Category Archives: News

News: Wardruna Australian Tour Starts Next Week – Release Heimta Thurs From Live At The Acropolis

WARDRUNA
Release Heimta Thurs From Live At The Acropolis
Australian Tour Starts Next Week
New Album, Hertan Out Jan 24.

Norwegian collective, Wardruna, will be touring Australia and New Zealand
for the first time ever from next week!

Their latest album, Birna, will be released on January 24, while they are in Australia.
On the same day, Warduna: Live At The Acropolis will be released.

Watch Heimta Thurs – Live At The Acropolis here
https://youtu.be/ajLz33_1ZMI

This once-in-a-lifetime performance The show was filmed at the world heritage site Odeon of Herodes Atticus, Acropolis, Athens during the autumn equinox on September 21, 2023.

Both the new album, Birna and the DVD/Blu-ray are available for pre-ordering here.
https://bio.to/Wardruna

**********
As part of their visit to our shores, the group have announced a series of Meet and Greet & Q+A events to take place in every city they visit.

Melbourne, Brisbane and Auckland will be treated to an exclusive Meet and Greet with all members of the group. While in Sydney, the iconic Utopia Records will host an Instore signing session.

The Meet and Greet events will feature a live interview with Wardruna’s creator,
Einar Selvik onstage before being opened up to the floor. This is your chance to ask that one question you’ve always wanted to ask!

Birna will be available for purchase at all events. Be one of the first in the world to secure your copy and also have it signed by the band! Photo opportunities with all members of Wardruna will also be possible for all attendees of both the Meet and Greets and the Instore.

There will also be an incredibly special and intimate acoustic performance by Einar which will stay with you forever.

TOUR & MEET AND GREET DATES
Wednesday, January 22: Stay Gold, Melbourne – Meet & Greet from 7.00pm
Thursday, January 23: Melbourne, Palais Theatre, Melbourne 
Saturday, January 25: Utopia Records, Sydney Instore from 12.00pm
Saturday, January 25: Enmore Theatre, Sydney 
Monday, January 27: Outpost Bar, Brisbane – Meet & Greet from 11.30am
Monday, January 27: Fortitude Music Hall, Brisbane 
Wednesday, January 29: Tuning Fork, Auckland – Meet & Greet from 7.00pm
Thursday, January 30: Kiri Te Kanawa Theatre,
 Auckland NZ

Meet & Greet Tickets are almost sold out for all events, so get yours now at
Wardruna.com

VERY limited Tickets for Concert Dates available from
destroyalllines.com
**********

FOLLOW WARDRUNA
WebFacebook | Instagram | YouTube | Vimeo

Wardruna – Heimta Thurs (Live at the Acropolis)

Live Review: Benson Boone

Benson Boone

Festival Hall.

An intro begins, and Benson Boone seats himself at the piano to kick off the show. Every phone in the iconic hall quickly fixates on Benson, as he backflips off the top of the piano.

Working his way through his hits ‘ Coffee Cake’ and ‘ Cry’, Boone is engaging, getting to the crowds level to reach out. As he sings he manages to make people feel like it’s their own private performance, he stops from time to time to ask people their names and to connect with them.

It’s refreshing to see a musician so connected to their audience and it makes a big show somehow feel intimate, and as he paces the stage like a jaguar his energy is intoxicating.

Racing through to ‘ In The Stars’ he makes a speech about friendships and how important they are, making memories with our friends and family.

Boone is some-what of an anomaly, he sings deep and powerful songs, yet backflips off pianos like nothing. While his songs are moving his energy is contagious and he puts on a memorable performance.

In 2021 Boone was set to perform on American Idol, to forge a career from a well oiled machine that tends to take musicians and spit them out. It’s a good thing he walked away, otherwise crowds wouldn’t be able to delight in his electric performance.

Words by Amanda Lee Starkey

 

News: SEX PISTOLS FEATURING FRANK CARTER: AUSTRALIA AND NEW ZEALAND TOUR APRIL 2025 – PLAYING NEVER MIND THE BOLLOCKS IN FULL

SEX PISTOLS (PAUL COOK, STEVE JONES, GLEN MATLOCK) FEATURING FRANK CARTER

AUSTRALIA AND NEW ZEALAND TOUR APRIL 2025

PLAYING NEVER MIND THE BOLLOCKS IN FULL

General public tickets on sale Thursday, January 23 from 12pm

Access media assets here

MELBOURNE, January 17, 2025: In August 2024, Frank Carter joined Paul Cook, Steve Jones, Glen Matlock of Sex Pistols for one of the most surprising and adored music events of the year. Members of one of the most influential rock bands of all time, plus life-long fan and modern-day punk icon Carter, performed the Sex Pistols’ iconic 1977 album Never Mind The Bollocks in full.

Teaming up to play 3 nights of fund-raising for West London’s iconic Bush Hall, the foursome stunned fans and critics alike, creating a sonic onslaught and mayhem reminiscent of 1976. Carter fitted like a glove, perfectly recreating the songs that changed the world, while resolutely remaining himself.

In exciting news for Australian and New Zealand fans, nearly 30 years since they were last on these shores, Sex Pistols featuring Frank Carter have announced an exclusive run of shows, playing Never Mind The Bollocks in its entirety. 

Commencing April 2, 2025 at Auckland Town Hall, the tour then heads to Christchurch and across to Melbourne, Adelaide, Sydney, Brisbane, and concluding at Fremantle Prison on April 11.

A partner presale will take place on Tuesday January 21 from 11am, running until Thursday January 23 at 11am

My Live Nation members can secure tickets during the pre-sale which commences on Wednesday, January 22 at 11am and concluding on Thursday, January 23 at 11am.

General public tickets go on sale Thursday, January 23 at 12pm. All times are local.

For complete tour and ticket information, visit: livenation.com.au and livenation.co.nz

 

Praise for Sex Pistols featuring Frank Carter:

“Rip-roaring punk rock redux” – The Guardian

“The most glorious sight in a beautiful music hall in west London is of a band, at last, regaining its liberty” Kerrang!

“The group performs with the tightness and chemistry of a band that have been playing together for years…. Sex Pistols are fuckin’ back.” CLASH

“Full throttle pure punk” – i

“Delivered with a pile-driving, wall-shaking intensity that threatened to destroy the very venue it was trying to preserve.” Daily Telegraph

“Carter, and three of the original Sex Pistols members led the thronging, sweaty crowd through a night of unadulterated punk rock mayhem at Bush Hall.” Evening Standard

“Sheer joy. They should tour it everywhere. God save their mad parade.” Louder

 

SEX PISTOLS (PAUL COOK, STEVE JONES, GLEN MATLOCK) FEATURING FRANK CARTER

2025 AUSTRALIA AND NEW ZEALAND TOUR

TOWN HALL, AUCKLAND                                  WEDNESDAY APRIL 2

TOWN HALL, CHRISTCHURCH                         THURSDAY APRIL 3

FESTIVAL HALL, MELBOURNE                         SATURDAY APRIL 5

HINDLEY STREET MUSIC HALL, ADELAIDE   SUNDAY APRIL 6

HORDERN PAVILION, SYDNEY                         TUESDAY APRIL 8

FORTITUDE MUSIC HALL, BRISBANE             WEDNESDAY APRIL 9

FREMANTLE PRISON, FREMANTLE                 FRIDAY APRIL 11

 

GENERAL PUBLIC TICKETS: ON SALE THURSDAY, JANUARY 23 AT 12PM

Partner Presale:  Tue 21 Jan, 11am > Thu 23 Jan, 11am

My Live Nation Presale: Wed 22 Jan, 11am > Thu 23 Jan, 11am

All times are local.

For complete tour and ticket information, visit:livenation.com.au and livenation.co.nz

CONNECT WITH SEX PISTOLS FEATURING FRANK CARTER

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News: CRAIG DAVID RELEASES NEW SINGLE “SOS” – OUT NOW!

CRAIG DAVID RELEASES NEW SINGLE “SOS” – OUT NOW!

LISTEN HERE

COMMITMENT TOUR STARTS IN THE UK IN FEBRUARY 2025

Craig David kicks of 2025 by releasing his brand-new single ‘SOS’ before his headline UK Commitment tour, which takes place in February 2025.

Reflecting themes of love and relationships, the new single is a classic Craig David hit, laced with his distinctive vocals and R&B soul.

Craig says on the track, ‘There’s a time in life when you come to a point of realisation that all the playing it safe, being cautious & guarded around opening our hearts up to love, doesn’t work. Even if we have been hurt before. SOS is all about that moment of feeling vulnerable, yet ready & open to taking a risk, a leap of faith to let someone know you are finally ready to let love in, however scary it may feel.’

Last year Craig joined Wes Nelson at one of his London shows, played at the Paralympic Homecoming Ceremony, BBC Radio 2 In The Park and did a surprise performance at Kings Cross Station. To prepare ahead of his tour, Craig also sang some classic hits on top of the O2 – see here.

Craig will kick off his Commitment UK arena tour in February 2025, with special guest Lemar. Starting in Leeds’ First Direct Arena on 2nd February, the 11-date tour will see Craig perform his eclectic and much-loved discography to fans across the UK, culminating at London’s iconic The O2 Arena on 20th February.

Since bursting onto the scene with his critically acclaimed debut album, ‘Born To Do It’, a genre-defining record that established Craig David as one of the UK’s most beloved artists, Craig has since remained at the helm of his own unique, authentically British sound. Making waves across the globe as the voice of one of the most pivotal eras in UK music, bringing Garage from the underground and to the forefront of the mainstream, and becoming one of the most successful artists in UK chart history.

Across his career, Craig has collaborated with everyone from Sting to Kano to Diplo to KSI, while also becoming one of the biggest DJs in Ibiza via his TS5 soundsystem. Award-wise Craig has received 14 BRIT Award nominations, two GRAMMY nominations, four MOBO awards, three Ivor Novellos honouring his songwriting, and most recently an MBE for his services to music.

After emerging at the end of 1999 with instant UK garage classic ‘Re-Rewind’, Craig has scored 25 UK Top 40 singles (16 of them Top 10), nine UK Top 40 albums (five in the Top 10) and amassed over 5 billion streams worldwide. In addition to this, Craig has one of Ibiza’s most successful and long-standing residencies playing Ibiza Rocks, coming back this year for its 7th season.

COMMITMENT UK ARENA TOUR 2025

FEBRUARY

SUN 2ND – Leeds, First Direct Arena

TUES 4TH – Glasgow, Armadillo

WEDS 5TH – Newcastle, Utilita Arena

FRI 7TH – Milton Keynes, Marshall Arena

SAT 8TH – Brighton, Brighton Centre

TUES 11TH – Cardiff, Utilita Arena

WEDS 12TH – Nottingham, Motorpoint Arena

FRI 14TH – Manchester, Coop Live

SAT 15TH – Birmingham, Resorts World Arena

TUES 18TH – Bournemouth, International Centre

THURS 20TH – London, The O2

Tickets available HERE.

Follow Craig David on socials:

Website | X | TikTok | Instagram | Facebook

News: THE HORRORS RELEASE NEW SINGLE “MORE THAN LIFE” FROM NEW ALBUM NIGHT LIFE OUT 21 MARCH 2025

THE HORRORS
RELEASE NEW SINGLE “MORE THAN LIFE”
FROM NEW ALBUM NIGHT LIFE OUT 21 MARCH 2025
PRE-ORDER / SAVE NIGHT LIFE

English rock band The Horrors today release an anthemic new single “More Than Life”, the fourth track to be taken from their forthcoming sixth studio album Night Life, out 21 March via Fiction Records / Virgin Music Group. The single follows a sold-out run of UK dates to close out 2024, including a blistering show at London’s ICA.

LISTEN TO “MORE THAN LIFE” NOW<https://thehorrors.lnk.to/MoreThanLife>

““More Than Life” has a different type of intensity to our recent singles, it’s more driving and direct. It was written in the middle of Canary Wharf, which looks more like Blade Runner everyday. It’s such a strange place to do anything creative as the surroundings feel particularly stark.” explains the band.

“We still needed a couple more songs for the album before going to LA to record at Yves’ studio, and we were in that insular part of the process where it feels like the outside world doesn’t exist. The song is basically about the question of what matters to you and by that point we were definitely clear on where we were heading.”

As The Horrors approach their 20th anniversary as a band, Night Life sees them shapeshift into a new form, with a new sonic outlook and a new line up centred around the core duo of vocalist Faris Badwan and bassist Rhys Webb, now joined by Amelia Kidd on keys and Telegram’s Jordan Cook on drums, making the new album the band’s first to not feature all 5 original members. While demos began modestly in Webb’s basement flat in North London, with the pair thriving on the immediacy of, as Faris describes, “shortening the distance between having an idea and expressing it”, the record truly took shape in LA under the guidance of producer Yves Rothman (Yves Tumor, Blondshell) before finishing touches were applied back in London along with guitarist Josh Hayward, with Kidd bouncing parts and production ideas remotely from Glasgow.

The resulting album is a record of weight and space, of melancholy and euphoria; a record that has the ability to make bedfellows of seemingly disparate ideas as only The Horrors can. The Night Life here is not the vim and vigour of pubs and clubs. It’s the thoughts that happen under the cover of darkness; the places your mind takes you when the rest of the world is asleep. A record born out of a desire to revive the raw, instinctive spirit of the band’s early work.

 

After nearly 20 years making music, there are few bands who’ve created a canon as determinedly innovative and consistently critically-acclaimed as The Horrors. Emerging as zeitgeist-shaking garage-goths on their 2007 debut Strange House, before taking a sharp left turn for their Mercury-nominated follow up Primary Colours, since the beginning they’ve roamed freely between genres. 2011’s Skying won the NME Award for Best Album; V was heralded as “a triumph” in a five-star Guardian review, while 2021’s pair of EPs – Lout and Against The Blade – marked a new chapter with their most industrial, uncompromising output yet.

 

Night Life tracklisting:
1. Ariel
2. Silent Sister
3. The Silence That Remains
4. Trial By Fire
5. The Feeling Is Gone
6. Lotus Eater
7. More Than Life
8. When The Rhythm Breaks
9. LA Runaway

The Horrors Live Dates:
3 April – Sala Capitol, Santiago de Compostela
5 April – Barcelona Psych Fest, Paral-lel 62, Barcelona
6 April – Sala Mon, Madrid
7 April – Sala Moon, Valencia
24/25 May – Dot To Dot Festival (Headline)

News: MAJESTICA Unleash Video For New Single ‘A Story In The Night’ New Album POWER TRAIN Out On February 7th

MAJESTICA Unleash Video For New Single ‘A Story In The Night’ New Album POWER TRAIN Out On February 7th

 

Swedish power metal championsMAJESTICA invite fans to embark on an electrifying journey with their second single, ‘A Story In The Night,’ from their highly anticipated album, Power Train, set for release on February 7th, 2025.

A blistering showcase of speed, melody, and storytelling, ‘A Story In The Night’ is a power metal anthem that captures the heart-pounding essence of the genre.

The track, clocking in as one ofMAJESTICA’s most dynamic works to date, is accompanied by an epic music video that brings the song’s vivid narrative to life with striking visuals and cinematic flair.

Frontman Tommy Johanssoncomments:

”Fast, extreme, melodic and fast – 4 words that really describes the new single ’A Story In The Night’ perfect. The fastest song on the new album, filled with guitar solos, glorious melodies and epic power metal vocals that tells a tragic story…in the night”

 

Watch the video here: https://youtu.be/dP08ex8nbKE

Listen to the song on all platforms: https://majestica.bfan.link/story-in-the-night

Pre-order/pre-save Power Train here: https://majestica.bfan.link/powertrain-album

POWER TRAIN Tracklisting:

  1. Power Train
    2. No Pain, No Gain
    3. Battle Cry
    4. Megatrue
    5. My Epic Dragon
    6. Thunder Power
    7. A Story In The Night
    8. Go Higher
    9. Victorious
    10. Alliance Anthem

When it came to the process of recording and putting all the pieces together, the band did not change a lot compared to the last projects. Again the music was written, recorded, and produced by MAJESTICA themselves. “Like our previous albums this one is also produced by ourselves, and we recorded most parts in our new place ”Majestic Studios”. For mixing we went back to Jonas Kjellgren as we have been very happy with the sound of ’A Christmas Carol’ and ’Metal United’ says bassist Chris Davidsson.

Regarding the amazing artwork for Power Train, Chris explains: “For the artwork we teamed up with Jan Yrlund / Darkgrove design. It invites you to join this majepic ride of the Power Train, imagine standing there on the platform eagerly waiting, and you hear ”all aboard!“.

MAJESTICA is:
Tommy Johansson | guitars, vocals
Petter Hjerpe | guitars
Chris Davidsson | bass
Joel Kollberg | drums

News: LAMBRINI GIRLS SHARE VIDEO FOR ‘CUNTOLOGY 101’ + DEBUT ALBUM, WHO LET THE DOGS OUT, OUT NOW VIA CITY SLANG

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DEBUT ALBUM WHO LET THE DOGS OUT
OUT NOW VIA CITY SLANG

+ NEW VIDEO FOR ‘CUNTOLOGY 101’

DOWNLOAD ASSETS Photo Credit: John Gottfried
“Political punk perfection” – CLASH 9/10

“Lambrini Girls are political, but transgressive, smart, but not pretentious” – Classic Rock

“A debut which holds absolutely nothing back.” – DIY ★★★★1/2

“a debut album that’s practically perfect in every way. One thing’s for sure: punk’s definitely not dead.” – DORK ★★★★★

“Lambrini Girls deliver 2025’s first essential album” – Louder ★★★★

“This is a band who will always lead the charge in standing up for what’s right. Kicking against the pricks never sounded so good.” – Loverboy

“doing it better than anyone since Bikini Kill” – MOJO 8/10

“Humour and rage collide in beautiful symphony in a take-no-prisoners debut from one of the UK’s most fun and fearless bands” – MusicOMH ★★★★★

“This record is loud, raw, and impossible to ignore.” – NME ★★★★★

“Brighton duo’s no-holds-barred, sloganeering assault on status quo” – Uncut 8/10

“Lambrini Girls are far from the first punk band to aim their ire at class disparity, misogyny, racism and the police, but they’re likely the most streamlined and sparky to emerge since forthcoming tourmates IDLES.” – The Guardian, Ones To Watch

+ Edge Radio Feature Album

Lambrini Girls have released their long-awaited debut album Who Let The Dogs Out via City Slang. To celebrate the record, the band share a video for ‘Cuntology 101‘. Written at the last minute in the studio, closer ‘Cuntology 101’ grabs “cunty” out of the zeitgeist and uses it as a noise-pop cheer for putting yourself first – Brat summer is over, it’s time to get cunty!

Already gracing the covers of DIY, NME, Kerrang! Magazine, NOTION, and features with the likes of Variety, The Line Of Best Fit, BBC Radio 1, and more to come, the Brighton-based duo of Phoebe Lunny (vocals/guitar) and Lilly Macieira (bass) have spent the last few years on a tear in more ways than one.

Featuring previous singles, ‘Love’, Big Dick Energy’, and ‘Company Culture’, Who Let The Dogs Out bottles everything wrong with the modern world and shakes it up. If peppering political songs with humour is like sticking a sparkler in some bread, then their debut is like a fireworks display in the factory itself: strange, dangerous, exciting, and it rips through a laundry list of social ills.

Making a reputation for themselves as one of the best live bands to come out of the UK this side of IDLES. Their combination of blunt-force punk, scathing social commentary and barbed humour has garnered comparisons to Bikini Kill and Huggy Bear. The duo has shared bills with Gilla Band, Shame, Frank Carter, The Rattlesnakes and Iggy Pop,and played festival stages at Glastonbury and Iceland Airwaves.

With their record in-stores, most of which are sold out, and a UK April headline tour, which is also almost sold out, they have now announced their return to the US.

Recorded with Gilla Band’s Daniel Fox with mixing by Seth Manchester (Mdou Moctar / Battles / Model/Actriz), the album was written in two short bursts in rural Oxford against the clock. They got the bones of it down in the first session, which saw them lock into a routine of waking up, going for a run, writing until 7PM, then cooking and eating dinner together before going to bed and doing it all over again. The second was arguably more chaotic with 48 beers, a bottle of vodka, six bottles of wine, two bottles of Lambrini, rum and tequila.

“You know how Fleetwood Mac almost dedicated Rumours to their cocaine dealer? I think we should dedicate this album to all the booze we bought at Tesco.” laugh Lambrini Girls.

WATCH THE VIDEO FOR ‘CUNTOLOGY 101’
Who Let The Dogs Out – out 10th January 2025 via City Slang

TRACKLISTING
1. Bad Apple
2. Company Culture
3. Big D*** Energy
4. No Homo
5. Nothing Tastes As Good As It Feels
6. You’re Not From Around Here
7. Scarcity Is Fake (Communist Propaganda)
8. Filthy Rich Nepo Baby
9. Special, Different
10. Love
11. Cuntology 101

About Lambrini Girls
Making a reputation as one of the best live bands to come out of the UK this side of IDLES, Lambrini Girls’ combination of blunt-force punk, scathing social commentary and barbed humour has garnered comparisons to Bikini Kill and Huggy Bear, and seen them share bills with Gilla Band, Shame, Frank Carter & The Rattlesnakes, Iggy Pop and more. Released in 2023, their critically acclaimed EP You’re Welcome harnesses that live energy into six flamethrower tracks that tackle everything from lad culture to transphobia. Encapsulating their approach in a single image, the cover art features a cartoon pile of shit on fire.

There’s also been a slew of accolades along the way, including a nomination for the Rising Star at the Rolling Stone UK Awards, a Kerrang! cover feature with Sleater-Kinney, and a score of international festival appearances from Glastonbury to Iceland Airwaves.When it came to writing their debut album, then, time wasn’t exactly forthcoming. “We literally had none,” Phoebe laughs. “We’ve been in the arse end of the Netherlands in the back of a van.”

Written in two short bursts in rural Oxford against the clock, their full-length debut Who Let The Dogs Out is a raw distillation of Lambrini Girls’ anger, energy, and charisma. They got the bones of it down in the first session, which saw them lock into a routine of waking up, going for a run, writing until 7PM, then cooking and eating dinner together before going to bed and doing it all over again. The second was arguably more chaotic. “We had something like 48 beers, a bottle of vodka, six bottles of wine, two bottles of Lambrini, rum and tequila…” Phoebe recalls. “During the first session we ran out of booze, which is obviously illegal, so for the second we did a big shop and stocked up. We somehow managed to drink through all of that in a week.”

Despite being a high pressure situation, the combination of Dutch courage and a ticking clock helped play into their strengths. The end result is raw, instinctive, and straight from the gut. “Because we had such little time, I had this switch in my brain that just went ‘I’ve just got to let these songs be what they want to be’,” Lilly explains. “In the first session it was very much like, ‘no, this has to be really thought out,’ but by the second I was like, ‘I’ve got to let go a little bit, see what comes out and just see it through.’ Trust the process kind of thing. That was a really big part of writing this album. It’s also a big part of why the energy is similar to our live shows, because it’s just how we are.”

The album explodes with ‘Bad Apple’, which opens with sirens blaring over a heavy distorted bass and a live drum breakbeat. Phoebe delivers a pissed off takedown of the police over the instrumental, breathlessly listing everything that’s wrong with them from institutional violence and racism to Section 8. For the duo, the track “encapsulates a lot of what might be considered Lambrini Girls energy,” and sets the tone for the rest of the album. “It’s angry, it’s observant, and it’s done in a way that doesn’t trivialise the issue,” Phoebe says. “It’s just a big punch in the face,” Lilly agrees.

From there, the album rips through a laundry list of social ills. Lead single ‘Company Culture’ takes a dark, and unfortunately widely relatable, issue like sexual harassment in the workplace and turns it into an accessible punk sing-along with a dirty guitar riff and a head-bopping beat. Skewering the issue with an acid sentiment and tongue-in-cheek lyrics (“Blondes have more fun / In company culture / Pretend that I know how to use a computer”), it gets people through the door for the more politically dicey subject matter – “Bad Apple’s” call to “Hang the pigs / That hunt your daughters,” for instance. The approach is a deliberate one that Lilly likens to “buying people dinner first.”

Nothing Tastes As Good As It Feels’ takes a crass approach to disordered eating (“Nothing tastes as good as it feels / As my head hits the rim of the toilet lid”), riffing on the faux happy image of 2000s thinspo culture by swinging between upbeat pop punk and dirty grunge tones. The breakneck ‘Big Dick Energy’ seethes about “men being equally equal parts dangerous and entitled,” articulating real concerns over women’s safety while delivering irreverent blows to the male ego (“Stop telling me how much you lift!”). Written at the last minute in the studio, closer ‘Cuntology 101’ grabs “cunty” out of the zeitgeist and uses it as a noise-pop cheer for putting yourself first, whether it’s having an autistic meltdown or doing a poo at your mate’s house.

The bass is the melodic and sonic foundation of Lambrini Girls, and Who Let The Dogs Out sees Lilly bring more of her own influences – which range from Gilla Band and Ditz to Brighton DIY bands like CLT DRP – into the mix. “With the EP, I was new to the band. When writing my parts I was more focused on having it be congruent with what the band had already done,” she explains. “I think I allowed myself to infuse this album with a lot more of my personal identity and my influences, which are a lot noisier.” Meanwhile, the album also has more guitar-heavy songs that give Phoebe more room for embellishment.

Both of those forces come together on ‘Special Different’, a discordant post-punk track that refines their knack for taming noise into something musical. In the lyrics, Phoebe sings about their experience of being neurodivergent – one of a few tracks that balance the album’s political charge with something more personal and inward-looking.

Love’ is similarly dark and dynamic. It starts abrasively with Lilly going “bonkers mode” on bass, experimenting with reverb and harmonics, before dipping into a quiet section where Phoebe finger picks a melodic guitar line, and finally erupting in a wall of noise. Coming at the classic “breakup” song from a left-field perspective, it cautions against mistaking toxicity for love itself. “Bands sings about break-up – groundbreaking!” Phoebe jokes. “In that sense it’s nothing new, but it is for me. I’ve never done anything like that before, and I didn’t want to do it cheesy. I was like, if you’re gonna see about toxic relationships, you need to actually go in a bit. Don’t hold back.”

On the other side of the observational coin, ‘Filthy Rich Nepo Baby’ takes aim at classism in the music industry. Rather than being a trite call to “eat the rich,” though, it rugby tackles the subject with humour (“Hugo wants to be a rockstar”). “It’s more about the romanticisation of people that I literally know come from old money and have houses on the seafront with five floors. And they dress with elbow patches and holes in their jeans and little fucking baker boy hats, going around like ‘you alright love?’” Phoebe eye-rolls. “It’s about the way that the working class is romanticised by the upper class, because the industry knows that’s what sells. That’s the main thing I wanted to write about: class tourists who are sitting on bags of money and acting like they’re not. Their struggles are nothing more than a fashion statement.”

Sandwiched between ‘Filthy Rich Nepo Babies’ and anti-gentrification banger ‘You’re Not From Round Here’ is an interlude featuring clips of speeches by U.S. civil rights activist Kwame Ture and Marxist feminist Angela Davis, both of whom discuss capitalism in the context of race. “I want to see all oppressed people throughout the world free,” Davis’ voice echoes over amp feedback. “We picked those quotes from two historically important people, because they are great role models for their tireless and unapologetic activism – particularly for the civil rights movement – which is much needed still today,” Lilly explains. “We placed it between two songs which are, in different ways, about the evils borne from capitalism, in homage to their work in educating people on capitalism’s role in oppression both in a racial and socio-economic context.”

Landing smack in the middle of the album, it’s a moment of pure sincerity and quiet reflection on what Lambrini Girls are actually about. It only lasts for 17 seconds, mind you, then it’s back to making a racket, but it stands as the activist spine of an album that deftly balances politics and humour with the aim of being accessible to anyone. “If you’re trying to get a message across, you want to make what you’re singing about reachable to people so they feel like they want to learn more and aren’t forced to learn more,” Phoebe explains. “If you had a piece of brown bread on a plate and were like, ‘you’ve got to eat this whole thing, and it’s going to be really good for you,’ you’d probably think, ‘fuck it, maybe, if I have to…’ but you’re not going to be excited about it. If you give someone a piece of brown bread that’s got icing on it, sprinkles, maybe a sparkler… I’d shove that in my mouth immediately! It’s about packaging things in a way that makes them seem a bit more enticing.”

If peppering political songs with humour is like sticking a sparkler in some bread, then Who Let The Dogs Out is like a fireworks display in the factory itself: strange, dangerous, exciting. With instrumentals that inhale you like a Level 5 tornado and sentiments that make you want to kick the nearest door through, it’s a take-no-prisoners debut from one of the UK’s most fun and fearless bands.

CONNECT WITH LAMBRINI GIRLS 
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News: Benson Boone: Australia & New Zealand Tour kicks off this week!

BENSON BOONE: AUSTRALIA & NEW ZEALAND TOUR KICKS OFF THIS WEEK!

+ special guest bella amor announced (AU shows)

He’s one of world’s hottest rising stars and a 2025 Grammy nominee for Best New Artist. Get ready fans: Benson Boone kicks off his highly anticipated live return down under this week, with six massive, sold-out arena shows in Australia and New Zealand!

From his acclaimed debut album Fireworks & Rollerblades, Benson’s ‘Beautiful Things’ was the most-streamed song globally in 2024, with over three billion streams and counting. Eight times Platinum in Australia and four times Platinum in New Zealand, it also won Best Alternative Video at MTV’s VMAs.

In 2024, Benson performed 95 concerts across 20 countries, including opening for Taylor Swift on her ERAS Tour at London’s Wembley Stadium. And now it’s our turn!

In a tour update today, joining Benson on the road in Australia is Gold Coast-based artist bella amor! The indie, pop and pop-punk fan is the striking Gen Z voice Australian music has been waiting for. With her innate storytelling and warm onstage vibe, bella’s already supported the likes of Lime Cordiale, conquered Bigsound, collaborated with Matt Corby, and recently covered a Benson classic… watch it online here.

Finally, for NZ fans: a limited amount of final production release tickets for Benson’s Auckland show are on sale now… head to frontiertouring.com/bensonboone to purchase. Get in quick; these will go fast!

Don’t miss the one and only Benson Boone, live on stage this month!


BENSON BOONE (USA)
​with special guest bella amor (AU shows)
​AUSTRALIA & NEW ZEALAND
​JANUARY 2025
Presented by Frontier Touring


ALL SHOWS LICENSED ALL AGES


Thursday 16 January
SOLD OUT!
Festival Hall | Melbourne, VIC

Friday 17 January ​ ​ ​ ​ ​
SOLD OUT!
Festival Hall | Melbourne, VIC

Sunday 19 January ​ ​ ​ ​ ​
SOLD OUT!
Hordern Pavilion | Sydney, NSW

Monday 20 January
SOLD OUT!
Hordern Pavilion | Sydney, NSW

Wednesday 22 January
SOLD OUT!
Riverstage | Brisbane, QLD

Friday 24 January
FINAL TICKETS
Spark Arena | Auckland, NZ
ticketmaster.co.nz


Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

News: Boy & Bear announced for Live At The Gardens – With special guests Sarah Blasko, Augie March & De Porsal | Fri 14 March – Royal Botanic Gardens Melbourne

Live at the Gardens
ROYAL BOTANIC GARDENS MELBOURNE

BOY & BEAR

‘LIVE AT THE GARDENS’

WITH SPECIAL GUESTS
SARAH BLASKO, AUGIE MARCH
& DE PORSAL

ROYAL BOTANIC GARDENS MELBOURNE – FRIDAY 14 MARCH

TICKETS ON SALE MONDAY 20 JANUARY

Prepare for another night of magical music under the stars when beloved indie-folk faves BOY & BEAR headline Live At The Gardens at the Royal Botanic Gardens Melbourne on Friday 14 March.

Set against the breathtaking backdrop of Melbourne’s iconic gardens in the heart of the city, BOY & BEAR will be joined by very special guests – revered singer-songwriter SARAH BLASKO, legendary Melbourne band AUGIE MARCH and Surf Coast band of brothers DE PORSAL.

Presented by Roundhouse Entertainment, in conjunction with MG Live, this show is the latest addition to the highly anticipated upcoming series of Live At The Gardens, adding to an already incredible lineup across two weekends in March featuring GROOVE ARMADA, RÓISÍN MURPHY,LAKE STREET DIVE and THE CRUEL SEA.

Tickets for BOY & BEAR Live At The Gardens go on sale Monday 20 January from Ticketmaster at 10.00am local time, with Live At The Gardens andRoundhouse presales beginning Friday 17 January at 12.00pm local time.

Adored for their lush harmonies, soulful songwriting and heartfelt live performances, BOY & BEAR are the perfect blend of folk, rock and pop, with hits like Feeding Line, Part Time Believer and Southern Sun striking a beautiful balance between melancholy and magical.

BOY & BEAR were swiftly catapulted onto the world stage when they released their double-platinum debut album Moonfire in 2011, earning them five coveted ARIA Awards. 2013’s Harlequin Dream and 2015’s Limit of Love both charted at number one. From 2019’s Suck On Light to 2023’s self-titled full length, BOY & BEAR have continued to evolve and grow, gaining more and more fans from across the globe. In addition to their five consecutive Top 10 albums and more than 250 million streams, the band’s live show is a uniquely compelling experience and has earned them a glowing reputation as one of Australia’s most outstanding live acts.

BOY & BEAR’s recent tour celebrating the 10th anniversary of Harlequin Dream received rave reviews, with Scenestr stating, “The band’s chemistry onstage was magnetising – each member contributing to a sound that is greater than the sum of its parts.” While The AU Review says they are “a band still at their peak after all these years”.

SARAH BLASKO will captivate audiences with her deeply personal songs, unmistakeable voice and enchanting artistry. Her latest album, I Just Need to Conquer This Mountain, hailed by STACK magazine as one of the “albums of the year”, marks her first release in six years. Over her 20-year career, Sarah has released seven solo albums, including four Platinum releases and six ARIA Top 10s, earning her three ARIA Awards and a J Award for Australian Album of the Year, as well as being shortlisted for the Australian Music Prize three times, cementing her reputation as one of Australia’s most accomplished artists.

AUGIE MARCH, the legendary Melbourne band behind the timeless anthem One Crowded Hour,bring their poetic brilliance and evocative storytelling to the stage. Over 25 years they’ve become one of Australia’s most important bands, seamlessly blending critical acclaim with commercial success, earning six x Top 40 albums, an APRA Award and a number one in triple j’s Hottest 100 (2008). Led by Glenn Richards’ layered lyrics, their songs range from delicate melancholy ballads to impassioned rhythm and blues. Their latest album, Malagrotta, showcases their enduring artistry.

Rising talent DE PORSAL have been making waves across the Surf Coast, Geelong and across the country for the past seven years. The Willingham brothers, all multi-instrumentalists, recorded their latest album Dishlickers over a single day, describing their unique sound as “mutt music – a hybrid of egg punk, jangly pop rock and industrial psych … fast, dumb, manic, scary but very danceable!”

What happens when Melbourne’s most-loved botanic gardens joins forces with one of Australia’s premier outdoor music event organisers? The result is Live At The Gardens – a unique concert series like no other! After captivating audiences during its spectacular November debut, this much-loved event returns for a brand-new series over two unmissable weekends this March.

A collaboration between the iconic Royal Botanic Gardens Melbourne and Roundhouse Entertainment – the highly experienced and successful team behind a day on the green – Live At The Gardens transforms the stunning Observatory Precinct into an enchanting outdoor concert space – ideally located in the heart of Melbourne.

Sign up HERE and be the first to hear about Melbourne’s newest outdoor music event, Live At The Gardens.

Tickets for Live At The Gardens’ March 2025 series on sale now for GROOVE ARMADA, RÓISÍN MURPHY, LAKE STREET DIVE and THE CRUEL SEA.

All event and ticket details atliveatthegardens.com.au

Don’t miss your chance to experience some of Australia’s finest talent in the heart of Melbourne.

LIVE AT THE GARDENS TOUR DATES

Friday 7 March, 2025

RÓISÍN MURPHY
with special guests to be announced

Saturday 8 March, 2025

THE CRUEL SEA 
with special guests Mark Seymour & the Undertow,
Vika & Linda and Loose Content

Sunday 9 March, 2025

GROOVE ARMADA – DJ SET 
*Special Guests to be announced

Friday 14 March, 2025

BOY & BEAR JUST ANNOUNCED
with special guests Sarah Blasko, Augie March and De Porsal

Saturday 15 March, 2025

LAKE STREET DIVE
with special guests Playlunch and BATTS

Tickets for BOY & BEAR with special guests SARAH BLASKO, AUGIE MARCH and DE PORSAL on sale on Monday 20 January at 10.00am local time from Ticketmaster.

Live Review: Finneas

Finneas brought charm, talent, and plenty of surprises to his sold-out show at Melbourne’s iconic Forum Theatre on January 13, 2023. Known for his exceptional songwriting and production prowess, the multi-Grammy winner showcased not only his musical genius but also his infectious humour and warmth, making for an unforgettable evening.

Finneas set the tone for a night that blended introspection and fun. The crowd was delighted when he shared that he’d been watching Bluey during his time in Australia, earning a massive cheer.

The energy of the night took a uniquely Aussie turn when a fan tossed a cork hat onto the stage. Finneas graciously accepted it, and in true collaborative spirit, the hat became a star of the show as band members humorously passed it around throughout the performance.

A particularly heartfelt moment came when Finneas spotted a fan holding a birthday sign. He led the audience in singing “Happy Birthday,” turning the intimate venue into a collective celebration. Later, a raucous chant of “Aussie, Aussie, Aussie! Oi, Oi, Oi!” erupted, with Finneas grinning and joining in.

Concluding with the album’s title track, “For Cryin’ Out Loud!,” Finneas opted for a sincere finish without an encore, leaving the audience in appreciative reflection. The concert was a testament to his growth as an artist, offering a blend of timeless sound and contemporary relevance that left a lasting impression on all in attendance.

 

 

Words and pictures by Monique Pizzica