trajectory, one driven by intention, cultural influence, and a growing sense of self-assurance.

Words and images by Monique Pizzica

Live Review: Camelphat at Riviera Beach Club, St Kilda

Camelphat
Riviera Beach Club, St Kilda
17 January 2026

Camelphat delivers the perfect summer session on a warm evening at Riviera Beach Club in St Kilda with support from Samantha Loveridge and Bound.

Bound set the tone for creating the perfect club atmosphere with their slightly darker, club‑leaning energy adding bite in the late afternoon as they layer percussive hits and moody synth work that get the dance floor moving in the heat.

Samantha Loveridge’s set balances depth and euphoria. Known for her emotionally charged progressions, she eases the crowd in with rolling grooves and subtly building melodies. Her transitions are long and hypnotic to prepare everyone for the main event.

Just after 8pm, multi-platinum DJ and production UK duo Camelphat emerge on the decks. True to form, they open with the gentler side of their repertoire with warm melodic house, breezy vocal hooks, and shimmering arpeggios that pair perfectly with the sun still hanging over Port Phillip Bay. Their early selections feel designed for the moment starting out uplifting but restrained, a slow burn that allows the crowd to collectively exhale and settle into the night.

But everything changes after 9pm as the sun sets, Camelphat shifts gears. The BPM creeps upward, the basslines thickens, and the melodic feeling of the opening hour dissolves into something heavier. The duo starts unleashing what the crowd had really come for with their most iconic tracks – hard‑hitting festival weapons, gritty tech-driven anthems, and those signature Camelphat builds that snap into drops with laser‑cut precision. The lighting kicks into full force, the sea breeze cools the air, and suddenly Riviera Beach Club feels less like a beach venue and more like an open‑air superclub.

Being on Aussie shores, Camelphat make sure to nod to the home crowd with a string of local classics and clever remixes woven into the set. Their takes on Icehouse, The Temper Trap, Tame Impala, and Dom Dolla weren’t just thrown in for novelty — they were crafted, reshaped, and given a Camelphat edge that made them slot seamlessly into the night’s rhythm. Each time one of these home-grown gems surface, the crowd erupts in a mix of nostalgia and surprise, singing along while still locked into the heavier groove.

What makes the performance stand out isn’t just the track list but the pacing. Camelphat have always excelled at building energy like a narrative, and this set was no exception. The progression from sunset serenity to nocturnal intensity reminds us why they remain one of the most respected producers in modern dance music.

Camelphat closes with their biggest and most defining track ‘Cola.’ The opening chords spark instant recognition, and the crowd erupts into a final sing‑along — a moment equal parts communal and euphoric. Even after years of global play, the track still hits with an unmistakable magic.

Camelphat delivered a set that was immersive, dynamic, and expertly in tune with the environment. They took us on a journey through melodic house, UK tech flavours, and some proudly Aussie‑leaning surprises that made for a truly unforgettable event to kick off the Australian summer.

Words by Michael Prebeg

News: PACIFIC AVENUE DROP NEW SINGLE / VIDEO “THINGS WE WANNA SAY” AHEAD OF UPCOMING ALBUM + TOUR!

AUSSIE INDIE-ROCKERS PACIFIC AVENUE DROP NEW SINGLE “THINGS WE WANNA SAY” AHEAD OF UPCOMING ALBUM + TOUR

LISTEN HERE / MUSIC VIDEO HERE

NEW ALBUM “LOVESICK SENTIMENTAL” OUT MARCH 6, 2026– PREORDER HERE

 

Pacific Avenue kick off 2026 with “Things We Wanna Say” the pulsing third single lifted from their highly anticipated second studio album titled Lovesick Sentimental which drops onMarch 6, 2026 (preorder here). An accompanying music video is also out now available to watch here.

The new single follows the recent predecessors Here We Go Againa current Top 20 in Triple J Most Played charts, and the first taste of their bold and emotive new era Working Class Hero”. The trio of outstanding tracks prompting the perfect build up to Lovesick Sentimental album release and Australian headline tour which kicks off nationally on album release date in Perth. Tickets are on sale now via www. pacificavenue.com.au/#shows

FRI 06 MAR – Astor Theatre, Perth

SAT 07 MAR – Hindley Street Music Hall, Adelaide

FRI 13 MAR – Forum, Melbourne

FRI 20 MAR – Fortitude Music Hall, Brisbane

SAT 21 MAR – Enmore Theatre, Sydney

FRI 27 MAR – Odeon Theatre, Hobart

Following the tours Aussie leg the band then hit Europe and UK for a string of live shows across April. Recently the latest single “Things We Wanna Say” has been performed live on last year’s run of shows and fans are incredibly excited that it’s finally out.

Harry from the band shares, “‘Things we wanna say’ is an ode to the core friendships that you build in the ‘Coming of Age’ years of your life. So much of our adolescence we’re surrounded by close friends and as grow up together, experiencing the world and new things for the first time, you create bonds that are fundamental to our individual identities, then as you move through your 20s and people start getting jobs or moving away from home, the experience becomes a much more isolated one. Through “We never say the things we want to say” we aim to lift up the meaningful connections that you’ve made and more openly feel like you can express your love for the people who make it all worthwhile”.

Lovesick Sentimental album and tour mark an exciting new era for Pacific Avenue and captures a band coming into full bloom, proving once again why they’ve become one of Australia’s most loved and dynamic acts.

The band achieved major breakout success with their 2023 debut album Flowers which included #1 ARIA Australian Album Chart, #3 ARIA overall Album Chart, #4 ARIA Vinyl Chart, plusreceived two ARIA Nominations for ‘Best Rock Album and ‘Michael Gudinski Breakthrough Artist‘.

They garnered widespread praise from NMEThe GuardianClash Magazine (UK), Atwood Magazine (USA) and Wonderland Magazine (UK), and their songs have also received extensive playlist support from SpotifyApple MusicAmazon MusicYouTube MusicManchester UnitedBBC One and BT Sport.

FOLLOW PACIFIC AVENUE:
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