TILLY FENTON SHARES FLIRTY POP ANTHEM ‘I JUST WANNA KISS YOU’

Melbourne indie pop artist Tilly Fenton levels up with her infectious new dreampop single I Just Wanna Kiss You out today, paired with a perfectly lush 90s inspired karaoke bar video clip.

 

Layered with upbeat synths and oozing with dreamy pop sensibility reminiscent of Blusher, Holly Humberstone and Gracie Abrams, the track was produced by Tilly’s mainstay producer, Michael Belsar (The Jungle Giants, Hayden James, Bob Moses) and mastered by powerhouse engineer, Dale Becker (Sabrina Carpenter, Billie Eilish).

 

I Just Wanna Kiss You is all about that flirty kind of love that feels easy at first, but ends up meaning a little more than you expected” explains Tilly. “It’s rooted in those small, in between moments where everything feels light, but there’s this quiet urgency underneath it.. like wanting to show someone you’re in it for real, before the moment slips away.”

 

Sharing a sumptuous, 90s inspired video for I Just Wanna Kiss You, Tilly flourishes in her sparkly pop glory, performing her pop anthem in a glitter-laden karaoke bar, complete with an impressive bevy of girlfriends and all the confetti and photobooth fun a pop queen could dream of.

“From the beginning, I knew I wanted this video to have my friends in it, because it feels like a song I would sing and dance along to with my girlfriends on a night out. Then director Michelle Pitiris came on board to bring the concept to life even further and that is where we leant into a more narrative-free approach, capturing the carefree candid moments between my friends and I. We intertwined that with some more intimate shots that reflect the vulnerability of the song.”

 

Starting her musical journey in 2023, Tilly Fenton has spent the past few years crafting her debut EP, working alongside renowned producers and songwriters Anna Laverty and Michael Belsar, while also channelling inspiration from Lizzy McAlpine, Gracie Abrams and Phoebe Bridgers into her own unique sound. An artist capable of balancing vulnerability with strength, Tilly is one of the rare few who can imbue the emotional complexity of growing up and navigating relationships through a mature lens far beyond her 23 years, with her debut single The Secret and Valentine already captivating listeners along the way. In 2025 she released five-track EP it’s a feeling that i know, snagging some solid support from triple j and commercial radio, and has been busy supporting exciting pop artists Lexi Jayde, Aleksiah, Seb Szabo and Mariae Cassandra.

I Just Wanna Kiss You is out today.

Stream: I JUST WANNA KISS YOU

Watch: I JUST WANNA KISS YOU

 

Live Gallery: Mogwai with Fancy Weapon at The Forum Melbourne

Live Gallery: Mogwai + Fancy Weapon | The Forum, Melbourne

Mogwai visited Melbourne once again in celebration of their impressive 30 year career. Playing to a heaving and enthusiastic audience, Mogwai were equal parts delicate and pulverising, presenting a sonic and visual orchestration to those fortunate enough to snare a ticket to this special event.

Opening band Fancy Weapon showed why the buzz is so loud for Melbourne’s newest supergroup, the membership having played for The Dirty Three, Hoss, Mudhoney, God, Bleak Squad, Paper Planes and Lubricated Goat. Look out for the debut record on Poison City Records.

Thanks to Mistletone for this very special concert.

Live Review: Genesis Oswasu

Genesis Oswasu

The Forum,  Melbourne.

The lights go down and a thundering introduction begins, hailing the arrival of Genesis Oswasu, the crowd absolutely losing their minds. It’s straight down to business, the Ghanian musician erupting onto the stage.

The atmosphere is absolutely electric, opening with ” Pirate Electric” he quickly moves onto ” Stampede” before getting a little sexy for ” Hellstar”, he glides around the stage. Dressed stylishly in a long skirt with African print and military styled jacket he oozes cool and edginess. An enigmatic performer, he has the entire room jumping so much the floor shakes.

Beginning 4LIFE he makes his way into the crowd, and asks people to ” Get down if your knees will allow” and the entire room crouches as he stands in the middle of the theater. It’s a magical moment, the audience collectively holding their breaths. Mid song, he asks everyone to turn on their phone torches and it’s a magical moment. The Forum has never looked so beautiful and the sea of lights is breathtaking.

Oswasu always puts on a spectacular show, he upped his game this time around, delivering a memorable performance for Melbourne audiences yet again.

 

News: THE SISTERS OF MERCY Announce Australian Tour For Nov/Dec 2026

SBM PRESENTS:
THE SISTERS OF MERCY
Announce Australian Tour For Nov/Dec 2026

“[the Sisters are…] a lean glittering groove machine for the new millennium, leaving the sullenly anachronistic reformations of their contemporaries far behind.” – Metal Hammer

“It howls, it’s grindingly beautiful, and it’s heading your way…”

UK dark rock icons The Sisters of Mercy will return to Australia at the end of 2026, bringing their acclaimed live show back across the country, including a stop in Hobart!

The Sisters of Mercy are one of the most important bands to emerge from the post punk scene, with their imposing presence and the heavily melancholic voice of Andrew Eldritch leaving their mark. Their singular blend of punk‑psychedelia, metal, dance beats and baritone growl has inspired generations of devoted followers and is cited as a major influence by the likes of MetallicaNine Inch Nails and My Chemical Romance

Over the course of four decades The Sisters of Mercy have released three, utterly brilliant and undeniably influential studio albums that enabled them to amass a legion of devoted fans who flock to see classics such as ‘Lucretia My Reflection‘, ‘Temple Of Love‘ and ‘This Corrosion‘, all are a testament to their incredible live shows and have become major part of what continues to draw audiences back each time they tour.

Their impending Australian tour sees the band return with a line up that has been widely regarded as one of their strongest in years and is rounded out by Ben Christo, Kai, ‘Ravey’ Dave Creffield and, as ever, Doktor Avalanche. All of whom are set on delivering a live experience that remains as distinctive and uncompromising as ever.

TSOM continue to effortlessly balance the past and present, with a rotating setlist that gives the classics a solid run while folding in a significant portion deep cuts and acclaimed new songs. The visual side remains just as important, with their renowned  cinematic light show being just another element making these shows unmissable for fans of dark, boundary‑pushing rock.

TOUR DATES
Wednesday, November 25: Astor Theatre, Perth
Friday, November 27: Metro Theatre, Sydney
Sunday, November 29: Odeon Theatre, Hobart
Wednesday, December 2: Forum, Melbourne
Thursday, December 3: The Tivoli, Brisbane

Spotify Pre-Sale starts Tuesday, May 26 @ 10am AEST
Pre-Sale starts Wednesday, May 27 @ 10am AEST
General Tickets On Sale From Thursday, May 28 @ 10am AEST
sbmpresents.com

the-sisters-of-mercy.com

Live Gallery – KT Tunstall at Northcote Theatre

KT Tunstall

Northcote Theatre

May 24th 2026

Kate Victoria “KT” Tunstall is a Scottish singer-songwriter and musician. She first gained attention with a 2004 live solo performance of her song “Black Horse and the Cherry Tree” on Later… with Jools Holland and has subsequently also appeared in two episodes of the comedy series This is Jinsy on Sky Atlantic. In 2025 it was estimated that Tunstall’s accumulated record sales totaled seven million. Her accolades include a Q Award, European Border Breakers Award, two Ivor Novello Awards, a UK Music Video Award, and a BRIT Award for Best British Female Artist. Additionally she has been nominated for a Grammy Award, Mercury Music Prize, World Music Award, and a Hollywood Music in Media Award.

Behind the Lens

CJay Perros

 

Germein Sisters

KT Tunstall

News: THE SCRIPT returning to Australian arenas for Man In The Arena World Tour in March 2027

Frontier Touring Logo

THE SCRIPT RETURNING TO AUSTRALIAN ARENAS FOR MAN IN THE ARENA TOUR IN MARCH 2027

+ Tickets on sale Fri 29 May
​+ New album
The User’s Guide To Being Human out Fri 14 Aug

Frontier Touring are thrilled to welcome The Script, one of Frontier’s most toured international artists, back to Australia for three east coast arena shows in March 2027 as part of their Man In The Arena Tour.

“We can’t wait to take our worldwide tour back to Australia again. We have such a long-standing friendship with our fans and Frontier Touring, it feels like home away from home. Get ready for another banging show!”. – Danny O’Donoghue

The Script’s phenomenal and long-lasting success has seen them achieve six UK #1 albums and eight back home in Ireland, in the process exceeding 14 billion streams, 5 million album sales, and countless international Platinum certifications led by two US Platinum singles and two US Top 10albums. In Australia, The Script have achieved five Top 10 ARIA Albums and released nine Platinum plus certified ARIA singles across their extensive career.

The Man In The Arena Tour marks the TWELFTHAustralian headline tour with Frontier Touring and kicks off at Brisbane Entertainment Centre on Tuesday 23 March then onto Rod Laver Arena, Melbourne on Thursday 25 March before a final stop at Qudos Bank Arena, Sydney on Saturday 27 March.

The Frontier Member presale runs 45.5 hours fromWednesday 27 May (11am local time) before tickets go on sale from Friday 29 May (9:30amlocal time). Tickets and tour information via: frontiertouring.com/thescript

Pre-order the new album from the official artist storefor your presale access which commences Tuesday 26 May (11am local time) and runs 69.5 hours via thescript.tmstor.es/

The Script will play to an audience of 1.3 millionthis UK summer with a run of fifteen UK stadium shows as special guests to Take That next month, followed by five dates as special guest to Luke Combs including Slane Castle in Ireland. ​

Today, The Script enter a new era by sharing their new single ‘Man In The Arena’ (listen HERE) – the first taste of their new album The User’s Guide To Being Human (out Friday 14 August via BMG Australia, pre order HERE).

Listen: The Script – Man in the Arena

The Script celebrate the album with a huge UK, Europe, Ireland, Asia and Australia arena tour which starts in October 2026 – adding to the 4.5 million tickets they have sold across their career. ​

The skyscraping ambition of Man In The Arenalives up to its title, with a hard-hitting R&B groove suddenly bursting into a classic Script mega-chorus built for the biggest of stages. A rousing Danny O’Donoghue delivers a typically charismatic vocal, with lyrics that affirm that the person who dares to put themselves in the spotlight is infinitely braver than anyone who criticises from the sidelines. Its lyrics are taken, in part, from a famous speech by American President Theodore Roosevelt.

“Most people will never fully understand the relationship I have with words and music. It’s how I process everything. I love music, I love words, and I love being Irish. All my life I poured indescribable emotions into song. When I was bullied in school, I never fought back. I’d wait until I got home and I’d try and sing as high and as powerfully as I could, letting the pain feel every note. When my father died, that grief became fuel for the best songs I could write.” – Danny O’Donoghue

The ‘Man In The Arena’ video reunites The Scriptwith director Charles Mehling, who directed the band’s classic videos for ‘Breakeven’ and ‘For The First Time’.

Watch: The Script – Man In The Arena (Official Video)
​Premieres 12:00am AEST tonight

The User’s Guide To Being Human follows 2024’s Satellites. It was a record that saw vocalist Danny O’Donoghue attempt to process the grief that followed the tragic passing of his bandmate and friend Mark Sheehan in 2023. The record was followed by a global arena tour in which every show paid tribute to Mark.

After the tour ended, Danny found himself energised and inspired. Within a week of finishing, he was writing and recording new material with Andrew Frampton, Steve Kipner and Jimbo Barry, who between them had previously contributed to many of The Script’s huge hits, including ‘Hall of Fame’, ‘The Man Who Can’t Be Moved’ and ‘Breakeven’.

‘A brilliant moment of pop theatre’ – The Guardian

‘An upbeat, energetic number setting a vigorous mood from the get-go’ – TheMusic

Man In The Arena’ opens both the album and this rebooted, reenergised new era for The Script. It’s a declaratory, muscularly tuneful theme song that draws on all the band’s experiences and worldwide successes over the last two decades, and that will be front and centre when the band embark on their headline worldwide arena tour later this year.

Watch: The Script – Breakeven (Official Video)

Don’t miss the epic return of The Script in March 2027!


THE SCRIPT
​MAN IN THE ARENA TOUR
​AUSTRALIA

MARCH 2027
​Presented by Frontier Touring


FRONTIER MEMBER PRESALE
​via frontiertouring.com/thescript
​Runs 45.5 hours from: Wednesday 27 May (11amlocal)
or until presale allocation exhausted

TICKETS ON SALE
Begins: Friday 29 May (9:30am local time)


ALL SHOWS LIC. ALL AGES


Tuesday 23 March
Brisbane Entertainment Centre | Brisbane, QLD
​Lic. All Ages ​
ticketek.com.au

Thursday 25 March
Rod Laver Arena | Melbourne, VIC
​Lic. All Ages ​
ticketek.com.au

Saturday 27 March
Qudos Bank Arena | Sydney, NSW
​Lic. All Ages ​
ticketek.com.au

JAGGER LEITH SHARES NEW SINGLE ‘WHY’

Emerging Australian singer, songwriter and producer Jagger Leith today unveils his deeply personal new single, WHY, a heartfelt indie-pop release capturing the emotional fallout of a relationship breakdown and the lingering questions that remain after love fades.

Following in the footsteps of his musical father, Damien Leith, at just 18 years old and five songs into his discography, Jagger is steadily carving out his own lane in the Australian music scene, blending vulnerable songwriting with melodic modern pop production. Inspired by artists like Justin Bieber, The Kid LAROI and Michael Jackson, Jagger’s sound sits between indie-pop and singer-songwriter territory, driven by authenicity and a growing artistic identity.

WHY showcases Jagger’s expressive vocals and effortlessly infectious hooks, pairing sun-soaked production with intimate, vulnerable lyricism that reflects his evolving pop sensibilities and developing artistry.

“WHY is a breakup song about the end of a relationship and that feeling of looking back on when everything was good, and now it’s not,” says Jagger. “It’s about questioning what happened and why things changed.”

I wrote and recorded it in my home studio, usually late at night. That’s when I feel most creative and can lock in for hours. It’s a very personal track shaped by real emotions and past relationships.”

“I’m especially excited because this is the first track that I’ve created entirely myself. I love working with other people (my Dad included), but it’s pretty exciting seeing a song come together from scratch and to know you’ve created it.”

Written, produced, recorded, mixed and mastered entirely by Jagger in his home studio, WHY marks his most independent and creatively hands-on release to date. Every layer of the track, from instrumentation and arrangement through to vocal production and sound design, was crafted during late-night studio sessions where he feels most creatively connected.

Driven by real emotion and personal experiences, the single reflects Jagger’s commitment to using music as both expression and escape.

I’m still working on building my sound, but WHY is very me and where I’m at right now, musically,” he says. “This is really just the start for me, I love making music, I’m never gonna stop. I’m excited to keep creating, keep releasing, and keep building what I love to do.”

WHY by Jagger Leith is out today.

Stream: WHY

News: Engraved: Aussie Metalcore Merchants Release New Album Hymns For The Hollow, & New Single, Pressure Today via XMusic

ENGRAVED
Aussie Metalcore Merchants Release New Album
Hymns For The Hollow, & New Single, Pressure
Today via XMusic

Australian metalcore merchants Engraved have released their new album, Hymns For The Hollow along with new single, Pressure, today via XMusic!

From the get go, Pressure makes its intentions clear. Blistering guitar work tears through the track at full force, underpinned by thunderous, rapid-fire drumming that refuses to let up. Against this wall of
sound, vocalist melodies carve a haunting path through the chaos, a push and pull
between aggression and anguish that defines the band’s signature sound.

Lyrically, Pressure explores the suffocating weight of external forces and the psychological toll of betrayal, isolation, and resilience. Lines like “Hell house the pressure is on / Sleepless your instincts are wrong” paint a portrait of a mind under siege, while the track’s anthemic bridge.

“This pressure / Weight of the world on me / Their poison / Is getting the best of me” delivers a gut-punch of raw, unfiltered emotion that will resonate deeply with listeners.

The band add, “Pressure is a song about reaching a breaking point, it’s about everything
closing in on you at once and having to decide whether you buckle or push through.”

Listen to Pressure here
https://lnk.to/R8IdG0

What the video here
https://youtu.be/RHNLQnIOB34

Pressure, along with previous singles, BleedNCBand The Fallen, are featured on Engraved’s new album,
Hymns For The Hollow out today via XMusic.

Get your copy at
https://lnk.to/S4Nezf

Physical & Merch available from
https://xmusiclabel.bigcartel.com/engraved

ENGRAVED will be taking Hymns For The Hollow on the road in support of the album
release on the FOREVER NU AUSTRALIAN TOUR 2026 featuring the UK’s No.1 Tribute’s
to Slipknot and System of a Down – Slip-Not & Chop Suey.

FOREVER NU TOUR DATES:
22/05 – Ocean View, Wamberal Surf Club
23/05 – Hoey Moey’s, Coffs Harbour
24/05 – The Warehouse, Newcastle
27/05 – The Loft On Broadway, Sydney
28/05 – Cherry Bar, Melbourne
29/05 – Golden Vine Hotel, Bendigo
30/05 – Mo’s Desert Clubhouse, Burleigh Heads
31/05 – Paddo Tavern, Brisbane

Tickets on sale now!
https://linktr.ee/chopsueyslipnot

 

ABOUT ENGRAVED:
Drawing inspiration from metalcore giants like Trivium, Parkway Drive, Killswitch Engage, and Bullet For My Valentine, Engraved combines intricate instrumentation and commanding lyrics with a distinct early 2000s metalcore vibe. This sound has helped them establish a loyal following across Australia since the release of their debut EP, Unleashed, in 2022 and earned them over 100,000 streams and climbing.

Follow Engraved
linktr.ee/engravedband

Follow all XMusic artists updates and live dates on
xmusic.au

Engraved – Pressure

Live Gallery: Hot Milk

Hot Milk

170 Russell, Melbourne

20/5/26

Manchester’s alt-rock act Hot Milk are back on Australian soil, bringing big energy to 170 Russell in Melbourne. Photographer Ben Loy was there to catch the action.

Supported by Melbourne’s Bad/Love.

Justin Davies project The Tortured Souls share new single “No Tomorrows’

Perth singer-songwriter Justin Davies returns today with powerful new single No Tomorrows, the stirring next chapter from his deeply personal project The Tortured Souls. Following the remarkable response to debut release Unforgettable Days, which has already amassed more than 200,000 streams on Spotify alone, Davies continues to carve out a unique space with his emotionally rich songwriting and timeless sonic palette.

Driven by a hypnotic groove, warm Hammond organ swells and soaring vocal melodies, No Tomorrows expands upon the heartfelt baroque-pop and classic rock influences that first introduced listeners to Davies’ world. Produced, mixed and mastered by award-winning, two-time GRAMMY nominated producer/engineer Rob Grant (Tame Impala, Nick Cave and the Bad Seeds, Josh Homme), the track once again features an extraordinary collective of Western Australian musicians, including drummer Malcolm Clark and bassist Jay Cortez (formerly of The Sleepy Jackson), alongside members of the West Australian Symphony Orchestra.

Where debut single Unforgettable Days reflected on memory, longing and enduring love, No Tomorrows captures something more immediate and urgent; the fragile beauty of living entirely within the present moment before it slips away.


“No Tomorrows was written as a slow melancholy song on the beach in northern Queensland, on a cheap 3/4 guitar that I picked up for travelling light,”
explains Davies. “It’s about trying to hold onto the most important things in life before they disappear, those moments where you know something is changing, maybe ending, and not wanting to lose those who are most precious to you now, before time catches up. There’s sadness in it, but also freedom. The song has this movement and spirit that felt different from anything I’d written before, it almost drove itself.

Like the material that introduced The Tortured Souls earlier this year, No Tomorrows emerged from an intensely personal creative awakening for Davies. After decades spent as a successful entrepreneur and philanthropist in Western Australia, the lingering grief of losing a loved one years earlier unexpectedly led him toward songwriting and artistic expression. What began with purchasing a guitar in 2023 soon became a flood of songs shaped by reflection, vulnerability and emotional honesty.

Working closely with Rob Grant at the renowned Poons Head Studio on Australia’s west coast, Davies and his collaborators built a body of work grounded in warmth, spontaneity and genuine human connection. No Tomorrows stands as one of the project’s most dynamic moments, blending classic pop craftsmanship with soulful, late-night rock energy and deeply confessional lyricism reminiscent of iconic Australian songwriters such as Paul Kelly and Don Walker.

Accompanying the track is a perfectly fitting lush, late night music video, with live performance of The Tortured Souls performing at Poons Head Studios in Perth, spliced amongst footage of Davies walking the streets of Melbourne. Produced, filmed and directed by Patrick Pierce and Dara Munnis from Dead As Disco (Jimmy Barnes, The Paper Kites, The Cat Empire), the video captures Davies wandering the city late at night, “It represents me trying to find my way through a difficult time of being lost and alone,” explains Davies. “The late night setting reflect the grittiness of the song. A no-nonsense visual to a no-nonsense song.”

The release follows a breakthrough introduction for The Tortured Souls, with Unforgettable Days resonating strongly with audiences both in Australia and abroad, earning over 200,000 streams on Spotify alone, and establishing Davies as an arresting new voice in contemporary singer-songwriter music.

With a full-length debut album on the horizon later this year, Justin Davies continues to reveal a collection defined by emotional depth, organic musicianship and timeless storytelling.

“It still amazes me that I found these songs within me,” Davies says. “For a long time, music was something I lived and admired from afar, never something I imagined I’d be living myself. But these songs arrived when I needed them most. No Tomorrows feels alive to me, it feels like movement, release and surrender all at once.”

No Tomorrows is out today.

Stream: No Tomorrows

Watch: No Tomorrows

 

 

MUSIC ARTS MEDIA