News: BRAND NEW SUMMER FESTIVAL SERIES ANNOUNCED FOR SYDNEY’S DOMAIN, KICKING OFF WITH AUSTRALIA’S BIGGEST EVER MOTOWN & DISCO PARTY

BRAND NEW SUMMER FESTIVAL SERIES ANNOUNCED FOR SYDNEY’S DOMAIN,
KICKING OFF WITH AUSTRALIA’S BIGGEST EVER MOTOWN & DISCO PARTY
FEATURING THE JACKSONS, KOOL & THE GANG, THE POINTER SISTERS + MORE

MJR Presents is pleased to announce the Sydney Summer Series, bringing the year’s biggest musical parties and the world’s biggest artists under the stars in Sydney’s Domainthroughout January this year.

 

To launch the series, Sydney welcomes the biggest icons of disco, together for the first time in what is sure to become the most talked-about concert line-up of the summer.

Rock n Roll Hall of Fame inductees The Jacksons, featuring original members Jermaine, Jackie, Tito and Marlon will lead the charge, playing the hits that started a dynasty including ‘Can You Feel It’, ‘Blame It On The Boogie’, ‘I’ll Be There’, ‘ABC’ and many more.

Kool & the Gang will keep the astounding playlist pumping with hits from throughout their five-decade career including ‘Celebration’, ‘Cherish’ and ‘Jungle Boogie’ while three-time Grammy winners The Pointer Sisters will bring their swag of party-starters including ‘I’m So Excited’, ‘Jump (For My Love)’, ‘Neutron Dance’, ‘Slow Hand’ and ‘Fire’ to delight generations of fans.

Village People, led by founding member Victor Willis will show why they are the kings of disco with their smash hits including ‘Macho Man’, ‘YMCA’, ‘In The Navy’, ‘Go West and ‘Can’t Stop the Music’.

Sister Sledge will bring the party with ‘We Are Family’ and ‘Lost In Music’ and ‘He’s The Greatest Dancer’, and Sounds of the Supremes will open the party, bringing the inspiration of disco to the stage with their greatest hits of the 60s and 70s.

Don’t miss this once-in-a-lifetime opportunity to see the kings and queens of disco together for one magic night under the stars.

If you’re SO EXCITED to SHAKE YOUR BODY DOWN TO THE GROUND at Sydney’s biggest summer CELEBRATION, then JUMP to grab your tickets when they go on sale
Tuesday 14 August at 10:00am AEST from

www.summerseries.net

SYDNEY SUMMER SERIES 2019
SATURDAY 12 JANUARY – THE DOMAIN, SYDNEY

THE JACKSONS
KOOL & THE GANG
THE POINTER SISTERS
VILLAGE PEOPLE
SISTER SLEDGE
SOUNDS OF THE SUPREMES

News: UNIFY GATHERING 2019 LINEUP ANNOUNCEMENT

triple j & 24HUNDRED PRESENT
UNIFY GATHERING 2019

FRIDAY JANUARY 11

UNDERØATH
[Exclusive Australian Performance]
KARNIVOOL
[First East Coast Show since 2016]
IN HEARTS WAKE
OCEAN GROVE
WHILE SHE SLEEPS
[Exclusive Australian Performance]
CROSSFAITH
[Exclusive Australian Performance]
DREAM ON DREAMER
THE PLOT IN YOU
[Exclusive Australian Performance]
HAND OF MERCY
[Exclusive Reunion Show]
DREAM STATE
[Exclusive Australian Performance]
DROWN THIS CITY
OCEAN SLEEPER
BETTER HALF

SATURDAY JANUARY 12

TAKING BACK SUNDAY
[Playing Tell All Your Friends in full]
I KILLED THE PROM QUEEN
[2005 Lineup Reunion]
TROPHY EYES
STATE CHAMPS
[Exclusive Australian Performance]
TURNSTILE
CITIZEN
WAAX
CLOWNS
ENDLESS HEIGHTS
HARMS WAY
STAND ATLANTIC
THORNHILL
PAGAN
GRAVEMIND
AFTER TOUCH
YOURS TRULY

RED HILL ENTERTAINMENT are proud to announce the hugely successful UNIFY Gathering will return in January 2019, featuring headline performances from UNDERØATHTAKING BACK SUNDAY, KARNIVOOLand I KILLED THE PROM QUEEN (2005 iconic lineup) as part of a 29-band lineup over two nights.

The fifth instalment of Australia’s only heavy music camping festival will take place over two nights from January 11 to 13 at a brand-new site at Tarwin Meadows, in the wonderfully green pastures of Tarwin Lower in South Gippsland, Victoria, where the festival has called home since the beginning.

Tickets on sale today August 9 at 12.00pm from store.unifygathering.com

A uniquely Australian event that takes pride in showcasing our natural beauty and the incredible heavy music scene our country is renowned for globally, UNIFY has been a smashing success since its inception in 2015 with the festival selling out year on year.

In 2019, the UNIFY lineup features 19 Australian acts, as well as a plethora of UNIFY exclusives and reunions, including Underøath playing an Australian exclusive, a legacy set from Taking Back Sunday playing their seminal 2002 debut, Tell All Your Friends, in full, and reformations from I Killed The Prom Queen (2005 line up) and Hand of Mercy both playing exclusive one off sets. There will also be UNIFY exclusive sets fromKarnivoolCrossfaith (Japan), While She Sleeps (UK), Dream State (UK), State Champs (US) and The Plot In You (US). On top of that, performances from the best Australia has to offer including Trophy EyesIn Hearts WakeOcean GroveDream on Dreamer, Endless HeightsWAAXClowns and stacks more.

With eight years passed since we last heard new music from Underøath, that near decade-length absence weighed heavily upon music lovers’ hearts. Leaving behind their gold certified records They Are Only Chasing Safety (2004) and Define The Great Line (2006), when you consider all of the bands that formed using their idiosyncratic power and texture as blueprints, you can clearly see the impact Underøath had. The band reunited in 2016 for a round of touring and in 2018 released their new album, Erase Me – adding another crucial chapter to their formidable legacy, and what will no doubt be an unmissable set at UNIFY 2019.

How have Taking Back Sunday managed to not only survive but thrive through their prolific career? The answer is simple: By constantly innovating. Through seven albums the band has consistently been able to write lyrics that connect with their audience through shared experiences, making celebrating their first album, Tell All Your Friends (2002), just as relevant as their latest. Taking Back Sunday will return to Australia to showcase their iconic debut album in full that launched their career and cemented their legacy 17 years on.

Karnivool are a curious beast. They have been a band for a long time, the twists and turns of their musical adventure get more interesting and more complicated as time goes on. Themata introduced them to Australia,Sound Awake introduced them to the world, and the ARIA winning #1 album Asymmetry solidified their reputation: the music mystery shrouded in a time-stretching conundrum. They ended the Asymmetry tour far from home at the Roundhouse in London and then, apart from a brief run to celebrate Themata and an even briefer run with friends Deftones, silence. New music already aired live, some hints of writing, recording but very little else – Karnivool had gone to ground. That had to change, change is the constant and Drew, Kenny, Steve, Hoss and Jon will be seen on stage together for the first time in 18 months in regional Victoria in January and no better place than the collective of like-minded souls that is UNIFY Gathering.

Australian heavy music legends I Killed The Prom Queen will reform with their classic 2005 line up exclusively for UNIFY 2019. For one night only, Michael Crafter, Jona Weinhofen, Kevin Cameron, Sean Kennedy and JJ Peters will get the band back together for the first time since 2008. As one of the original metalcore bands to emerge in Australia, their first and only album under this lineup was When Goodbye Meets Forever (2003). To celebrate 15 years since the album’s release, the band will dust off material from 2003-2005 for a night of nostalgia.

Rounding out the 2019 lineup is a veritable who’s who featuring Turnstile (US), Citizen (US), Harms Way,Stand AtlanticThornhillPaganDrown This CityGravemindAfter TouchOcean SleeperBetter Halfand Yours Truly.

The fifth instalment of UNIFY will take place on the new site just five kilometres down the road from its birth place the Recreation Reserve and football field, in Tarwin Lower, South Gippsland, a cruisy two-hour drive from Melbourne.

The new home of UNIFY is set across sprawling farm land with bush on one side and stunning views of the hills on the other. Surrounded by lush greenery, the festival site is only a 15-minute drive from the pristine blue ocean in neighbouring Venus Bay.

There’s a lot of exciting additions to UNIFY 19, including a new early access option to beat the crowds by camping onsite a day earlier. This year will see the roll out of pre-pitched camping options which includes pre-set up scout tents, bell tents and even canvas lodges – more details to come on those! Kartent will be back with their 100 percent recyclable cardboard tents for two, for the eco conscious. For the first time ever, there will also be the option to bring a campervan on site.

With more room on the site, UNIFY will increase its onsite services. 2019 will see the roll out of an improved entry system and larger campsite, complete with Unisex, Male and Female toilet options… and lots of them. There will also be increased community resources across the campsite (security, The Lighthouse, UNITY Crew) and a Corner Store for you to stock up on items that may have been forgotten.

Most importantly – there will be more days, more people, more music, more food, more fun!

Banana Bus will be providing transport options for those trekking to Tarwin Lower. Buses will pick up and drop off from 16 suburban locations in Melbourne. For those travelling from interstate, there is a pick up and drop off option for passengers near Southern Cross Station as well as a service running from Sydney, NSW, more information and routing can be found at bananabusft.com.

In an effort to encourage bus travel and decrease traffic on the roads and the overall carbon footprint of the festival, those who wish to drive and park onsite will be required to purchase a car pass. Punters who arrive with two or more passengers in their vehicle, 100 percent of the car pass fee will be donated to a local environmental initiative. UNIFY encourages carpooling and the official UNIFY carpooling group will launch in September. More information on all of the above can be found at unifygathering.com.

UNIFY Gathering is a proud supporter of YOUR CHOICE –  a music industry supported campaign initiated to address the growing cultural issues around behaviour and lack of personal accountability within Australian venues and event spaces. For more information, head to your-choice.net.au.

Click below to watch the lineup announcement.

News: Circles release surreal video for “Dream Sequence” single – The Last One album out August 31

RELEASE SURREAL VIDEO FOR “DREAM SEQUENCE” + ‘THE LAST ONE’ LP OUT AUGUST 31
Album to be released by Wild Thing Records (AUS) and Season Of Mist (EU/USA)
Touring Australia in September supporting TesseracT
Touring Europe in October and November, playing Euroblast and Progpower

 

Melbourne’s CIRCLES are today opening up their arms and allowing the world into their minds – via their brand new surreal, self-made filmclip for single “Dream Sequence”. The song will be the final single released before the album itself drops on Friday August 31 via Wild Thing Records and Season of Mist.

Dream Sequence will be available to stream and purchase as a single from Thursday August 9th and the album The Last One is available to pre-order now – with all options open to purchasers at http://hyperurl.co/circlestlo.

Drummer for Circles, Dave Hunter, explained what the surreal clip means to the band and the intended message – The song follows our singer Ben as he journeys into his own sub conscious and confronts an inevitable world of change. The place we first see him is in his ‘happy place’. In a sea of peaceful white he floats through his life without risk or fear. The world in which the band are performing slowly begins to consume his peaceful world and he must face a new, unknown way of being. This concept follows the story in the lyrics and was derived from life experiences I have had, where I knew certain situations I was in were too good to be true and some unexpected change would present itself at any given time.

Hunter went on to speak of the technical requirements and massive effort the band put into the exceptional and unique video for the already complex, intricate and intense song. “We wanted to create something more conceptual than what we had ever done in the past. We had some pretty ambitious ideas and just went for it! We stayed true to our DIY approach and shot/produced the whole video ourselves in our rehearsal space in Melbourne, Australia. When I’m not playing drums for Circles I do video production for a living, working with many bands directing their music videos. We spent one day shooting and seven days in post production, so a fairly hefty turn-around.” 
In sync with their monumental sophomore album release The Last One, Circles will be joining UK progressive metal juggernaut TesseracTon their Australian Tour in September 2018 as special guests. Soon after, Circles will jet off on their momentous return to Europe, touring across the continent with fellow Australian progressive rock trailblazers Caligula’s Horsebetween October-November 2018, while also appearing at prominent festivals ProgPower Europe and Euroblast.
Circles’ new album The Last One is available to pre-order now from iTunes, JB Hi-Fi and all good retailers – all available HERE. Dream Sequence will be available to purchase and stream as a single from this Thursday August 9 in all good online stores and streaming outlets.

News: $UICIDEBOY$ NEW ALBUM ‘I WANT TO DIE IN NEW ORLEANS’

$uicideboy$ announce the release of a new album, ‘I Want To Die In New Orleans’, on September 7th via G*59 Records / Caroline Australia. Alongside the announcement, $uicideboy$ have also shared one of its tracks, ‘Carrollton’.

$uicideboy$ make the kind of music parents just don’t get – a point that the Beastie Boys’ Mike D recently brought home when he told Vulture, “It was weird to me that I wasn’t hearing things that my kids related to that I couldn’t embrace. When they did hit on something, I was like, Finally! When they started listening to $uicideboy$ I was like, ‘That’s it. That checks the boxes. It’s really loud, I can’t really relate, I don’t really want to listen to it. I understand exactly why it’s good and I see exactly the music it’s combining, but I don’t need to participate and I’m good with that.’”

The duo – founded by $crim and his cousin, Ruby da Cherry, in 2014 – is from Louisiana’s Seventh Ward, a violent, neglected, crime-ridden section of New Orleans. Hailed by XXL Magazine as “one of the fastest growing acts in hip-hop right now,” $uicideboy$ have played Lollapalooza and completed sold-out tours of the U.S., Europe and Asia.

$uicideboy$ began work on the album in early 2017, planning to write about their experiences on the road and how their lives had become slightly more extravagant. The focus shifted along the way, leading $uicideboy$ to reconsider the album’s original title, I Don’t Wanna Die in New Orleans.

They explained the change in title to fans in an Instagram post, which read in part: “After traveling the globe on two back2back sold out world tours, amassing a fortune, spending an insane amount of money on drugs, losing friends, making “enemies” and witnessing this scene that we helped create turn into what it is now, we have decided that none of this fame or money will ever make us happy. For a second there we thought it would. Therefore, we are changing the album title to…I Want To Die In New Orleans.”

For Ruby, the aesthetic aspirations, failures, and redemptions innate to I Want To Die In New Orleans are a natural evolution for artists of his generation, who grew up with Odd Future as its Nirvana, Earl Sweatshirt as their Kurt Cobain.

“After I heard Earl Sweatshirt, I took everything I’d done up to that point and threw it in the trash,” Ruby says. “What he did was immature and graphic on the surface, but so clever and thought provoking – Earl changed everything. But then Lil Ugly Mane’s mixtape Mista Thug Isolation took things to an extreme we didn’t even think was possible. Kids are looking for that kind of artist to take things to that next level of insanity, where you don’t know what’s going to happen next, and that’s what we’re trying to do with our next moves. But we do this for ourselves and don’t fucking care about anything else. The only thing that changes with our records is our lives. We’ve said, ‘Fuck money and fame’ before – we’re just not broken anymore.”

“We needed to get out of there to get here,” adds $lick. “We make music for people who don’t know who they are, and where they belong. That’s the whole philosophy behind $uicideboy$: nothing is ever permanent – especially life.”

$uicideboy$ have racked up more than one billion streams worldwide across their entire catalog and have more than 3.5 million followers across social media.

$uicideBoy$ last toured Australia for Origin NYE in 2017. They had previously toured in May 2017, selling out Manning Bar in Sydney and Max Watts in Melbourne.

I Want To Die In New Orleans
OUT SEPTEMBER 7 VIA G*59 / CAROLINE AUSTRALIA

News: Alice Skye & friends at The Gasometer Hotel

Alice Skye & friends at The Gasometer Hotel

Since the release of her debut album Friends with Feelings in April 2018, things have really taken off for Melbourne based singer-songwriter and proud Wergaia / Wemba Wemba woman Alice Skye.

The album has been popular with the media and listeners alike, premiering on ABC Local Radio programs across the country, being added to double J rotation and featured on both Spotify and Apple Music.

Alice recently performed a gorgeous live duet with Emily Wurramarra on ABC TV’s The Tonightly Show with Tom Ballard, and after collaborating with Trials & Ziggy Ramo for NAIDOC Week, she was selected by triple j Unearthed as the artist they will present at the 2018 National Indigenous Music Awards.

Now, following her sell-out launch tour, Alice will headline her own show at The Gasometer Hotel on Thursday 11 October with good friends Georgia Maq (Camp Cope)
and Kalyani (Willow Beats).

Melbourne’s own Georgia “Maq” McDonald from Aussie alt rock trio Camp Cope will be given the chance to air her new songs live in a rare solo support slot, with Kalyani – one half of electronic duo Willow Beats – also opening for Alice on the night.

With mesmerising vocals and evocative lyrics, Alice has been capturing musical hearts nationwide. Now paired with Maq and Kalyani, this special Springtime show is not to be missed!

Thursday 11 October
The Gasometer Hotel, Collingwood
Tickets

News: DIET. ANNOUNCE SUNDOWN EP + EP TOUR ANNOUNCED INCLUDING BIGSOUND + HILLS CITY FESTIVAL + PLAYING NYE ON THE HILL

Getting on the diet train isn’t easy but DIET are certainly making a good go of it. Just check out their press pic as evidence. The beloved Melbourne five piece proudly today announce the release of their new EP Sundown in late August – right before showcasing at Brisbane’s BIGSOUND.

To celebrate the release, these five best mates have added a bunch of extra East Coast dates in August and September which will wrap up at ‘Hills City’ alongside The Bennies, BATTS and more. Plus they were just announced for NYE On The Hill this week.

DIET formed over a love of all things Captured Tracks Records in a ramshackle share house at the end of the Northern line of The Tube in London. There was a Smiths poster on the wall which may have something to do with triple j presenters describing their knack for nostalgic synthesizers and playful guitar lines as “shimmering with the sound from an alternate universe where Morrissey grew up beside the beach.”

Following the release of their debut EP and sold out shows, DIET bunkered down with local producer Dan ‘Caz’ Caswell to create a wave of new material. The result is their Sundown EP, a collection of tracks that shine like a Brit-pop laden sunset – the first single, jangly ‘Take Me’ gained the band spot rotation on triple j. Next came an ode to bass player Carlos Tinsey’s brother, ‘Danny Boy’ in early 2018 and there’s another surprise video in the works for a final single very soon. Recorded in Caz’s studio the Alamo over the last twelve months as well as few final touches at Red Door Studios in Collingwood, Sundown is proudly homegrown.

Recently scoring a place on the New World Artists booking roster DIET wrapped a huge run of shows alongside Polish Club and West Thebarton across the East Coast – adding to their already extensive supporting roster which includes Slum Sociable and Alex Lahey. Most recently the band fronted a national support spot for British India and played Cherry Rock Festival alongside Cosmic Psychos, The Chats and Gabriella Cohen.

Described by Tone Deaf as “one of the tightest and most entertaining live bands you’ll find”, DIET bring their infectious live show to somewhere near you this August and September. Don’t miss them promote their new release on the road for some calorie crunching’ fun.

Sundown EP is out everywhere from Friday August 24.

News: BOOM! BIGSOUND THROWS DOWN THE GAUNTLET WITH FULL PROGRAM LAUNCH

70 NEW BUYERS, APP, PARTY DETAILS AND LAST-MINUTE ARTIST ADDITIONS

In a final gauntlet-throwing announcement that would have even Beyonce wondering if she can handle this, BIGSOUND has done its final reveal, with its full program, over 70 new buyers and speakers from all over the world and some surprise last-minute artist additions making the pilgrimage for four days and nights of musical celebrations from September 4-7 in Brisbane’s Fortitude Valley Live Music Precinct.

In a final gauntlet-throwing announcement that would have even Beyonce wondering if she can handle this, BIGSOUND has done its final reveal, with its full program, over 70 new buyers and speakers from all over the world and some surprise last-minute artist additions making the pilgrimage for four days and nights of musical celebrations from September 4-7 in Brisbane’s Fortitude Valley Live Music Precinct.

The hints, clues, rumours and announcements that have all gone before have finally come together into a cohesive program of discovery, networking and professional development, with collaboration and community at its core as BIGSOUND stamps its mark as the place to create change and celebrate the future of the Australian music industry.

Keen eyes will notice G Flip, I Know Leopard and a swag of great new artists joining the line-up along with triple j Unearthed winners Keelan Mak and Austen. They join an already huge talent list which includes Didirri, Kwame, Moaning Lisa, Ella Hooper, Alice Skye, Gravemind, Blank Realm, SYDE, Arno Faraji, Cable Ties, Olympia, Eilish Gilligan, Good Doogs and 150 amazing acts. There’s also over 70 new buyers and speakers including Aussie legends UNIFIED’s Rachel Comerford, Future Classic’s Nathan McLay, Chugg Entertainment’s Michael Chugg, and Bossy Music’s Claire Collins ready to show the internationals how to really do BIGSOUND.

Thirteen amazing artists have also been unveiled as the BIGSOUND visual arts program custodians for 2018, and there’s eight exciting music tech innovators announced for the BIGSOUND Tech showcase, who will demonstrate their wizardry as part of the all new BIGSOUND Gallery boutique trade show. The all-important festival schedule has also been revealed and are live in the new BIGSOUND app for iOS and Android. You can start planning your adventure with the completely overhauled app experience which for the first time integrates with Spotify for even deeper music discovery based on your listening history.

Don’t just attend: actually participate, with workshops including managing mental health, tuning out your inner critic, US touring and visa procurement, and music metrics. Participate in forums discussing music’s place in the world, where our business model is heading, the science of behaviour change, positive leadership, and an important exploration of what the music industry would look like if designed by First Nations people.

Looking for some inspiration? How about a keynote from acclaimed author and Foo-mother Virginia Grohl on music industry parenthood? Or a conversation with Australian music royalty Paul Kelly? Want to hear Frenzal Rhomb’s Lindsay McDougall grill his own US label Fat Wreck Chords? What about an in-conversation with The Grates discussing their great career-life balance? Or music marketing guru Mardi Caught on how to redefine success in today’s industry.

Want to learn? We’ve got interactive panels on management (and life AFTER management), how to bring your tech ideas to market, image and styling, secondary ticketing, intersectional feminism, parenthood and its impact on careers in music, crowdfunding, data, music supervision, content creation and even a panel on what we can learn about managing mental health from the AFL (yes you read that correctly).

Want to meet? This year BIGSOUND has introduced specific HOOKUP sessions so not only can you jump into a conversation with awesome strangers at venues, but you have a more inviting and structured way to meet likeminded folks on specific interests including US touring, radio and metal. BIGSOUND’s new app also includes a new delegate matching algorithm to make sifting through that list so much easier to meet new friends and collaborators!

Want to party? BIGSOUND has never been bigger, with over a dozen official parties not to mention the buzz of secret shows, “unofficial” showcases, busking throughout the precinct and some of the latest nights and sorest mornings you’ll have all year. Aboriginal and Torres Strait Islander music will get the party started, with the ever-popular HOME showcase now becoming the official BIGSOUND opening party at 12.30pm on Tuesday September 4. Purple Pass holders will bookend their experience with the legendary Secret Sounds / The Music afterparty from midnight on the Thursday, as well as two Friday evening closing parties from Milk! Records and Fat Wreck Chords featuring performances from Lagwagon’s Joey Cape, Lindsay & Jay from Frenzal Rhomb, Loose Tooth, Hachiku and more.
Grab the app, grab some headphones to audition the more than 150 bands, grab your ticket and grab your mates and start planning your BIGSOUND 2018 musical journey.

Final tickets are on sale now with four nights of music starting at just $85 and the in-demand PURPLE PASS giving you the full BIGSOUND experience including priority queuing, access to exclusive parties, conference sessions and more selling fast!

BIGSOUND FESTIVAL TICKETS ARE ON SALE NOW
FROM OZTIX

ONE NIGHT PASS – $45.00 (+BF)
(One night of live music of your choosing)

RAINBOW PASS – $85.00 (+BF)
(Four nights of live music)

PURPLE PASS – START AT $470.00 (+BF)
(Exclusive access to festival showcases, conferences, parties and networking events
+ fast track access to all shows)

BIGSOUND FESTIVAL
FULL ARTIST LINE UP

A. Swayze & The Ghosts
Adrian Eagle
Alice Skye
Arno Faraji
ARSE
Arteries
Asha Jefferies
Atlas Franklin Alexander
Austen (NEW)
Bad Juju
Bare Bones
Beatrice
Bell City Square
Between You & Me
Bin Juice
Blank Realm
Bugs
Butterfingers
Cable Ties
Candy
Carla Geneve
Cast Down
Charlie Collins
Charlie Lim
CLEWS
CLYPSO
Cry Club
CXLOE
DEAN FOREVER
Demon Days
Didirri
DIET
East Brunswick All Girls Choir
DOBBY (NEW)
Dreller
Eat Your Heart Out
Edward R.
Eilish Gilligan
Eliott
Eliza And The Delusionals
Elizabeth
Ella Hooper
Emerson Snowe
Emilee South
Emma Anglesey
Erthlings
Estère
EWAH & The Vision of Paradise
FLUIR
Fortune Shumba
Future Jr.
G Flip (NEW)
Gabriella Cohen
Genesis Owusu
Georgia Mulligan
Geryon
Good Doogs
GRAACE
Gravemind
Greta Stanley
Grim Rhythm
Hachiku
HANDSOME
Hazlett
Hobsons Bay Coast Guard
Hollow Coves
I Know Leopard (NEW)
imbi the girl
Imogen Clark
Intriguant
IV League
Jade Imagine
James Wright Trio
JEFFE
KAIIT
Kaitlin Keegan
Keelan Mak (NEW)
KIAN
KIRARA (NEW)
Kota Banks
Kult Kyss
Kwame
Linying
Loose Tooth
LudiSTELO (NEW)
MANE
Miss June
Moaning Lisa
MOOKHI
Mosquito Coast
Nardean
Nice Biscuit
No Mono
Nooky
Not A Boys Name
Oh Pep!
Olympia
Paces
Pink Matter Pinkish Blu
Pirra
PLANET
Pool Shop
Psychedelic Porn Crumpets
RAAVE TAPES
Rachael Fahim
Rachel Maria Cox
RAT!hammock
Riley Pearce
RIVAH (NEW)
RO
Robbie Miller
Ruby Gilbert
Sahara Beck
Samsaruh
San Mei
Sleep Talk
Slowly Slowly
STATESIDE
Stevie Jean
Sumner
Sunscreen
sweater curse
SŸDE
T$oko
Tape/Off
thando
The Beautiful Monument
The Beths
The Chats
The Comfort
The Little Lord Street Band
The Merindas
The Moving Stills
Thornhill
Total Pace (NEW)
TOTTY
Triple One
Turquoise Prince
Two People
Tyne-James Organ
Voiid
WALKEN
Wax Chattels (NZ)
Wedance (NEW)
Wildheart
Windwaker
yú yī
BIGSOUND
FULL SPEAKER LINE UP
Adam Ryan – The Great Escape (UK)
Alethea Beetson – QMusic (AUS)
Alex Berenson – Vinyl Me, Please (USA)
Alex Zaccaria – Bolster (AUS)
Alice Skye – Alice Skye (AUS)
Alison Rosenfeld – Aperture Music (USA)
Allen Christensen – Brisbane Lions (AUS)
Amanda Krieg Thomas – Neophonic Music & Media (USA)
Amber Carew – Saddle Creek Records (USA)
Andrew Khedoori – 2SER / Amrap (AUS)
Andrew McMillen – The Australian (AUS)
Anna Benefield – Panache Booking LLC (USA)
Anthony Zaccaria – Bolster (AUS)
Bernie Cho – DFSB Kollective (KOR)
Blake Rayner – The Orchard (AUS)
Breanna Wright – BehaviourWorks Australia (AUS)
Brent Hedley – AFL Players Association (AUS)
Brian Chladil – Oztix (AUS)
Brian Zabinski – Tamizdat (USA)
Brianna Liebling – The Billions Corporation (USA)
Briese Abbott – Kobalt Music Publishing (AUS)
Brontë Jane – Third Side Music (USA)
Carlos Lopez Jr. – Domino (USA)
Chris Carey – MI/FastForward (AUS)
Claire Collins – Bossy Music (AUS)
Clemence Renaut – ATC Live (FRA)
Damien Luscombe – White Sky Music (AUS)
Dan Condon – Double J (AUS)
Dan Rozenblum – 33 And West (USA)
Daniel Sheinberg – Nettwerk Music Group Inc (CAN)
Darren Levin – Bolster (AUS)
Dave Byrne – Bigfish (AUS)
Dave Ruby Howe – triple j (AUS)
David Grice – Cognilitics Pty Ltd (AUS)
Dean Hampson – White Sky Music (AUS)
Declan Byrne – triple j (AUS)
Dorothy Markek – ABC / Double J (AUS)
Emilie Davaine – LA Factory by Caramba (FRA)
Emily Roehl – Superfly (USA)
Emily Wurramara – Emily Wurramara (AUS)
Emma Zillmann – From The Fields (UK)
Eric Fritschi – Mtheory (USA)
Erin Kelly-Burkett – Fat Wreck Chords (USA) – KEYNOTE
Esti Zilber – Sounds Australia (AUS)
Fabrizio Onetto – OCESA Seitrack (MEX)
Gabe Cramb – Scrabble PR (AUS)
Geoff Paine – BehaviourWorks Australia (AUS)
Guy Morrow – University of Melbourne (AUS)
Isabella Trimboli – Gusher Magazine (AUS)
Jacob Daneman – Pitch Perfect PR (USA)
Jalen James Acosta – World Artists United / MEcon (USA)
James Adair – Monkier Promo (AUS)
James Clarke – Bolster Group (AUS)
Jen Pearce – Low Profile (USA)
Jerry Soer – Collab Asia (AUS)
Jess Carroll – Inmocean (AUS)
Jessi Frick – Citrine Management (USA)
Joe Greenwald – C3 Management (USA)
Joel Edmondson – QMusic / BIGSOUND (AUS)
Joey Cape – Lagwagon (USA) – KEYNOTE
John Atkins – White Sky (AUS)
John Patterson – The Grates (AUS)
Jon Box – Universal Music Canada (CAN)
Juliette Younger – Gusher Magazine (AUS)

Karen MacMillan – Universal Music Group (USA)
Karina Utomo – High Tension (AUS)
Katie Garcia – Secretly Group / Bayonet (USA)
Kavisha Kuruk – White Sky (AUS)
Kevin Pedersen – WhatsYourRupture? (USA)
Leanne de Souza – Leanne de Souza (AUS)
Leigh Treweek – The Music / Handshake MGMT (AUS)
Lindsay McDougall – Frenzal Rhomb (AUS)
Lisa Bishop – Music SA (AUS)
Liz Ansley – 4ZZZ & Special Interest (AUS)
Liz Rogers – Brett Oaten Solicitors (AUS)
Liz Wright – Maribyrnong City Council (AUS)
Lucy Pitkethly – Eat Your Own Ears (UK)
Madison McCabe – Hidden Track Music (USA)
Maize – Herself (USA)
Mardi Caught – The Annex (AUS) – KEYNOTE
Markell Casey – Pulse Music Group (USA)
Matt Bird – White Sky (AUS)
Matt Walters – Parlour (AUS)
Mel Cheng – One Louder (AUS)
Michael Chugg – Chugg Entertainment (AUS)
Nadine McDonald-Dowd – QPAC (AUS)
Nathan McLay – Future Classic (AUS / USA)
Nevin Domer – Maybe Mars Music (CHN)
Nick Findlay – triple j (AUS)
Nick Humphreys – Bolster / LNWY (AUS)
Nicole Jordan – QUT CEA (AUS)
Niqui Toldi – Bigfish (AUS)
Owen Mallon – Paradigm Agency (USA)
Paige X. Cho – Bolster (AUS)
Patience Hodgson – The Grates (AUS)
Paul Bridgewater – The Line of Best Fit (UK)
Paul Kelly – Himself (AUS) – KEYNOTE
Paul Niederer – Raiseworth Pty Ltd (AUS)
Paul Sloan – SUPERSONIC/Billions (AUS)
Peta Ellis – River City Labs (AUS)
Philip Vafiadis – Innovyz Institute (AUS)
Philippe Ceulen – QUT CEA (AUS)
Rachael Comferford – UNIFIED Music Group (AUS)
Rachel Cox – Sad Grrrls Club (AUS)
Rachel Karry – World Artists United (USA)
Rachel Kelly – Downtown (AUS)
Rhianna Patrick – ABC Radio (AUS)
Rico Soto – Australasian Blockchain Music Association (AUS)
Robert Conley – Specific Music (AUS)
Rod Yates – Rod Yates (AUS)
Sam Bright – CLIPPED Music Video Fest (AUS)
Sharelene Harris – ALH Group (AUS)
Shaun Faulkner – X-Ray Touring (UK)
Shelley Hankins – Cargolive Logistics (AUS)
Sky McElroy – A2IM (UK)
Stu Harvey – Cooking Vinyl Australia (AUS)
Stuart Field – Oztix (AUS)
Terry Gold – Techstars Adelaide (AUS)
Tim Kelly – Open Collar (AUS)
Tim Luckow – Stem (USA)
Tim Price – Collision Course (AUS)
Tom Bownes – Live Nation (UK)
Tom Larkin – VVV Management (AUS)
Tom Wironen – Friendly Announcer (USA)
Trad Nathan – Crowbar Brisbane (AUS)
Tyler Treves – Monkier Promo (AUS)
Vanessa Burt – Fat Wreck Chords (USA)
Virginia Hanlon Grohl – From Cradle to Stage (USA) – KEYNOTE
Viv Fantin – Next Act Coaching (AUS)

BIGSOUND OFFICIAL PARTIES
Virgin Australia HOME Official Welcome Party
Oztix 15th Anniversary Party
Women in Music
Guardian: Songs of Brisbane
Queensland Music Awards Showcase
Gold Coast Showcase
GYROstream’s Hump Day Happy Hour
Swing By with 123 Agency & Beehive PR
Screen Qld’s Screen and Sound Mash-up Event
Future Energy Artist’s Reception
Hear65@BIGSOUND (Singapore Arts Council)
LEVI’S® Showcase
LoveBusk Launch
Music Industry College Bacon & Bangers
Big Newy Sound (Newcastle Showcase)
BEMAC Showcase
Made In Adelaide
INgrooves Reception
BIGROUND! (AMIN in partnership with APRA AMCOS)
Korea Showcase (Australian Korea Foundation and Audeara)
ABC TV ‘Don’t Stop the Music’ Briefing Breakfast
Secret Sounds / TheMusic BIGSOUND After Party
bettercup BIGSOUND Bloody Mary Brunch
BIGSOUND Closing Party Part 1: Fat Wreck Chords
BIGSOUND Closing Barty Part 2: Milk! Records

*Access for Purple Pass Holders

BIGSOUND FESTIVAL VENUES
256 Wickham
Alehouse Stage & Mane Stage at Woolly Mammoth
Black Bear Lodge
Crowbar Black
Crowbar Brisbane
Empire Hotel
Family
Heya Bar
Laruche
Press Club
Ric’s Big Backyard
The Brightside
The Elephant Hotel
The Flying Cock
The Foundry
The Valley Drive-In
The Zoo
triple j Unearthed Stage @ Famous

BIGSOUND FESTIVAL VISUAL ARTISTS
Helena Papageorgiou
Niqui Toldi
Kirsten Baade
Caitlin Strongarm
Georgia Ann
James Hornsby
Man
Wah
Jake French
Tim Bray
Maxim Chikanchi
Rozelle Tan
Sonny O’Brien
Patrick Arnold
Yin Lu
Warren Handley
Jessie Hughes

BIGSOUND MUSIC TECH SHOWCASE
Fusion Guitars – Con Papandreou
Netgigs – Joe Ward
I heart Songwriting Club – Francesca de Valence
Airsticks – Alon Ilsar
Summer – Josh Graham
Can’t Sleep App – Thomas Dickson
Gig Tripper – Jen Barrett
Stream Hear – Craig Ninness

*Access for Purple Pass Holders

News: FourPlay String Quartet announces east coast shows to launch ‘Wish’: a powerful, haunting ballad about living in a climate-changed world

FourPlay String Quartet announces east coast shows to launch
‘Wish’: a powerful, haunting ballad about living in a climate-changed world

“Nothing short of magnificent.” The Scotsman

“Forget anything you ever thought about string quartets. This is the future.” The Music

“Just perfect… the rock band of string quartets.” Neil Gaiman (author)

FourPlay put the ‘eclectic’ back into ‘electric string quartet’ with their second new single, ‘Wish’, a powerful, haunting ballad about living in a climate-changed world. As with previous release, ‘Bound’, the digital-only release of ‘Wish’ is available now exclusively via Bandcamp and will be officially be released Friday 10 August. The release will include archival remixes of FourPlay songs, and to celebrate the band will play east coast shows in Canberra, Melbourne, Nambour, Brunswick Heads, and Sydney during September.

FourPlay, who have been wowing audiences around the world for over 20 years with both their radical reinventions of pop songs and their wildly eclectic original material, have often had environmental and political themes in their music.

‘Wish’ takes this to the next step: a haunting ballad with tones of Not Drowning Waving and ‘70s folk protest songs, with powerful lyrics delivered passionately by Tim Hollo and Lara Goodridge, intricate viola lines from Shenzo Gregorio, and a soaring, poignant cello solo from Peter Hollo.

 

‘Wish’ began life when the band was trapped behind rising floodwaters while enjoying the Bundanon Trust’s Artist-In-Residency program in the Southern Highlands of NSW. Tim’s older daughter kept calling to make sure he was OK and, at one point, said to him “I wish that I’d been born before climate change was happening.” Tim, a long-time environmental activist and founder of Green Music Australia, said those words “hit me in the guts”. The conversation inspired this song, with the message that “we can’t wish away the times we’ve been given; we have to do with them what we can.”

Produced by Justin Tressider (Macy Gray, Wolfmother) and FourPlay at Sony Music Studios, Sydney and Hydrofunk HQ, Mullumbimby, ‘Wish’ is classic FourPlay sound with a new flavour, and has already had audiences moved to tears at live performances.

‘Wish’ includes five archival remixes from the band’s Now To The Future album, unreleased until now. Indeed it is the album’s title track, ‘Now To The Future’ being reworked as glitchy post-rock by Brisbane’s Chris Perren, experimental noise by Canberra’s Shoeb Ahmad, and two very different, beautiful drone works from Adelaide’s Panoptique Electrical and Melbourne’s Part Timer. The 5-track release closes with a radical electro-pop reworking of ‘You’ve Changed Your Tune’ by Sydney’s ollo.

Don’t miss FourPlay as they showcase ‘Wish’ along with tracks from their entire career at a venue near you.

FourPlay ‘Wish’ Tour Dates 2018
All tickets on sale now

Friday 14 September
Smiths Alternative, Canberra ACT
Tickets

Sunday 16 September
The Toff In Town, Melbourne VIC
Tickets

Thursday 20 September
Waywards, Newtown NSW
Tickets

Friday 21 September
Bison Bar, Nambour QLD
Tickets

Saturday 22 September
Brunswick Picture House, Brunswick Heads NSW
Tickets

Sunday 23 September
Brightside, Brisbane QLD
Tickets

More information via www.fourplay.com.au/wish

‘Wish’ available exclusively now via Bandcamp
Out Friday 10 August via ITunes // Spotify // Apple Music

News: Melbourne Guitar Festival Brings the Noise

Over the weekend the Caufield Racecourse bought together under one roof three massive levels of all things guitar for players and enthusiast to enjoy.

The first floor compromised of all things electric with the gang from Reverb talking about their music marketplace and educational website. Not just a market place but a whole music community website to connect with like minded individuals.

For the gadget person Fusion guitars were demonstrating the latest in technology with an integrated iPhone dock, amp, speakers and battery, the Fusion Guitar redefines what an electric guitar is, and what it can do – pretty impressive stuff and very cool.

If that wasn’t enough to get you excited, then special guests Bec Sandridge and Harts dropped into the Fender stand to demo the latest range and play a few surprise songs for everyone.

For the acoustic lovers the second floor was the place to be. Maton, Cole Clark and Wasburn rubbed shoulders with some of the most beautifully crafted acoustic guitars all in one place. At the Maton stand guitar maker Zac Eccles was on hand to talk all things guitar. Whilst you may not know his name his work as the guitar maker for King Gizzard and the Lizard Wizard you will know.

The event was a two day affair jam packed with music, the chance to try out gear and listen to some amazing music being played by numerous special guests and performers. Even if you can’t play it was a great chance to appreciate the beauty of all things guitar.

 

MUSIC ARTS MEDIA