Category Archives: News

Live Review: The Beards

The Beards

Making their triumphant return to the stage, Adelaide sensation The Beards took to the Corner Hotel stage to reunite Melbourne fans in a love for beards once again.

The hirsute musicians made Melbourne laugh with their classic brand of comedy and entertainment with songs like’ Born with a Beard’, ‘ This Beard Stays’ and ‘ Stroking my Beard’ , while climbing out into the audience to share beard rubs.

Going as far to teach everyone a new song – the easy B.E.A.R.D – which is easy enough to chant and gets chanted multiple times throughout the evening. However, the crowd has fallen in love with guitarist Tom and chant ‘ TOM, TOM, TOM’ at any given opportunity, which is utterly hilarious.

Wrapping up the evening with ‘ Two Mums’, The Beards have made a triumphant return to the stage, delighted audiences and proven that you can have an entire set list of songs about beards, and you will endeavor to make people smile and sing along.

Words by Amanda Lee Starkey

News: Tour Announcement | Evanescence Announce Three Intimate Headline Shows

EVANESCENCE
ANNOUNCE THREE INTIMATE SHOWS
Set to bring their immortal live performance back down under, prepare to experience EVANESCENCE in intimate fashion later this year, with the band today announcing three special headline Australian shows this October and November ahead of touring alongside Metallica for the M72 World Tour.

Presented by Triple M, Destroy All Lines and TEG Live, fans can catch these once in a lifetime EVANESCENCEperformances in Perth on Thursday 30 October, Melbourne on Friday 7 November, and Sydney on Friday 14 November. With all three shows set to bring a horde of EVANESCENCE favourites to life, these unforgettable nights will be raw, gripping and up close and personal, offering a rare chance to experience EVANESCENCE away from the stadiums and instead soak in some utter magic in an intimate setting.

From the watershed moment that was their debut 2003 album Fallen through to releasing brand new music over two decades later, EVANESCENCE have rewritten the rock landscape time and time again, fortified by their trademark mix of metal, symphonic hues and piano-driven melodies, helmed by the gripping vocal stylings of Amy Lee.

Paving the way to global superstardom early in their career, the release of Fallen led to a journey that has spanned two GRAMMY Award wins, ongoing global chart success and multiple #1s, and even a rare RIAA Diamond certification for the band’s debut outing, alongside five studio albums in their wake. Now over 20 years since first erupting into view, EVANESCENCE remain one of the most influential and invigorating acts on the scene, most recently releasing the single Afterlife from the Netflix series Devil May Cry, as well as the track Fight Like A Girl featuring K. Flay from the soundtrack for the John Wick spinoff flick Ballerina.

Recently performing down under in 2023 for their acclaimed 20 Years of Fallen Tour, EVANESCENCE‘s Australian return in 2025 will once again showcase the enduring legacy of the group’s sky-scraping catalogue that has continually seen them in hot demand on stages alongside the likes of Korn, Halestorm, Muse and The Used amongst countless other icons and headline performances. And ahead of tearing up massive stadiums on our shores supporting Metallica this November along with Suicidal Tendencies, fans can drink in the unforgettable magic that an EVANESCENCE headline show eternally offers.

Selling out multiple shows for their 2023 Australian visit, tickets definitely won’t last long for these three special headline outings – catch EVANESCENCE going (down) under this October and November!

Fan Pre-sale tickets on sale: Thursday 11 September @ 10am local time
To Gain Early Ticket Access Register Here -> https://daltours.cc/evanescence

General tickets on sale: Friday 12 September @ 10am local time
Tickets from destroyalllines.com

Destroy All Lines, TEG and Triple M Presents

EVANESCENCE 
TOUR DATES:

THURSDAY 30 OCTOBER – METRO CITY, PERTH
FRIDAY 7 NOVEMBER – 170 RUSSELL, MELBOURNE
FRIDAY 14 NOVEMBER – METRO THEATRE, SYDNEY

General tickets on sale: Friday 12 September @ 10am local time
Tickets from destroyalllines.com

DALLAS FRASCA PLAYS LED ZEPPELIN – A ROCK ‘N’ ROLL RECKONING

After a blistering year taking the stage on ZZ Top’s Australian Arena Tour, headlining the Melbourne Guitar Show, plus an APRA AMCOS Award nomination, Outstanding Songwriter of the Year award finalist at the 2025 AWMA’s alongside Missy Higgins, Australia’s rock powerhouse Dallas Frasca is back—this time, paying homage to one of the greatest rock bands of all time. Dallas Frasca Plays Led Zeppelin is a one-woman, high-voltage celebration of Zeppelin’s legendary catalogue, reimagined with Frasca’s signature raw energy, masterful guitar work, and unmistakable vocals.

Kicking off this October, Frasca will embark on a six-show, four-state tour, bringing all the fire, grit, and soul that fans have come to expect. Armed with only a guitar and her powerhouse voice, Frasca will command the stage solo, delivering the ultimate Zeppelin experience through the lens of her own ferocious artistry. Expect earth-shaking vocals, thundering riffs, some sonic surprises, and a performance that will transport audiences to rock’s golden era—no holds barred.

TOUR DATES:

THU 2 OCT – Crowbar, BRISBANE, QLD w/ Minnie Marks
FRI 3 OCT – Soundlounge, CURRUMBIN, QLD w/ Minnie Marks
SAT 4 OCT – Norton Music Factory, CALOUNDRA, QLD w/ Minnie Marks FRI 10 OCT – The Baso, CANBERRA, ACT w/ Kathryn Hartnett
SAT 11 OCT – The Bridge Hotel, SYDNEY, NSW w/ The Stomp‘n Ramblers SAT 18 OCT – Memo Music Hall, MELBOURNE, VIC w/ Georgia Rodgers

From “Whole Lotta Love” to “Black Dog”, “Immigrant Song”, “Kashmir” to “Going to California”, fans can expect a searing, soul-stirring reinterpretation of Zeppelin’s biggest anthems and hidden gems. With unstoppable stage presence, remarkable musicianship, and deep respect for the music, Frasca leads audiences on a stripped-back sonic pilgrimage through the heart of rock ‘n’ roll—just one woman and a guitar, channeling the thunderous spirit of Zeppelin like never before.

Don’t miss the chance to witness one of Australia’s most electrifying performers in a show that promises to be bold, raw, and unforgettable.

TICKETS ON SALE NOW
For more information and tickets, visit [dallasfrasca.com].

Live Review: Paleface Swiss

Paleface Swiss

Northcote Theatre

Melbourne welcomed Paleface Swiss back into its chilly arms last night at the iconic Northcote
Theatre. Following on from their debut Australian appearance supporting In Hearts Wake in
2023, the Swiss quartet are back and doing another lap of our country celebrating their new
album CURSED.

Our openers for this evening were Lune, who are unashamedly my favorite Melbourne band.
Their signature mix of groovy riffs and thunderous breakdowns was the perfect way to warm up
the 1400-person sold out room. Vocalist Nathaniel Smith soared from high pitched wails down
to demonic growls while keeping the crowd engaged, commanding erratic headbanging in time
with bassist David Freeland and a wall of death during Exit (Inward). The band tore through
singles Progeny and Manipulator, as well as treating patrons to an unreleased track filled to the
brim with technical drums from Harrison Mills and chugging guitars from Krys Smith. It’s a
warming feeling to see Lune play bigger and bigger shows and get the recognition they
deserve.

Traveling alongside our headliners from Europe, Nasty were the main support act. This is the
band I knew least about tonight, but I left thoroughly impressed. Boasting a sound that is
quintessentially beat-down hardcore, complete with pinched guitars from Paddy Gajdzik and
rumbling bass lines from Tom Huschka, the quartet had heads banging from their first note as
fists and crowdsurfers went flying.

Tracks Total Domination and Shokka were met with a rowdy
mosh pit and an undulating wave of patrons pushing forward as vocalist Matthi Tarnath
dropped down to the barrier to offer his mic to grab, while drummer Nash Anderson stood up
from his stool to engage with the crowd between crashing cymbal hits and double kicks.
With a career spanning two decades yet never having toured Australia until now, Nasty have
amassed quite the growing fan base that eagerly await their return.

With the lights dimmed, the four band members that make up Paleface emerged onto the stage
and looked out upon the cheering crowd, taking a moment to soak in the excitement and
passion emanating from the room. Launching into track Hatred, the energy on stage matched
that of the crowd, with vocalist Marc “Zelli” Zellweger jumping across the space and putting his
whole body into each headbang in time to the hard hits of drummer Cassi Toma. While their
music is aggressive and angry, the band themselves couldn’t be further from that.

When Zelliand guitarist Yannick Lehmann spoke between songs, they were especially thankful for the
patrons for being here, humbled that they were on the other side of the world playing one of
their largest ever headline shows to “probably the best crowd we ever had” according to their
Instagram immediately following the set.

Closing with Love Burns and a semi-impromptu encore of Deathtouch, bassist Tommy Lee leapt across the barrier to crowd surf during the final moments of their set, and Zelli gave high-fives and fist bumps to the entire front row, proving once again that their gratitude and thankfulness for their fans are of most importance for
Paleface Swiss.

Behind the lens Aimee Rixon

 

Live Review: Sabaton

Sabaton

Margaret Court Arena

 

Hailing from Falun, Sweden Sabaton headline their first arena tour since 2013. With a sold out crowd streaming in to witness Amaranthe opening, the cities metal heads have converged for a night of sheer power metal. With songs ‘ Fearless’, ‘ Digital World’ and ‘ The Catalyst’ to warm up the crowd, Amaranthe prove to Australian audiences again why they are a force to be reckoned with.  Playing a full hour set, they wrap up with ” Archangel” , ” That Song (with snippet from Queen’s “We Will Rock You”) that gets the crowd chanting  they finish up with “Drop Dead Cynical”

As Joakim Brodén, bassist Pär Sundström, guitarists Oskar Montelius and Rikard Sundén, and drummer Richard Larsson, run out on stage, the crowd begins to roar in excitement. Opening to ‘ Ghost Division’ the band dive right into things, getting to business.

Front man  Brodén is genuinely enjoying himself, as fans crowd surf and mosh to popular tracks “The Red Baron” , “Great War” , “Fields of Verdu” and “Bismarck”. Between tracks Brodén makes jokes about how he talks too much, he points out fans who have come dressed as him, and has the crowd chanting ‘ Banana’ like a bunch of minions when he spots two people dressed as bananas.

Instructing the crowd to turn on their phone flash lights, the stadium is bathed in light for ‘Christmas Truce’, a rare sight at a metal show and it’s absolutely breath taking. Fans sing each note to the song, united in this one moment. Leading into ‘ Cliffs of Gallipoli”  Brodén talks about how in cities all over the world certain songs will resonate with the location, and performing a song written about the battle where so many Australian lives were lost seems rather poignant and emotional.

Sabaton are one of those acts that come to entertain, not just to play music and watching the banter between the band and the audience is certainly fantastic to witness. Die hard fans and newcomers are in for a good time when a band is this enthralling to watch.

 

 

Live Gallery: Letlive

letlive

Max Watts, Melbourne

 

Renowned for their genre-defying sound and electrifying high-energy live performances, letlive. have made a  triumphantly return to stages one more time, reuniting with fans and reigniting the fire that defined a generation of alternative music. The trailblazing progressive soul punk band from Los Angeles brought all the passion and fire to Melbourne.

We sent our photographer Amanda along to capture the action.

News: ABBATH DOOM OCCULTA with guest WEREWOLVES & BASTARDIZER – Australian Tour Jan 24 – 31, 2026

ABBATH DOOM OCCULTA ‘Return to the Raven Realms’
Australian Tour January 24th – 31st, 2026
With guests WEREWOLVES and BASTARDIZER
ABBATH is widely regarded as one of black and extreme metals most prominent frontmen. For nearly three decades he helmed one of the most influential metal bands ever to emerge from Norway – Immortal. “Return To The Raven Realms” tour revisits the past and pays tribute to ABBATH’s legacy by performing a carefully selected set of old fan favourites and iconic metal anthems he co-wrote and recorded with Immortalin the period 1992 – 2009.

With his characteristic voice, signature guitar riffs and undisputed talent as a stage performer, the charismatic singer helped spearheading the Norwegian trio from local clubs to the biggest festival stages in the world. From the early beginnings with albums such as “Diabolical Fullmoon Mysticism” and “Battles in the North”, to chart toppers “At the Heart of Winter” and “Sons of Northern Darkness”, ABBATH has through his work with the group left a major imprint on the worldwide phenomenon that is Norwegian Extreme Metal.

Snarling at the forefront is the hideous three headed monstrosity that is WEREWOLVES and their unrelenting, vicious death metal barrage along with BASTARDIZER and their filthy brand of black thrash ‘n roll that raises fists and induces a whirlwind of rabid headbanging.

ABBATH DOOM OCCULTA with guest Werewolves and Bastardizer performing at:
Jan 24th – Perth, FROTH & FURY FEST*
Jan 27th – Brisbane, The Triffid
Jan 29th – Sydney, The Metro
Jan 30th – Melbourne, The Croxton
Jan 31st – Adelaide, FROTH & FURY FEST*
*Werewolves and Bastardizer not appearing

TICKETS ON SALE NOW at:
PERTH – www.ticketmaster.com.au
BRISBANE, ADELAIDE – www.moshtix.com.au
SYDNEY – https://premier.ticketek.com.au
MELBOURNE – www.oztix.com.au

Abbath “Doom Occulta” – live at Hellfest 2025

www.facebook.com/abbathband
www.facebook.com/werewolvesinhell
www.facebook.com/bastardizer666
https://swdpresents.com

News: HALSEY ANNOUNCES BACK TO BADLANDS 2025-2026 INTERNATIONAL TOUR, CELEBRATING THE 10 YEAR ANNIVERSARY OF HER FIRST ALBUM – AUSTRALIAN SHOWS CONFIRMED FOR FEBRUARY 2026

HALSEY ANNOUNCES BACK TO BADLANDS 2025-2026 INTERNATIONAL TOUR

CELEBRATING THE 10 YEAR ANNIVERSARY OF HER FIRST ALBUM  

AUSTRALIAN SHOWS CONFIRMED FOR FEBRUARY 2026 

NEW “BADLANDS ANTHOLOGY” AVAILABLE HERE ON VINYL & ALL DSPs

BADLANDS (2015) – ONE OF THE ONLY ALBUMS EVER TO HAVE EVERY SONG RIAA CERTIFIED – GOLD, PLATINUM, OR MULTI-PLATINUM

Access media assets here

MELBOURNE, AUGUST 29, 2025 — Diamond-certified andGRAMMY®Award-nominated artist Halsey continues the celebration for the 10th anniversary of her triple platinum certified full-length debut album, BADLANDS, with the announcement of her Back to Badlands Tour. The Live Nation promoted tour will kick off with a very special show at the Hollywood Forever Cemetery on October 14 and continue across the US with stops in Boston, Chicago, and New York before traveling abroad to Europe, the UK, and Australia. See below for the full tour dates.

Australian fans can look forward to a series of dates in early 2026, commencing Friday, February 13 at The Hordern Pavilion, Sydney, followed by Riverstage Brisbane on Tuesday, February 17 and concluding on Thursday, February 19 at Melbourne’s Festival Hall. 

Presale: Tickets will be available starting with an artist presale beginning on Tuesday, September 2.

Vodafone mobile customers can be among the first to secure tickets during a presale commencing 2pm, on Wednesday September 3. Visit vodafone.com.au/ticket to find out more.

Mastercard cardholders have special access to presale tickets in Australia. Mastercard Presale starts Wednesday September 3 at 2pm and ends Friday September 5, 9am. Plus, Preferred ticket access to some of the best tickets are available from Friday September 5 at 10am. Check out priceless.com/music for details.

The Live Nation Presale starts Thursday September 4 at 10am running until Friday September 5 at 9am or until allocation is exhausted. To access presale tickets, sign up now at livenation.com.au/register

General onsale begins on Friday, September 5 at 10am at BADLANDSTOUR.COM.

All times are local.

VIP: The tour will also offer a VIP package and experience for fans to take their concert experience to the next level. The package includes a general admission ticket or premium seated ticket and a Roadtrip to the Badlands VIP gift box including items handpicked by Halsey. For more information, visit vipnation.com. 

The new tour announce arrives on the heels of Halsey wrapping her “FOR MY LAST TRICK,tour, which was the best-selling tour of her career, with Variety branding the tour as “one of the most ambitious pop tours of the year.”

When BADLANDS was first released on August 28, 2015, it catapulted Halsey into music history. Since its release the album has sold over 3 Million albums-adjusted in the US, and has accumulated over 9 Billion on-demand streams worldwide. It is one of the only albums in music history to have every song, RIAA certified gold, platinum or multi-platinum. As well as multiple certifications in other countries including the UK, and Australia.

HALSEY

Back To Badlands Tour Dates

Australia 2026

                                  Friday, February 13            Sydney, The Hordern Pavilion

                                  Tuesday, February 17         Brisbane, Riverstage

                                 Thursday, February 19       Melbourne, Festival Hall

 

General onsale: Friday, September 5 at 10am at BADLANDSTOUR.COM 

Artist presale: Tuesday September 2, 1pm – Friday September 5, 9am

Vodafone presale: Wednesday September 3, 2pm – Friday September 5, 9am

Mastercard presale: Wednesday September 3, 2pm – Friday September 5, 9am

Live Nation presale: Thursday September 4, 10am – Friday September 5, 9am 

All times are local.

For further information please head to livenation.com.au

 

International Tour Dates 2025-26 

Tuesday, October 14                         Los Angeles, CA                     Hollywood Forever

Wednesday, October 22                    Mexico City, MX                      Pabellón Oeste

Friday, October 24                             Dallas, TX                               South Side Ballroom

Sunday, October 26                           Atlanta, GA                             Coca-Cola Roxy

Wednesday, October 29                    Philadelphia, PA                     The Fillmore Philadelphia

Sunday, November 2                         Boston, MA                             MGM Music Hall at Fenway

Tuesday, November 4                        Washington DC                      The Anthem

Thursday, November 6                       Minneapolis, MN                    The Armory

Saturday, November 8                       Chicago, IL                             Byline Bank Aragon Ballroom

Wednesday, November 12                Denver, CO                            Fillmore Auditorium (Denver)

Friday, January 9                                Toronto, ON                           History

Tuesday, January 13                         New York, NY                         Hammerstein Ballroom

Saturday, January 17                         Detroit, MI                               The Fillmore Detroit

Thursday, January 22                        Amsterdam, NL                       AFAS LIVE

Friday, January 23                              Berlin, DE                               Velodrom

Saturday, January 24                         Dusseldorf, DE                       Mitsubishi Electric Halle

Monday, January 26                          Paris, FR                                L’Olympia

Thursday, January 29                        Manchester, UK                      Aviva Studios

Tuesday, February 3                          London, UK                            02 Academy Brixton

 

TILLY FENTON SHARES PUNCHY NEW SINGLE + VIDEO ‘IT’S YOU!’ DEBUT EP ‘IT’S A FEELING THAT I KNOW’ SET FOR RELEASE OCTOBER 10

A sparkling new chapter is imminent for Melbourne/Naarm indie pop artist Tilly Fenton, with a punchy new single It’s You! out in the world today, and the announcement of her anticipated debut EP it’s a feeling that i know set for release on October 10.

 

Playful, effervescent and with some charmingly gritty rock edges around the gloss within, It’s You! showcases Tilly’s expansive nuance as a songwriter, capturing her cheeky, fun side while also embracing some iconic pop icons and a soundtrack-inspired modus operandi for the end result. “Olivia Rodrigo’s music definitely had a huge influence on the sound for this song,” shares Tilly. “Ever since her first album came out, I had always wanted to write a super upbeat, angsty and playful pop rock song after hearing ‘good 4 u’ for the first time when I was in high school. It feels pretty full circle considering this was the music I was listening to, while I was going through the experiences that inspired It’s You! Another artist that shaped the sound of this song was Hannah Montana and the early Miley Cyrus music. I was so obsessed with the Hannah TV show and movie growing up, so a lot of the music from it was engraved in my brain from a very young age. I had always wanted to write a guitar driven song with punchy hooks and confident, cheeky lyrics, so I definitely channelled my inner Hannah for It’s You!”

 

Marking an exciting step closer to the release of her first-ever EP, It’s You! also balances its upbeat stylings with relatable and immersive storytelling, with Tilly delivering an empowering ode to standing up for yourself on her latest track, as she elaborates, “It’s You! is about that one person who really gets under your skin. It’s a love letter to the kind of people who twist things, make you question yourself, and somehow turn you into the villain. It’s that moment you stop biting your tongue and finally say what you should’ve said ages ago, with just the right amount of pettiness “my co-star said you’re hurt because you picked a fight with your best friend”. It’s playful, dramatic and weirdly healing screaming “it’s not me, it’s you!”

 

Initially penning It’s You! during a session with Anna Laverty (Lady Gaga, Nick Cave and the Bad Seeds), Tilly sought to write “a vengeful yet cathartic song”, with the pair brainstorming lyrics that ultimately led to a discussion of the common saying: “it’s not you, it’s me”. “I thought it would be fun to reword it to “it’s not me, it’s you”,” Tilly explains. “I then brought this song to my producer Michael Belsar and my drummer Ben Ellingworth and started the recording process, and we all had so much fun experimenting with different sounds. Michael and I then spent more time on the song, and it continued to evolve into what it is today.”

 

Mixed by Michael Belsar and mastered by Dale Becker, the accompanying music video for It’s You! saw Tilly work alongside Jesse Richards, who returned after working on Tilly’s previous live video for The Secret, with the brand new clip bringing It’s You!’s underlying message to life via a live performance, mirroring the dramatic yet liberating themes. “The video for It’s You! is a live performance we shot in an empty theatre,” shares Tilly. “The concept came from the idea of performing to no one but yourself. There is something really dramatic but also freeing performing a song like “It’s You!” in that kind of space. It’s kind of like dancing in your bedroom when no one is watching. I have had a vision to do a music video in a theatre for so long and I think it’s so perfect that I ended up doing it for this song!”

 

Sitting as the energetic closing moment for the broader five-track EP it’s a feeling that i know, It’s You! powerfully concludes the EP’s oscillating moods and moments. Opening with pillowy-soft introspection with The Secret, Tilly’s dulcet vocals float over serene instrumentals and vulnerable lyricism. The percolating bliss of the EP’s midway point, Valentine, dazzles in driving rhythms and dreamy hooks, and It’s You! concludes on a grittier yet jubilant note, with the entire EP resoundingly reflecting Tilly’s ultimate mission statement. “This EP is a very coming of age story,” says Tilly. “I wrote these songs while I was navigating all the confusing, emotional, and overwhelming moments that come with growing up, especially in your teenage years. They’re honest and vulnerable, but always with a sense of hope that everything is going to be ok. I hope that these songs offer comfort and remind people they’re not alone in what they’re feeling and allow them to find joy in the chaos.”

 

Starting her musical journey back in 2023, Tilly Fenton has spent the past few years crafting her debut EP, working alongside renowned producers and songwriters Anna Laverty and Michael Belsar, while also channelling inspiration from Lizzy McAlpine, Gracie Abrams and Phoebe Bridgers into her own unique sound. An artist capable of balancing vulnerability with strength, Tilly is one of the rare few who can imbue the emotional complexity of growing up and navigating relationships through a mature lens far beyond her 22 years, with her debut single The Secret and Valentine already captivating listeners along the way, and the latter also featured on The Hot Hits with Nic and Loren on the HIT Network.

 

Earlier this year, Tilly also ticked off another massive first: completely selling out her first headline show at The Bergy Bandroom, with more live performances slated for later this year to launch her brand new EP which has been many worthwhile years in the making. “Performing live is one of my favourite parts of making music,” shares Tilly. “There’s something so special about feeling the energy in a room, connecting with people in real life, and sharing that moment together. Fans can expect a fun, high-energy show where we dance our hearts out, mixed with intimate acoustic moments for some of my slower songs.”

 

It’s You! Is out today.

it’s a feeling that i know EP due out October 10.

 

 

Stream: IT’S YOU!

Watch: IT’S YOU!

EMILY ULMAN RETURNS WITH SPARKLING NEW SINGLE ‘SEVERE CLEAR’ THE TITLE TRACK FROM HER FORTHCOMING ALBUM, ‘SEVERE CLEAR’, OUT OCTOBER 10

A bright and dulcet addition to her ever-growing repertoire, Melbourne/Narrm singer-songwriter, and music industry legend, Emily Ulman today returns with  Severe Clear, the sparkling title track  from her forthcoming album of the same name set for release on Friday, October 10.

 

Blending her buoyant charm with acoustic, folk and pop elements, Severe Clear channels a poignant optimism, with Emily nodding to Johnny Nash’s I Can See Clearly Now to evoke “the hope after the heavy.” As Emily explains, “Severe clear is an aviation term describing skies so clear and cloudless that the endless visibility is too much to take in. I have always loved the phrase. Severe clear weather often follows a storm, and that resonates with me too. A furious, cloudy pocket of weather giving way to something calm and bright and still. Pilots say these conditions are dazzling,almost too perfect.”

“Severe Clear is a song about the moments that arrive after everything has settled,” Emily
adds. “It’s about clarity that is so beautiful it is almost unbearable. That strange kind of beauty: perfect, but piercing. I think about weather a lot. I lean right in because it is intrinsic. And magical. This song lives in that space between forecast and feeling. It is about the quiet, everyday moments that suddenly become enormous in their clarity. Like standing in the middle of something spectacular and letting yourself be swept up by it. It is about love, about letting yourself be soft and fall, it’s about buying matching towels because you want to be one and the same. Johnny Nash wrote ‘I Can See Clearly Now’. And I’m borrowing the idea that after the clouds and hard times pass, something brighter takes their place. Sometimes clarity isn’t sharp or sudden or cold. Sometimes it is soft and patient and a little bit dizzying. And perfect.”

 

With Severe Clear – both the single and broader album – Emily worked alongside a stellar team to realise her creative vision. Produced and mixed by Bonnie Knight (Amyl and the Sniffers, Angie McMahon, Teen Jesus and the Jean Teasers) at The Aviary, with Every Hillside recorded at Soundpark, the album was mastered by Simon Berckelman (Courtney Barnett, Passenger, Lime Cordiale, Cate Le Bon). Drawing inspiration from the likes of Julia Jacklin, Adrienne Lenker, Big Thief, Pinegrove and Bill Callahan the album’s songwriting, structure and emotional weight are further enriched by contributions from Gab Strum (Japanese Wallpaper, Mallrat, Gretta Ray), Alex Lashlie (Closet Straights, Loose Tooth), and Soren Maryasin (Stella Bridie, Chitra).

 

Beginning with its glowing title track, Severe Clear opens on a serene and stirring note, offering an optimistic warm embrace drawing listeners into Emily’s inner world. From there, the album moves through intimate acoustic beauty and soothing harmonies (Every Hillside), wistful melodies over ethereal backdrops (Fans in the Stands), and a folksy yet cinematic ode to life’s highs and lows (Mountains Mountains Mountains). It balances polished introspection (Trundle), stripped-back glimmers that swirl through your bones (Lake Mistake), and gentle flourishes of empowerment (Planned Burn). At the midpoint of Severe Clear, is an exquisite, vulnerable modern love ballad (Liminal Spaces) that gives way to brooding melancholia (Toughest Tourniquet), before the raw, rousing penultimate track If It Isn’t True, where Emily shifts between vocal serenity and spoken word over sparse, moody instrumentation. Closing with Repeat Things, Severe Clear ends in resounding clarity and vulnerability, carrying inescapable undertones of optimism through heartache, change, and renewal – a perfect embodiment of Emily’s potent songwriting and performance, as well as the broader album’s themes.

 

“Severe Clear is about change,” shares Emily, “and renewal. About being brave enough to step back into something you love, even after a long absence. It is an album full of mountains and hillsides and clouds and clarity. It is about duality. The ability to hold two conflicting and coexisting truths at the same time. Severe Clear is deciduous. A letting go and a returning. A way to make peace with the cycles that keep pulling me back to songwriting, and back to myself.”

 

A defining force in the Australian music industry for over two decades, both on stage and behind the scenes, Emily Ulman’s lengthy tenure championing artists has seen her curate and program lineups at some of Melbourne’s most iconic venues, including The Prince Bandroom, The Gasometer Hotel, and The Toff In Town. Additionally, Emily has programmed some of the country’s most significant music events, including Brunswick Music Festival, White Night Melbourne, the CHANGES summit, and her own award-winning online festival Isol-Aid, which received the 2020 triple j J Award for “Done Good” and was named Best Festival at the 2021 Music Victoria Awards. Recently, Emily served as Executive Program Director for ALWAYS LIVE, a Victorian state-wide celebration of contemporary music, inclusive of emerging artists through to international icons, from sell-out stadiums through to intimate venues all playing home to these one-off, exclusive and community-focused events.

 

Dedicated to shaping a more progressive, inclusive and artist-first Australian music scene, Emily’s creative output is as acclaimed as her work behind the scenes, with her earlier 2025 single Every Hillside marking her first new solo material in over a decade. Now with her stunning and hotly-anticipated new album Severe Clear set for release this October, Emily has channelled her passions and creative core into a collection that is honest, intimate and destined to captivate.

 

“I’m a words and feelings to the front type of writer,” Emily reveals. “I have described my songwriting as emotional archaeology; digging through my memories to see what might still be living underneath. To sift and sort and better myself as a creator and as a person. I’m constantly taken by the intensity of a moment or phrase and the way a single word can unearth something you thought was long buried. And this is who I realise I am. I write to excavate. I sing to archive and fossilise and remember the mess and magic of it all.”

 

“It feels really good, really scary, really perfect, really disorienting to be releasing Severe Clear,” Emily concludes. “This is the first time in ten years that I’ve released music and it’s so familiar and wildly foreign. I’ve spent the past decade working behind the scenes in the music industry, but I never stopped writing. I’m glad that Severe Clear is the song and album returning me to my own music and creativity. It’s honest and personal, and I’m proud of it.”

 

Severe Clear (single) is out today.

Severe Clear (album) is due out Friday October 10.

Stream: SEVERE CLEAR (Single)

Pre-order: SEVERE CLEAR (Album)

Pre-save: SEVERE CLEAR (Album)