Category Archives: News

News: LANCE FERGUSON UNVEILS SOULFUL BILLIE EILISH COVER “MY FUTURE (FEAT. RITA SATCH)

LANCE FERGUSON UNVEILS SOULFUL BILLIE EILISH COVER

“MY FUTURE (FEAT. RITA SATCH)”

AHEAD OF NEW ALBUM ‘RARE GROOVE SPECTRUM, VOL. 3’

Photo Credit: Ian Laidlaw

 

DOWNLOAD / PRIVATE SOUNDCLOUD / STREAM

TRUDD677 | Lance Ferguson – ‘My Future feat. Rita Satch’ | Digital Single | Out Now

TRU471D / TRULP471 / TRUCD471 | Lance Ferguson – ‘Rare Groove Spectrum, Vol. 3’ / Album

(Digital, Vinyl, CD) | Release Date: Friday 21st November

 

Previous praise for Lance Ferguson…

“Lance Ferguson is a man of many talents …” GQ Magazine (AUS)

“He’s sounding younger and more potent with every record …” The Herald Sun (AUS)

“Australia’s answer to Mark Ronson” Blues & Soul Magazine (U.K)

“One man’s vision of Soul music’s evolving potential”  Rolling Stone Magazine

“Keeping close tabs on anything Lance Ferguson does is not just recommended, but pretty necessary” Wax Poetics (USA)

 

Melbourne-based, multi-hyphenate Lance Ferguson returns with a rich reinterpretation of Billie Eilish’s 2020 hit “My Future”, featuring the powerhouse vocals of Rita Satch. The new single offers another glimpse into Lance’s forthcoming album ‘Rare Groove Spectrum, Vol. 3’, dueFriday 21st November.

Bringing a sultry, 1970s Soul aesthetic to Eilish’s introspective pop ballad, Lance blends live instrumentation and lush harmonic layers with Rita Satch’s compelling vocal delivery, creating a version that’s both reverent and strikingly original.

Billie Eilish’s ‘My Future’ is a great example of a contemporary Pop tune that has real harmonic interest – it’s almost like a modern Jazz standard,”Lance explains. “I had messed around with this a while ago as a guitar instrumental but I felt it would really shine on this record with Rita Satch on vocals… She really makes the song her own, it’s an incredible performance.” Lance Ferguson 

Following previous singles “Could Heaven Ever Be Like This” and “Dominoes”, “My Future” is the third release from ‘Rare Groove Spectrum, Vol. 3’, a continuation of Lance’s celebrated series that shines new light on soul, jazz and funk deep cuts and classics. Reimagined through live performance with a deep musical sensitivity, the series has earned high praise from Gilles Peterson, Jazz FM, Craig Charles, Bandcamp and others across the global groove scene.

Lance is a force within Australian music. Known for his work with The Bamboos, Menagerie and Lanu, Lance has carved a reputation as one of Australia’s most versatile and visionary musical minds. Lance has produced 45 full-length albums and more than 100 singles and remixesfor an array of respected labels, including Atlantic, Universal, Warner, BMG, Sony, Tru Thoughts (UK), Ubiquity (USA), Inertia (Australia), Freestyle (UK) and his own imprint Pacific Theatre.

With Seven ARIA Award nominations and five APRA Music Award nominations, Lance’s global breakthrough came with co-writing and producing the viral smash ‘This Girl’ by Kungs vs Cookin’ On 3 Burners, which topped charts in over 10 countries, charted in 29, and amassed over 1.27 billion Spotify streams and 545 million YouTube views, earning multiple Platinum and Diamond certifications worldwide.

Lance’s collaborative spirit has seen him work with a diverse roster of artists including Aloe Blacc, Roy Ayers, Alice Russell, Durand Jones, Tim Rogers, Daniel Merriweather, Quantic, Lyrics Born, Joey Dosik, Kylie Auldist, TY, and J-Live.

His music has featured in over 200 compilations and numerous international sync placements, including CSI NYC, Grey’s Anatomy, Homeland, The Blacklist, House of Cards, and Suits, as well as advertising campaigns for brands like BMW, Old El Paso, Westpac, Chase Manhattan, and Miss Dior. His film credits include Crazy Stupid Love, Good Hair, and Jurassic Park: Rebirth.

As a guitarist, Lance has collaborated with legends such as Ed Sheeran,Syl Johnson, Joe Bataan, Eddie Bo, Betty Harris, and more. His performances have taken him to iconic venues worldwide, including The Barbican (London), The Jazz Café, Low End Theory (LA), The Brighton Jazz Rooms, New York, Tokyo, Berlin, Paris, and throughout Australia and New Zealand.

FOLLOW LANCE FERGUSON:
Instagram | Facebook | X | Spotify | Apple Music | Bandcamp | YouTube | Website

News: BATTLE BEAST Announce First Ever Australian Tour!

Battle Beast is not just another metal band. They are a phenomenon” – ReflectionsOf Darknes.com

 

“Battle Beast have carved their name and their reputation as both modern metal titans and a must-see live show. – Metal Planet

“An incredible performance that we will not forget” – LoudFlash.com

 

 

FINLAND’S POWER METAL TITANS BATTLE BEAST ANNOUNCE AUSTRALIAN TOUR

BATTLE BEAST do not write songs. They write anthems. Big riffs. Soaring melodies. Unbridled energy. A triumphant evolution fusing classic heavy metal with ’80s-tinged hard rock, cinematic synths and infectious pop hooks. And they deliver these anthems live with all the force of a category nine hurricane.

Having amassed multiple platinum selling albums across Europe, sold out tours worldwide, shared stages withSabaton and Nightwish (who have covered a Battle Beast song live); and collaborated with Amaranthe, Battle Beast are thrilled to announce their long-awaited debut Australian tour fresh off the electrifying release of their seventh studio album Steelbound.

“We’re beyond excited to finally bring our beastly sound to the land of endless horizons and killer crowds,” says incredible frontwoman Noora Louhimo. “Australia’s metal scene has been calling to us for years – get ready for a night of pure escapism, headbanging fury, and memories that’ll last a lifetime!”

Battle Beast March 2026 Australian Tour Dates

Tuesday March 10th PERTH, Magnet House

Wednesday March 11th ADELAIDE, Lion Arts Factory

Friday March 13th MELBOURNE, Max Watts

Saturday March 14th SYDNEY, Manning Bar

Sunday March 15th BRISBANE, Crowbar

 

Tickets:

Pre-sale: Friday October 24th @ 9:00amlocal

General Public On Sale: Monday 27thOctober @ 9:00am local

From: https://thephoenix.au/

Live Review and Gallery: Royel Otis

Royel Otis

Supported by Florence Road

Fortitude Music Hall, Brisbane

20th of October, 2025

 

Indie-pop masters, Royel Otis, brought their ‘Meet Me in the Car’ tour to the Fortitude Valley last night. Their first of two sold out shows in Brisbane, and second Australian city of the tour, saw the lads deliver an insanely well put together show. I’ve been excited for this one for months, eager to see their new live set after the recent rise to one of Australia’s most listened to bands.

Despite the Monday night timeslot, they played to a packed house at Fortitude Music Hall. The Sydney duo — Royel Maddell (guitar) and Otis Pavlovic (vocals) — proved that their meteoric rise is matched by a live show that’s raw, charming and unmistakably Australian. Picture groups of friends locked in arms jumping in circles, entire crowd singalongs, and lyrics being belted towards stage.

While they have only just started their Aussie leg, Royel Otis are in the wake of ticking off some meteoric festivals – including Glastonbury, Lollapalooza and Fuji Rock – and many sold out shows across America and Europe. With essentially two sold out shows in each of Australia’s capital cities, they don’t seem to be slowing down anytime soon.

Off the back of their latest album release ‘Hickey’, Royel Otis have a well-established catalogue of songs that any decades old band would be envious of. The set list was a mixture  of some of their old favourites like, ‘Fried Rice’, ‘I Wanna Dance With You’, ‘Bull Breed’ and ‘Sofa King’, and the new favourites ‘Moody’, ‘Car’ and ‘Say Something’ – topped off with their popular covers of ‘Linger’ (The Cranberries) and ‘Murder on the Dance Floor’ (Sophie Ellis-Bextor). I mean does it really get much better?

From the moment the lights dimmed, and the first chords rang out, the hall was a buzz of excitement. They opened strong, with a shared energy that carried through the night. Otis’ vocals were, at times, cool and collected, at others emotionally unguarded — a perfect foil for Royel’s shimmering, reverb-laden guitar work. Songs melted into others seamlessly and the show as a whole felt lively, with no major down moments. Backed by some slick, neon visuals, and Otis’s endearing dance moves, I was hooked the whole set.

In a show like this, Royel Otis reaffirmed that their success isn’t just about studio polish or streaming numbers — it’s about connection, energy, and the ability to translate their recorded material into something live and meaningful. With awards and international recognition already stacking up (watch out 2025 ARIA’s – and potential 2026 Grammy nominations???), they’re not resting on laurels; they’re showing why the hype is justified.

This Brisbane show was proof: this band are not just on the rise — they’re here to stay.

Review and Photos by Tim Ludlow (Astray Photography).

                 

News: Harper Bloom shares new EP A House of Cards

Naarm/Melbourne based indie pop artist Harper Bloom unveils her long awaited EP A House Of Cards, available Friday 31 October.

Unfolding over four tracks, Harper Bloom shares her personal journey with discovering and celebrating her queer identity.

PREVIEW EP

Featuring tracks “Sleepyhead” and “Girl Like You”, A H ouse O f C ar d s introduces us to “The Cobra” and “Mrs Brown”. Harper creates a safe and relatable space with her vulnerable songwriting, encouraging the LGBTQIA+ community to live boldly and unapologetically themselves.

Harper shared,

“ A House of Cards is an explosive ode to queer self -expression. I t was written at a time where I finally found my confidence as a queer and gender fluid artist and it’s a collection of synth- part y pop anthems that celebrate  that .”

An empowering coming-of-age anthem, “Sleepyhead” features lush synths and a very cute children’s choir.

“Girl Like You” sees Harper swept up in the allure of a mysterious woman, pulling you in with an addictively groovy bassline and quirky lyrics.

With grungy electric guitars, Harper is both consumed and intimidated by her unsaid feelings on“The Cobra. Song “Mrs Brown” is a fast-paced synth-heavy track turning a toxic dynamic between teacher and student into a playful jab at Harper’s strict catholic schooling.

Melbourne fans can hear A House Of Cards live at the official EP launch on Thursday 20 November at Bergy Bandroom in Brunswick.

Named as one of The Music’s Must-See Acts, Harper recently showcased her punchy pop anthems to fans and industry alike at world-renowned music industry gathering BIGSOUND in Brisbane.

Known for her cinematic live show, Harper crafts quirky indie-party anthems that celebrate individuality and coming-of-age queer identity. With over half a million Spotify streams and industry acclaim from NME, Rolling Stone, The Guardian, triple j and more, her voice has resonated far beyond the underground.

Gracing the stage earlier this year at Beyond The Valley, Harper has also supported world-class acts like James Marriott and Sophie May as well as local legends Rum Jungle, Surf Trash, Montaigne and Alex the Astronaut. Earning love from Spotify and Apple Music with her 2024 EP F lutterby, Harper Bloom carried the momentum into 2025 with

“Girl Like You” scoring spots in Pop n’ Fresh, New Music Friday and All New Pop.

With Team Trick management (Mallrat, Allday, Tyne-James Organ) and booking agency Cult Artists (Parcels, Esha Tewari, Boo Seeka) on her side, Harper Bloom is taking the industry by storm.

A House Of Cards is available Friday 31 October wherever you consume stellar tunes

 

EP LAUNCH SHOW

Thursday 20 November 2025

Bergy Bandroom

Brunswick, VIC

Tickets available here

A House O f Cards

1. Sleepyhead

2. Girl Like You

3. The Cobra

4. Mrs Brown

Co-written by Harper Bloom and Tim Cox

Co-Produced by Harper Bloom, Edward Qu

News: CHARLY OAKLEY ANNOUNCES DEBUT SINGLE “AGAINST THE ODDS”

CHARLY OAKLEY 
ANNOUNCES DEBUT SINGLE “AGAINST THE ODDS”

TICKETS ON SALE NOW FOR LAUNCH
AT THE NIGHT CAT, FITZROY

THURSDAY 30 OCTOBER, 2025

LISTEN HERE  | WATCH HERE | IMAGES HERE | TICKETS HERE

Dynamic, honest, and philosophical, 22-year-old Australian pop artist Charly Oakley is redefining what pop can sound — and feel — like. With the release of their powerful debut single “Against The Odds,”Charly invites listeners into a space of connection, resilience, and raw emotion.

To celebrate the release, Charly Oakley will perform a special single launch show in Melbourne at Fitzroy’s iconic Night Cat on Thursday 30 October. Fans can expect an evening overflowing with sentimentality, joy, and the boundless energy that has already made Charly one of Australia’s most captivating new voices.

Tickets are on sale now and can be purchased HERE.

After being signed to management under Sam Dainty and Paul Dainty AO, AM, Charly quickly caught the attention of Jonathan Daniel, founder of CRUSH MUSIC (whose roster includes global icons Miley Cyrus and Lorde). Daniel introduced Charly to acclaimed Los Angeles producer Xandy Barry, who, alongside long-time friend and collaborator Jordie Tomas, helped bring Charly’s vision to life.

Released under AWAL, “Against The Odds” explores the power of friendship and community amid darkness and injustice. It’s a song that chooses humanity and love — again and again — even when the world feels stacked against us.

The single is accompanied by a striking music video directed by emerging creative Charlotte White, supported by a crew made up of Charly’s close friends and collaborators, embodying the spirit of togetherness that defines the project.

With a mission to make young people feel less alone and more alike, Charly Oakley stands at the forefront of a new wave of heartfelt Australian pop — bold, open-hearted, and unmistakably their own.

TikTok charlyyoakley | INSTAGRAM @charly.oakley

Tour Announcement | Electric Callboy TANZNEID World Tour – Australia

ELECTRIC CALLBOY
TANZNEID WORLD TOUR – AUSTRALIA 
Australia, get hyped! German electronicore titans ELECTRIC CALLBOY are thrilled to announce their hotly-anticipated return down under in 2026, with a massive arena headline run locked in next September.

Now in command of six studio albums, including most recently the gold-certified 2022 outing Tekkno, over 3 million monthly listeners on Spotify alone and a horde of smash singles like RATATATA featuring BABYMETAL, We Got the Moves and Still Waiting.

And after drawing a crowd that could barely be contained and had security being deployed from every corner of the site at Good Things Festival in 2022, the band levelled up to the main stage in 2024, showcasing their unwavering energy that eternally leaves you wanting more. The band performed the penultimate spot on the festival and produced one of the most electrifying sets in the festival’s history.

A cross-cultural cavalcade of theatricality, cinematic wizardry and genre-defiance, this unforgettable tour will commence on Friday 4 September in Perth before heading to Adelaide, Melbourne, Sydney and Brisbane, with the tour also marking ELECTRIC CALLBOY‘s largest Australian headline shows since their entirely sold out 2023 down under run.

A sonic hurricane and permanent heaving party, churning with 90s pop synths, driving alternative rock, explosive metalcore and a modern spin, ELECTRIC CALLBOY have become a bona fide global phenomenon. Between their insatiable live shows and their larger-than-life sonic output, ELECTRIC CALLBOY first emerged back in 2010, before pivoting into a dazzling new era via the release of their gold-certified 2020 single Hypa Hypa. Now in command of six studio albums, including most recently the gold-certified 2022 outing Tekkno, over 3 million monthly listeners on Spotify alone, and a horde of smash singles like RATATATA featuring BABYMETAL, We Got the Moves and Still WaitingELECTRIC CALLBOY have always seemed destined to exceed global domination, relentlessly reaching beyond the stratosphere with each new chapter.

In 2023, ELECTRIC CALLBOY sold out the majority of their world tour, which also included their debut headline run in Australia; an entirely sold out affair with Scenestr declaring after the Brisbane leg: “An EC live show is an intoxicating blend of barraging rock & roll, techno beats and crushing metalcore that will at worst put a smile on your dial, and at best have you dressing up, testing out your best metal screams and melodious refrains while moshing like a wild beast”. And after drawing a crowd that could barely be contained on Stage 4 at Good Things Festival in 2022, the band levelled up to the main stage in 2024, showcasing their main character energy as well as their unwavering energy that eternally leaves you wanting more.

Don’t miss out on one of the biggest parties on the heavy music calendar in 2026 – tickets will absolutely not last long!

Pre-sale tickets on sale: Tuesday 21 October @ 10am local time

To Gain Early Ticket Access Register Here -> https://daltours.cc/EC2026

General tickets on sale: Thursday 23 October @ 10amlocal time

Destroy All Lines Presents

ELECTRIC CALLBOY
TANZNEID WORLD TOUR –  AUSTRALIA
TOUR DATES:

FRIDAY 4 SEPTEMBER 2026 – RACA ARENA, PERTH
SUNDAY 6 SEPTEMBER 2026 – AEC ARENA, ADELAIDE
TUESDAY 8 SEPTEMBER 2026 – ROD LAVER ARENA, MELBOURNE
THURSDAY 10 SEPTEMBER 2026 – QUDOS BANK ARENA, SYDNEY
SATURDAY 12 SEPTEMBER 2026 – RIVERSTAGE, BRISBANE

General tickets on sale: Thursday 23 October @ 10amlocal time
Tickets from www.destroyalllines.com

BOY & BEAR SHARE LUMINOUS NEW SINGLE + VIDEO TRIPPING OVER TIME + ANNOUNCE NEW ALBUM TRIPPING OVER TIME FOR RELEASE DECEMBER 12

Laden with dreamy haze and luminous pop, the brand new single and captivating music video Tripping Over Time out today from beloved indie alternative act Boy & Bear also unfurls alongside the announcement of the group’s upcoming sixth studio album of the same name, with the full-length and entirely independent record Tripping Over Time set for release on Friday December 12. Primed to be launched in unforgettable fashion this December when Boy & Bear take the stage for their biggest headline show to date at the Sydney Opera House Forecourt on Saturday December 14 (selling fast!), fans can also witness some of this brand new Boy & Bear magic at shows in Boonah, Sandstone Point and Margaret River to close out 2025, and a performance also locked in at Tasmania’s premium summer day out Festivale in February 2026.

 

Announcing their monumental upcoming performance on the steps at the iconic Sydney Opera House Forecourt on December 14, joined by special guests Hollow Coves and Darcie Haven, some lucky fans will also be able to snag the ultimate Boy & Bear experience, with the band today announcing an exclusive competition that will see two winners score two return flights, one nights accommodation in Sydney, a meet and greet with the band, and a signed limited edition poster from the Sydney Opera House Forecourt performance. To enter, simply pre-order Tripping Over Time, either vinyl, CD or digital download, from the band’s Australian webstore https://www.boyandbear.com/, register for the competition – and you and a friend may be sharing time and space for this Boy & Bear milestone later this year.

 

Tickets for Boy & Bear’s Sydney Opera House Forecourt show are onsale now from https://www.sydneyoperahouse.com/on-the-steps/boy-and-bear, with all other tickets available via https://www.boyandbear.com/.

 

An otherworldly conduit into a world of pop serenity, lush soundscapes and Boy & Bear’s vintage yet modern stylings that bathe you in warmth and relatability, Tripping Over Time finds Boy & Bear channelling their own spin on subtle nods to The Avalanches and Moby; “but I feel like there’s a sense of hypnosis in this song that potentially draws from sample-driven dance music,” shares vocalist and guitarist Dave Hosking of the new track’s underlying sonic terrain.

 

Working alongside renowned LA-based producer Justin Stanley (Prince, Beck, Leonard Cohen, Eric Clapton, Mark Ronson) to bring Tripping Over Time to life, Boy & Bear’s lustrous new outing also sonically reflects its ruminating yet positive lyricism threaded throughout, as Daveelaborates, Tripping Over Time is a celebration of the new-found wisdoms of age. As much as it’s a trade-off sometimes, I feel more at peace with myself and my circumstances these days. The things that give me joy have shifted, I operate to a slower but more stable pace and there’s something profoundly pleasant about this.”

 

Accompanied by a brand new music video today, with the ARIA Award-winning Jeremy Koren (Grey Ghost), previous collaborator of Khalid, Hiatus Kaiyote, Ruel, Tones & I, Troy Sivan and more, acting as Visual Creative Director both for Boy & Bear’s latest clip and the broader album, Tripping Over Time relishes in the song’s nostalgic sonic aesthetics while also amplifying the nuances beating within for the single and overarching album, as Jeremy himself explains, “In a sea of inauthenticity we wanted to slap the face of the viewer with nostalgia via a montage of images on images using a variety of 80 – 90’s broadcast cameras and 8mm film and Hi-8. The classic John Brack painting ‘Collins St at 5pm’ was an influence, as was Rene Magritte’s depictions of suited men in hats. There’s something quite sad and unnerving about uniformity but it also allows the band to become an organism reflecting our collective gaze upon this crazy world. The loneliness of Jeffrey Smart’s visual compositions as well as the weirdness of David Byrne’s comments on society – all these things made their way into the visuals.

“The album is so multi layered that it felt necessary to distil it into a pure form, which became the suited men who walk thru these vast landscapes,” Jeremey continues. “We were of course led by the music and its deep influences… the syncopation and textures of Talking Heads or the quirky layering of Peter Gabrielle, the warm/world building synths of Sade or the bright/positive elation of the Beach Boys or Devo, all ofthese collective influences have somehow snuck their way into our representation on screen. These first 2 clips are the first 2 feet stepping into this world … it’s a journey broken into little pieces and we have plenty more to come…PS – Fuck AI.”

 

An album that spans themes of love, morality, longing, determination and self-reflection, Tripping Through Time marks album #6 for Boy & Bear, and a second entirely independent affair following on from their 2023 self-titled full-length. Opening with its title track, Tripping Over Time shimmers with gentle grooves and warmth before gliding into softly sharp terrain with one of the album’s lead singles Where Does Life Begin. Magnetically capturing compelling uncertainty with uplifting beats and soaring backdrops, Where Does Life Begin leads to previously-released single Vertigo; a jangly exploration into the awkwardness of life, time and change. Between haunting acoustic Bon Iver-esque contemplations (Ancestors), vibrant folk-hued silk that tugs at heartstrings while also soothing weary souls (Thunder), infectious hypnotism (Lost Control) and swooning love letters fit for even the coldest of hearts (Love Has Been Too Good To Me), Tripping Through Time also channels indie charm (Roses), sharp melancholia spliced with whimsy (Sleep Talking) and buoyant reflections on life and permeating acceptance (penultimate track All These Years). And closing out as though in a hazy, glowing dream, Tripping Through Time ends via Movie, perfectly balancing the album’s contrast between playful and deeper themes, with the overall album acting as a vivid snapshot of life in every facet.I wanted to look at the passing of time through a variety of lenses,” shares Dave of Tripping Through Time. “Ultimately, I think the record has an optimistic feel to it. There’s challenge and confrontation but underneath it all, there’s a belief that everything for now is in its right place.”

“The record predominantly is about how time changes us,” adds Dave, “we grow up, our priorities shift, our lives move onto new chapters and with this comes new insights but also new challenges. It’s a balancing act of reflecting or even yearning for our youth whilst also embracing life as it inevitably moves forward. So, I think the record’s emotional core is really about finding peace in who we are and who we’ve become. It’s about self-growth.”

The album is about embracing life as it is,” continues Dave. “The songs are played live with real human energy and emotion. While optimistic, it’s not all sunshine and rainbows; it’s honest and grounded. Each track carries a bit of tension but avoids a dark or heavy feeling. The album encourages stepping back to appreciate the beauty in the world. It’s a big celebration full of happiness, but with a bittersweet, “happy-sad” energy. The focus is on feeling things emotionally rather than intellectually and staying grounded while looking toward the future. Tripping Over Time is more experimental and “trippy,” designed as an escape from reality. The tracks create a journey that listeners want to revisit, evoking memories from past periods of life. It’s a form of escapism, reflecting the nature of life itself. The lyrics are poetic rather than literal, allowing listeners to interpret them in their own way and create personal stories. The record features floating sounds and playful experimentation, showing how working at your own pace can foster creativity.”

“It’s about the subtle lessons of life. You often don’t realize you’ve gone through something until you experience it. You’re always learning and stumbling forward, embracing the cyclic nature of life. There’s playfulness in all the crazy moments. The overall feeling is optimistic, nostalgic, and reflective.”

 

Renowned for balancing personal experiences with universal themes, armed with their beloved trademark blend of vintage pop, alternative elements and folk edges, Boy & Bear channel nostalgia into charming and captivating sonic journeys. Taking the world by storm in 2011 via their debut album Moonfire, Boy & Bear instantly won hearts and minds while also taking home five ARIA Award wins, also reaching double-Platinum status for their maiden record. Cementing their ever-burgeoning legacy with 2013’s Harlequin Dream, 2015’s Limit of Love, 2019’s Suck on Light and, most recently, 2023’s self-titled album, over the years Boy & Bear have garnered multiple #1 charting albums, top 10 debuts, seven ARIA Award nominations and five wins, over half a billion streams and ongoing performances in their wake as headliners, supporting the likes of Mumford & Sons, Chris Isaak and Crowded House, or charming audiences across the globe with their unforgettable performances.

 

Off the back of previously selling the most headline tickets of their career globally, Boy & Bear are closing out 2025 in spectacular fashion, withtheir biggest headline show to date locked in for December 14, performing on the steps at the iconic Sydney Opera House Forecourt with special guests Hollow Coves and Darcie Haven. A longtime dream in the making, revealed poignantly recently online with Boy & Bear members and brothers Tim Hart and Jon Hart detailing their connection to the Opera House and live music, the band will also appear at The Long Sunset in Boonah on Saturday November 1, perform alongside Rob Thomas at Sandstone Point Hotel on Saturday November 8, appear at Good Day Sunshine on November 29 and kick off 2026 with a performance at Launceston’s Festivale on February 1 next year. And amongst these upcoming new core Boy & Bear live memories, a sublime new chapter will officially arrive on December 14 when Tripping Over Time arrives into the world; a chapter that finds Boy & Bear simultaneously harnessing their signature sound while also tripping the light fantastic into brave new sonic worlds.

 

“We’re really proud of this record,” Dave concludes. “Maybe every band says that, but we feel like we’ve made something really exciting. From drum machines and synths, to banjos and sitars. I think we’ve played to our strengths on this record and doubled down on our true sound. That’s always the goal! To have a sound that feels unique and idiosyncratic and I think we’ve managed to do that this time round.”

 

Tripping Over Time single is out today.

Tripping Over Time album is set for release Friday December 12 pre-save here: http://boy-bear.ffm.to/trippingovertimealbum/

 

Tickets for Boy & Bear’s Sydney Opera House Forecourt show are onsale now from https://www.sydneyoperahouse.com/on-the-steps/boy-and-bear, with all other tickets available via https://www.boyandbear.com/

 

Stream: TRIPPING OVER TIME

Watch: TRIPPING OVER TIME

News: ACCLAIMED SINGER-SONGWRITER MACEY UNVEILS NEW ANTHEM ‘MONA LISA MONEY’

CCLAIMED SINGER-SONGWRITER MACEY UNVEILS NEW ANTHEM ‘MONA LISA MONEY

LISTEN HERE | MEDIA ASSETS HERE

Following the critical success of his 2024 EP, how to say goodbye, acclaimed New Zealand singer-songwriter MACEY returns with his first new single of the year, the infectious and thought-provoking anthem, Mona Lisa Money. The track is out today via FiveAM/Warner Music New Zealand. Listen HERE.

The single is a lush folk-rock fable that serves as a critical social commentary on modern society’s obsession with wealth and external validation. Written in Limehouse, London, with collaborators Demi Louise and Kiah Gossner, ‘Mona Lisa Money’ holds a magnifying glass to the true cost of chasing riches in a climate of overconsumption.

Lyrically tongue-in-cheek yet deeply critical, the song tells the tale of an individual who sacrificed personal connection for material success, only to lose it all. MACEY’s poetic lyricism contrasts confronting themes with tender melodies, emphasizing the importance of defining success on one’s own terms. He sings, “Fancy shoes, shit to prove, if he could he’d buy the Louvre, counts his checks but I don’t count him lucky, Living for that Mona Lisa Money”.

Reflecting on the song’s inspiration, MACEY shares a personal warning and a wider critique:

“I based the song off an old fella I knew that had hungered his whole life for success, got to the top, and then had to leave that world behind as he got very ill. He definitely hurt a lot of people and burnt a lot of bridges along the way,” MACEY reflects. “It felt like a little warning to myself – don’t get caught up in comparison, envy, having everything all at once… it’s all surface level and leaves you when you die anyway. I hope the song reminds us all to remain present and count every blessing. This is my anti-capitalism anthem, a folk fable wrapped in a blanket of rock and roll, something to make your heart ache and your feet tap”.

The new single arrives alongside a captivating, cinematic music video directed by Mason Bennett, which follows a businessman caught in the superficial facade of success until his life passes him by. The track’s production, finished with Ben Malone in New Zealand, features a striking violin section that pulls the sound from Americana into a British folk vibe.

With ‘Mona Lisa Money’, MACEY solidifies his reputation as one of New Zealand’s most compelling lyricists, delivering a rousing, heartfelt, and thought-provoking journey that is ready for listeners to dance along to.


FOLLOW MACEY
Spotify | Instagram | Facebook |Tiktok

BOY & BEAR SHARE LUMINOUS NEW SINGLE + VIDEO TRIPPING OVER TIME + ANNOUNCE NEW ALBUM TRIPPING OVER TIME FOR RELEASE DECEMBER 12

Laden with dreamy haze and luminous pop, the brand new single and captivating music video Tripping Over Time out today from beloved indie alternative act Boy & Bear also unfurls alongside the announcement of the group’s upcoming sixth studio album of the same name, with the full-length and entirely independent record Tripping Over Time set for release on Friday December 12. Primed to be launched in unforgettable fashion this December when Boy & Bear take the stage for their biggest headline show to date at the Sydney Opera House Forecourt on Saturday December 14 (selling fast!), fans can also witness some of this brand new Boy & Bear magic at shows in Boonah, Sandstone Point and Margaret River to close out 2025, and a performance also locked in at Tasmania’s premium summer day out Festivale in February 2026.

Announcing their monumental upcoming performance on the steps at the iconic Sydney Opera House Forecourt on December 14, joined by special guests Hollow Coves and Darcie Haven, some lucky fans will also be able to snag the ultimate Boy & Bear experience, with the band today announcing an exclusive competition that will see two winners score two return flights, one nights accommodation in Sydney, a meet and greet with the band, and a signed limited edition poster from the Sydney Opera House Forecourt performance. To enter, simply pre-order Tripping Over Time, either vinyl, CD or digital download, from the band’s Australian webstore https://www.boyandbear.com/, register for the competition – and you and a friend may be sharing time and space for this Boy & Bear milestone later this year.

Tickets for Boy & Bear’s Sydney Opera House Forecourt show are onsale now from https://www.sydneyoperahouse.com/on-the-steps/boy-and-bear, with all other tickets available via https://www.boyandbear.com/.

An otherworldly conduit into a world of pop serenity, lush soundscapes and Boy & Bear’s vintage yet modern stylings that bathe you in warmth and relatability, Tripping Over Time finds Boy & Bear channelling their own spin on subtle nods to The Avalanches and Moby; “but I feel like there’s a sense of hypnosis in this song that potentially draws from sample-driven dance music,” shares vocalist and guitarist Dave Hosking of the new track’s underlying sonic terrain.

Working alongside renowned LA-based producer Justin Stanley (Prince, Beck, Leonard Cohen, Eric Clapton, Mark Ronson) to bring Tripping Over Time to life, Boy & Bear’s lustrous new outing also sonically reflects its ruminating yet positive lyricism threaded throughout, as Daveelaborates, Tripping Over Time is a celebration of the new-found wisdoms of age. As much as it’s a trade-off sometimes, I feel more at peace with myself and my circumstances these days. The things that give me joy have shifted, I operate to a slower but more stable pace and there’s something profoundly pleasant about this.”

Accompanied by a brand new music video today, with the ARIA Award-winning Jeremy Koren (Grey Ghost), previous collaborator of Khalid, Hiatus Kaiyote, Ruel, Tones & I, Troy Sivan and more, acting as Visual Creative Director both for Boy & Bear’s latest clip and the broader album, Tripping Over Time relishes in the song’s nostalgic sonic aesthetics while also amplifying the nuances beating within for the single and overarching album, as Jeremy himself explains, “In a sea of inauthenticity we wanted to slap the face of the viewer with nostalgia via a montage of images on images using a variety of 80 – 90’s broadcast cameras and 8mm film and Hi-8. The classic John Brack painting ‘Collins St at 5pm’ was an influence, as was Rene Magritte’s depictions of suited men in hats. There’s something quite sad and unnerving about uniformity but it also allows the band to become an organism reflecting our collective gaze upon this crazy world. The loneliness of Jeffrey Smart’s visual compositions as well as the weirdness of David Byrne’s comments on society – all these things made their way into the visuals.

“The album is so multi layered that it felt necessary to distil it into a pure form, which became the suited men who walk thru these vast landscapes,” Jeremey continues. “We were of course led by the music and its deep influences… the syncopation and textures of Talking Heads or the quirky layering of Peter Gabrielle, the warm/world building synths of Sade or the bright/positive elation of the Beach Boys or Devo, all ofthese collective influences have somehow snuck their way into our representation on screen. These first 2 clips are the first 2 feet stepping into this world … it’s a journey broken into little pieces and we have plenty more to come…PS – Fuck AI.”

An album that spans themes of love, morality, longing, determination and self-reflection, Tripping Through Time marks album #6 for Boy & Bear, and a second entirely independent affair following on from their 2023 self-titled full-length. Opening with its title track, Tripping Over Time shimmers with gentle grooves and warmth before gliding into softly sharp terrain with one of the album’s lead singles Where Does Life Begin. Magnetically capturing compelling uncertainty with uplifting beats and soaring backdrops, Where Does Life Begin leads to previously-released single Vertigo; a jangly exploration into the awkwardness of life, time and change. Between haunting acoustic Bon Iver-esque contemplations (Ancestors), vibrant folk-hued silk that tugs at heartstrings while also soothing weary souls (Thunder), infectious hypnotism (Lost Control) and swooning love letters fit for even the coldest of hearts (Love Has Been Too Good To Me), Tripping Through Time also channels indie charm (Roses), sharp melancholia spliced with whimsy (Sleep Talking) and buoyant reflections on life and permeating acceptance (penultimate track All These Years). And closing out as though in a hazy, glowing dream, Tripping Through Time ends via Movie, perfectly balancing the album’s contrast between playful and deeper themes, with the overall album acting as a vivid snapshot of life in every facet.I wanted to look at the passing of time through a variety of lenses,” shares Dave of Tripping Through Time. “Ultimately, I think the record has an optimistic feel to it. There’s challenge and confrontation but underneath it all, there’s a belief that everything for now is in its right place.”

“The record predominantly is about how time changes us,” adds Dave, “we grow up, our priorities shift, our lives move onto new chapters and with this comes new insights but also new challenges. It’s a balancing act of reflecting or even yearning for our youth whilst also embracing life as it inevitably moves forward. So, I think the record’s emotional core is really about finding peace in who we are and who we’ve become. It’s about self-growth.”

The album is about embracing life as it is,” continues Dave. “The songs are played live with real human energy and emotion. While optimistic, it’s not all sunshine and rainbows; it’s honest and grounded. Each track carries a bit of tension but avoids a dark or heavy feeling. The album encourages stepping back to appreciate the beauty in the world. It’s a big celebration full of happiness, but with a bittersweet, “happy-sad” energy. The focus is on feeling things emotionally rather than intellectually and staying grounded while looking toward the future. Tripping Over Time is more experimental and “trippy,” designed as an escape from reality. The tracks create a journey that listeners want to revisit, evoking memories from past periods of life. It’s a form of escapism, reflecting the nature of life itself. The lyrics are poetic rather than literal, allowing listeners to interpret them in their own way and create personal stories. The record features floating sounds and playful experimentation, showing how working at your own pace can foster creativity.”

“It’s about the subtle lessons of life. You often don’t realize you’ve gone through something until you experience it. You’re always learning and stumbling forward, embracing the cyclic nature of life. There’s playfulness in all the crazy moments. The overall feeling is optimistic, nostalgic, and reflective.”

Renowned for balancing personal experiences with universal themes, armed with their beloved trademark blend of vintage pop, alternative elements and folk edges, Boy & Bear channel nostalgia into charming and captivating sonic journeys. Taking the world by storm in 2011 via their debut album Moonfire, Boy & Bear instantly won hearts and minds while also taking home five ARIA Award wins, also reaching double-Platinum status for their maiden record. Cementing their ever-burgeoning legacy with 2013’s Harlequin Dream, 2015’s Limit of Love, 2019’s Suck on Light and, most recently, 2023’s self-titled album, over the years Boy & Bear have garnered multiple #1 charting albums, top 10 debuts, seven ARIA Award nominations and five wins, over half a billion streams and ongoing performances in their wake as headliners, supporting the likes of Mumford & Sons, Chris Isaak and Crowded House, or charming audiences across the globe with their unforgettable performances.

Off the back of previously selling the most headline tickets of their career globally, Boy & Bear are closing out 2025 inspectacular fashion, withtheir biggest headline show to date locked in for December 14, performing on the steps at the iconic Sydney Opera House Forecourt with special guests Hollow Coves and Darcie Haven. A longtime dream in the making, revealed poignantly recently online with Boy & Bear members and brothers Tim Hart and Jon Hart detailing their connection to the Opera House and live music, the band will also appear at The Long Sunset in Boonah on Saturday November 1, perform alongside Rob Thomas at Sandstone Point Hotel on Saturday November 8, appear at Good Day Sunshine on November 29 and kick off 2026 with a performance at Launceston’s Festivale on February 1 next year. And amongst these upcoming new core Boy & Bear live memories, a sublime new chapter will officially arrive on December 14 when Tripping Over Time arrives into the world; a chapter that finds Boy & Bear simultaneously harnessing their signature sound while also tripping the light fantastic into brave new sonic worlds.

“We’re really proud of this record,” Dave concludes. “Maybe every band says that, but we feel like we’ve made something really exciting. From drum machines and synths, to banjos and sitars. I think we’ve played to our strengths on this record and doubled down on our true sound. That’s always the goal! To have a sound that feels unique and idiosyncratic and I think we’ve managed to do that this time round.”

Tripping Over Time single is out today.

Tripping Over Time album is set for release Friday December 12 pre-save here: http://boy-bear.ffm.to/trippingovertimealbum/

Tickets for Boy & Bear’s Sydney Opera House Forecourt show are onsale now from https://www.sydneyoperahouse.com/on-the-steps/boy-and-bear, with all other tickets available via https://www.boyandbear.com/

Stream: TRIPPING OVER TIME

Watch: TRIPPING OVER TIME

News: YUNGBLUD: Genre-defying artist is bringing his IDOLS World Tour to Australia in January 2026

YUNGBLUD:
​GENRE-DEFYING ARTIST IS BRINGING HIS IDOLSWORLD TOUR TO AUSTRALIA IN JANUARY 2026

Frontier Touring is thrilled to announce that genre-defying artist YUNGBLUD, whose catalogue has accumulated an astonishing 8 billion streams globally, will bring his IDOLS world tour to Australia for his biggest shows to date in January 2026. 

Following the colossal news that his 2026, 24-date North American tour sold out in just one minute last week, the tour is now making its way through Europe before heading to Australia in the new year with stops in Sydney, Melbourne, Brisbane, Adelaide, and Perth.

Telstra Plus Members can access presale tickets from Thursday 16 October (2pm local time) via telstra.com.au/plus, while the Frontier Memberpresale commences Monday 20 October (3pmlocal time) before the general on sale Tuesday 21 October (3pm local time). Tickets and tour information via frontiertouring.com/yungblud.

“The pop star bringing real rock music back from the dead” –  The Telegraph (UK)

He’s a genuine rock phenomenon.” – London Standard

Multi-instrumentalist, songwriter, and performer YUNGBLUD is rapidly becoming one of the most influential musical voices of his generation, blending elements of rock and punk to monumental effect. Known for his electrifying stage presence, his arena-filling performances have cemented his status as one of the world’s most exciting musical exports. ​

In 2024 YUNGBLUD debuted his own curated festival, Bludfest, and released a book — the No. 1 Sunday Times Bestseller You Need to Exist: A Book to Love and Destroy — before unleashing his critically acclaimed, chart-topping fourth album, IDOLS in June this year, alongside the Paul Dugdale directed documentary, YUNGBLUD: Are You Ready, Boy?.

IDOLS landed YUNGBLUD his third number one debut in the UK and is his most personal and ambitious work yet. Described as a modern rock opera, the album features the anthemic single ‘Zombie’ and opens with a nine-minute epic ‘Hello Heaven, Hello’, which debuted as Jack Saunders’ Hottest Record on BBC Radio 1.

Watch: YUNGBLUD – Zombie

Capping off a mammoth year, YUNGBLUD was handpicked by Ozzy Osbourne to perform the Black Sabbath ballad ‘Changes’ at the Back To The Beginning benefit concert, launched the IDOLS world tour and announced a collaborative EP with multi-GRAMMY® Award-winning Rock and Roll Hall of Fame® inductees Aerosmith. Introduced with lead single ‘My Only Angel’, the EP titled One More Time will be released on November 21 via Capitol Records.

IDOLS marks a bold new chapter for YUNGLBUD and he’s bringing it to life on stage with a powerful live show you won’t want to miss. Be sure to grab your tickets when they go on sale on Tuesday 21 October.


YUNGBLUD
IDOLS THE WORLD TOUR
AUSTRALIAN TOUR
JANUARY 2026
​Presented by Frontier Touring


TELSTRA PLUS MEMBER PRESALE
​via telstra.com.au/plus
​Runs 48 hours from: Thursday 16 October (2pm local time)
or until presale allocation exhausted

FRONTIER MEMBER PRESALE 
​via frontiertouring.com/yungblud
​Runs 24 hours from: Monday 20 October (3pmlocal time) ​
or until presale allocation exhausted

TICKETS ON SALE
Begins: Tuesday 21 October (3pm local time)


Saturday 10 January
Hordern Pavilion | Sydney, NSW
​Lic. All Ages ​
ticketek.com.au

Tuesday 13 January
Sidney Myer Music Bowl | Melbourne, VIC
​Lic. All Ages
ticketek.com.au

Thursday 15 January
Adelaide Entertainment Centre | Adelaide, SA
​Lic. All Ages
ticketek.com.au

Saturday 17 January
Riverstage | Brisbane, QLD 
​Lic. All Ages ​
ticketmaster.com.au

Tuesday 20 January
Ice Cream Factory | Perth, WA
​18+
eventbrite.com.au


Patrons are advised to purchase tickets only through authorised ticket sellers. 

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.