Tag Archives: pop

PHIL JAMIESON SHARES NEW SINGLE ‘BLUE AS THE SUNLIGHT’

Australian singer-songwriter Phil Jamieson continues to unveil his most expansive solo era yet with the release of new single, Blue As The Sunlight, the second offering from his forthcoming sophomore album, 10Charlie (out August 14 and available to presave here).

Arriving on the heels of the project’s first single Weekends, Blue As The Sunlight further showcases Jamieson’s evolving solo sound; a blend of vivid storytelling, atmospheric guitar work and a vocal delivery that moves between tenderness and raw intensity. The track deepens the emotional and sonic palette already introduced on 10Charlie, revealing another side of an album shaped by reflection, resilience and renewal.

 

Blue is about unconditional love. Not just for others, but for yourself as well,” explains Jamieson.”In some ways, from my perspective, this is about having empathy and forgiveness. It’s about allowing yourself to be loved and also in doing so, loving others. It’s this feeling that pierces through the melody.

 

“Lyrically, it’s a little obtuse in some ways, but the drama of the song comes from me trying to communicate that on my own personal journey, I’ve unlocked a way to spread love and do it in an unconditional manner. I’m not always great at it, but I try. That’s the purpose behind the track.

10Charlie finds Jamieson at his most direct and personal, capturing moments of introspection and clarity while leaning into collaboration with a handpicked group of Australian musicians and longtime creative allies. Reuniting with producer Oscar Dawson, the record features contributions from Davey Lane, Rob Muinos, Ben Edgar and Soph Ozard, weaving together a collection that shifts between meditative space and explosive release.

 

Following the announcement of his massive national PJ AIR tour – spanning more than 40 shows across Australia – Jamieson will take Blue As The Sunlight and the broader 10Charlie material on the road, bringing the new era to breweries, theatres and beloved local venues nationwide. The tour celebrates the grassroots circuit that has long underpinned Australian live music culture, connecting new songs with the audiences that shaped his career. Tickets are on sale now from www.philjamieson.com.au/.

 

With Blue As The Sunlight, Jamieson continues to chart a deeply personal course through his solo work, one that balances introspection with widescreen emotional scope, and reinforces his place as one of Australia’s most distinctive songwriting voices.

 

Blue As The Sunlight is out now.

10CHARLIE will be released on Friday 14 August, and is available to presave here.

Tickets to the PJ AIR tour are on sale now from www.philjamieson.com.au/.

 

STREAM: BLUE AS THE SUNLIGHT

WATCH: BLUE AS THE SUNLIGHT
PRESAVE: 10CHARLIE

 

PHIL JAMIESON – PJ AIR Tour

with special guests
Tickets from www.philjamieson.com.au/

THU 11 JUN – LEICHHARDT HOTEL, ROCKHAMPTON QLD

FRI 12 JUN – HARVEY ROAD TAVERN, GLADSTONE QLD

SAT 13 JUN – GRAND HOTEL, CHILDERS, QLD

SUN 14 JUN – METROPOLITAN HOTEL, MACKAY QLD

THU 18 JUN – MOUSE PROOF BREWERY, TOOWOOMBA QLD

FRI 19 JUN – NORTON MUSIC FACTORY, CALOUNDRA QLD

SAT 20 JUN – VINNIES DIVE, SOUTHPORT QLD

THU 25 JUN – TANSWELL’S HOTEL BEECHWORTH VIC

FRI 26 JUN – SOOKI LOUNGE, BELGRAVE VIC

SAT 27 JUN – YOUNG STREET TAVERN, FRANKSTON VIC

FRI 03 JUL – THEATRE ROYAL, CASTLEMAINE VIC

SAT 04 JUL – EUREKA HOTEL, GEELONG VIC

THU 09 JUL – THE SCENIC HOTEL, NORTON SUMMIT SA

FRI 10 JUL – ED CASTLE, ADELAIDE SA

SAT 11 JUL – PORT LINCOLN BREWING CO, PORT LINCOLN SA

WED 15 JUL – CABARITA BOWLO, CABARITA SA

THU 16 JUL – ELTHAM HOTEL, ELTHAM NSW

FRI 17 JUL – WOOPI BREWING CO, WOOLGOOLGA NSW

SAT 18 JUL – BELLINGEN BREWERY, BELLINGEN NSW

SUN 19 JUL – FINNIAN’S, PORT MAC NSW

THU 23 JUL – LA LA LA’S, WOLLONGONG NSW

FRI 24 JUL – MILTON THEATRE, MILTON NSW

SAT 25 JUL – FUN TIME PONY, CANBERRA ACT

THU 30 JUL – HAMILTON STATION HOTEL, NEWCASTLE NSW

FRI 31 JUL – FLOW BAR, OLD BAR NSW

SAT 01 AUG – THE WHALERS, MOSMAN NSW

SUN 02 AUG – AVOCA BEACH THEATRE, AVOCA BEACH NSW

FRI 07 AUG – THE DECK TRARALGON, TRARALGON VIC

SAT 08 AUG – LIVE AT THE BUNDY, BUNDALAGUAH VIC

SUN 09 AUG – SOCIAL CLUB, BALNARRING VIC

THU 13 AUG – CROWBAR, BRISBANE QLD

FRI 14 AUG – SHOTKICKERS, MELBOURNE VIC

SAT 15 AUG – HEAPS NORMAL HEALTH CLUB, SYDNEY NSW

THU 20 AUG – THE ROYAL OAK, LAUNCESTON TAS

FRI 21 AUG – FORTH PUB, FORTH TAS

SAT 22 AUG – ALTAR BAR, HOBART TAS

THU 27 AUG – MOJOS BAR, FREMANTLE WA

FRI 28 AUG – FROTH CRAFT BREWERY, BUNBURY WA

SAT 29 AUG – THE RIVER, MARGRET RIVER WA

SUN 30 AUG – INDIAN OCEAN HOTEL, SCARBOROUGH WA

SAT 05 SEP – ALICE SPRINGS BREWING CO, ALICE SPRINGS NT

THU 10 SEP – TANKS ART CENTRE, CAIRNS QLD

FRI 11 SEP – THE WAREHOUSE, TOWNSVILLE QLD

SAT 12 SEP – MAGNUMS, AIRLIE BEACH QLD

 

TILLY FENTON SHARES FLIRTY POP ANTHEM ‘I JUST WANNA KISS YOU’

Melbourne indie pop artist Tilly Fenton levels up with her infectious new dreampop single I Just Wanna Kiss You out today, paired with a perfectly lush 90s inspired karaoke bar video clip.

 

Layered with upbeat synths and oozing with dreamy pop sensibility reminiscent of Blusher, Holly Humberstone and Gracie Abrams, the track was produced by Tilly’s mainstay producer, Michael Belsar (The Jungle Giants, Hayden James, Bob Moses) and mastered by powerhouse engineer, Dale Becker (Sabrina Carpenter, Billie Eilish).

 

I Just Wanna Kiss You is all about that flirty kind of love that feels easy at first, but ends up meaning a little more than you expected” explains Tilly. “It’s rooted in those small, in between moments where everything feels light, but there’s this quiet urgency underneath it.. like wanting to show someone you’re in it for real, before the moment slips away.”

 

Sharing a sumptuous, 90s inspired video for I Just Wanna Kiss You, Tilly flourishes in her sparkly pop glory, performing her pop anthem in a glitter-laden karaoke bar, complete with an impressive bevy of girlfriends and all the confetti and photobooth fun a pop queen could dream of.

“From the beginning, I knew I wanted this video to have my friends in it, because it feels like a song I would sing and dance along to with my girlfriends on a night out. Then director Michelle Pitiris came on board to bring the concept to life even further and that is where we leant into a more narrative-free approach, capturing the carefree candid moments between my friends and I. We intertwined that with some more intimate shots that reflect the vulnerability of the song.”

 

Starting her musical journey in 2023, Tilly Fenton has spent the past few years crafting her debut EP, working alongside renowned producers and songwriters Anna Laverty and Michael Belsar, while also channelling inspiration from Lizzy McAlpine, Gracie Abrams and Phoebe Bridgers into her own unique sound. An artist capable of balancing vulnerability with strength, Tilly is one of the rare few who can imbue the emotional complexity of growing up and navigating relationships through a mature lens far beyond her 23 years, with her debut single The Secret and Valentine already captivating listeners along the way. In 2025 she released five-track EP it’s a feeling that i know, snagging some solid support from triple j and commercial radio, and has been busy supporting exciting pop artists Lexi Jayde, Aleksiah, Seb Szabo and Mariae Cassandra.

I Just Wanna Kiss You is out today.

Stream: I JUST WANNA KISS YOU

Watch: I JUST WANNA KISS YOU

 

MAXON RELEASES DEBUT ALBUM ‘TALKING WITH STRANGERS’ OUT TODAY

Melbourne singer-songwriter Maxon today releases her long-awaited debut album Talking With Strangers a deeply personal, open-hearted collection that cements her as one of the city’s most compelling new voices, and sets the stage for a special hometown celebration at The Toff.

Threading together singles Little Blue, Tangerine Dream and 18, the album unfolds as her “loudest love letter so far” traversing heartbreak, healing, longing and radical honesty. Across its runtime, Maxon leans into her signature blend of Americana, ’70s folk-rock and modern pop, crafting songs that feel both intimate and expansive, anchored by her luminous vocals and an instinct for emotional storytelling that lingers long after first listen.

The album’s focus track Stranger captures the heart of the record, a stirring, soul-baring moment that leans into vulnerability and connection, embodying the themes of openness and self-discovery that run throughout the album. It’s a track that feels both deeply introspective and quietly anthemic, showcasing Maxon’s ability to turn personal reflection into something universally resonant.

Meanwhile, most recent single Little Blue stands as one of the album’s most tender moments. Written for her younger brother, the track unfolds with a gentle, pop-folk warmth, luminous vocals set against a sparse, glowing backdrop, swelling into a heartfelt meditation on family, distance and the unspoken ways we care for one another. It’s intimate, comforting and deeply human, offering a soft place to land within the album’s emotional arc.

Created alongside a close-knit circle of collaborators, the album captures the magic of shared experience, from delicate, lived-in instrumentation to moments of collective energy, reinforcing Maxon’s belief in music as a space for healing and belonging. It’s a philosophy that extends beyond the studio, with Maxon widely recognised as a festival favourite, a proud LGBTQIA+ artist and a passionate supporter of women’s communities, bringing that same sense of inclusivity and connection into her live shows.

And it’s on stage where these songs are set to take on new life. To celebrate the release, Maxon will bring Talking With Strangers to The Toff for a special Melbourne album launch, performing with a full six-piece band and inviting audiences into the record’s world of rich harmonies, emotional depth and shared joy. With more intimate shows already turning heads across Victoria in the lead-up, the Toff show promises to be a full-circle moment, a chance to experience the album as it was intended: together.

With Talking With Strangers out today, Maxon delivers a debut that feels both deeply personal and universally felt, an album that invites listeners in, holds them close, and reminds us of the quiet power in being seen, heard and connected.

THURS MAY 7 | THE TOFF, MELBOURNE VIC | 18+
Tickets available from Moshtix

My Dream Rider – EMELINE

With nearly 1 billion global streams, EMELINE has quickly emerged as one of pop’s most provocative and powerful new voices. Known for her spellbinding vocals and fearless, feminist perspective, she is a self-taught multi-instrumentalist and storyteller with roots in theater, EMELINE writes, produces, and directs every aspect of her artistic universe—from her razor-sharp songs and cinematic music videos to her high-impact social media presence. Her sound blends the glamour and drama of ABBA, Queen, and Madonna with raw, modern-day honesty, creating a pop experience that’s as defiant as it is infectious. With sold-out shows built around female empowerment and a growing legion of fans who find freedom in her message, EMELINE isn’t just making music—she’s starting a movement.

10 items on your fantasy rider 

  1. Nutella crepes and strawberries
  2. A poetry book from a local author that I could enjoy each night
  3. Lots of berries
  4. A money gun I could shoot at fans
  5. Moroccan mint tea (that’s actually on my rider)
  6. Glitter
  7. Local honey (I’m insane and will eat straight honey before I go on stage)
  8. Pictures of people I love
  9. Facemasks/skin products
  10. Lychee martini


The plug:

RSVP to my world tour here- https://laylo.com/emeline/m/DatttI

Listen to Emotional Virgin- https://unitedmasters.com/m/emotional-virgin 

 

MOLER SHARE PROPULSIVE NEW SINGLE + VIDEO ‘AI’ + ANNOUNCE SINGLE LAUNCH SHOW THIS NOVEMBER

Aussie indie rock trio Moler today swipe right on raw energy and nostalgic punk with AI, the group’s first new music since 2019 and a deliciously raucous ride elevated by its accompanying music video. Detailing artificial intelligence and its surrounds soundtracked by fuzzy guitars and punchy 70s and 80s pop punk energy, Moler are also set to christen AI in a live setting on Saturday 8 November, today announcing a single launch show at Thornbury’s Shotkickers, joining additional performances later next month at River Rocks Festival in Geelong and at the Tote.

 

Marking Moler’s first new single since their 2019 cover of the legendary Velvet Underground drummer Moe Tucker’s 1989 song Work, AI balances throwback edges, potent energy and compelling vocals alongside its futuristic subject matter. A bustling lovechild of influences, spanning The Lemonheads, The Saints, The Stooges, Blondie, The Runaways, Mudhoney, Sex Pistols and beyond, AI also brandishes Moler’s trademark, and globally recognised, sound: “it’s riot grrrl, it’s challenging, but always fun,” explains bassist and lead vocalist Helen Cattanach.

 

Composed by all three members, Helen alongside new writer and guitarist James (JJ) McCann and drummer David Peacock, AI came to life in Moler’s rehearsal room, as Helen elaborates, We recorded the musical bed track at Sound Park Studios with Andre (Idge) Hehir. I called out all the changes in the music ….One, two, three, four. There was no solid lyrical content yet, just an idea. The full lyrics came together a little later at Caution Horses Recording studio with Miguel Alonso engineering; recording the vocals and mixing it for the album. James & Dave added the “AI” backing vocals and hey presto, done!”

 

A propulsive masterclass in raw punk and alternative rock, AI also unsurprisingly snapshots the real-world evolution and obsession with all things artificial intelligence. “Everyone, I mean everyone, is talking about AI,” shares Helen. “I thought it would be a great topic to write about. There are so many elements to AI that relate directly to music and to all of our lives. The theme of the song was about our possible futuristic, personal relationship to AI….AI as our therapist, our organiser of thoughts, our tool, our emotional relationships. There are so many questions.”

 

Mastering their brand new track with returning Moler collaborator Lindsay Gravina (Magic Dirt, The Birthday Party) at Birdland Studios, the group also teamed up with a longtime friend and creative compadre Ian White to bring AI’s accompanying music video to vivid and colourful life, “There was no real storyboard or concept for the clip,” explains Helen. “It was, “Can you film something or come to a live show to film? Ian has a long-term connection with Moler, having cut a few videos for the band in the past. The latest, ‘AI’, was mainly cut from live footage from a live show at the Espy, where we showcased our new songs for the first time in front of an audience. Ian asked, “Do you want footage from AI?” I said, “Well, that would be apt.”

 

Forming in St Kilda in the early-to-mid 1990s, Moler unveiled their debut full length ARIA nominated album Golden Duck in 1997, showcasing their eclectic craftsmanship and dexterity, flitting effortlessly between rock, punk, post punk and power pop over the years. Disbanding in the early 2000s following the release of multiple EPs, Moler ultimately reformed back in 2018 for a show-stopping performance at The Curtin Hotel, before releasing a new EP Work in 2019. A band who have garnered success and acclaim at home and abroad, spanning international tours, radio play in Japan and America, including Little Steven’s Underground Garage on SiriusXM, hosted by Steven Van Zandt, Moler have also previously shared stages with the likes of Weezer, Regurgitator, Custard and Magic Dirt, and now sit poised on an insatiable new chapter kickstarted today via their brand new single AI, which will be witnessed in full flight at a special launch show next month.

 

“There has been a very long time between shows,” says Helen. “Moler was kinda put on ice or defunct for 19 years. We got together initially just for a celebration of our 25 years since our first single. Then Covid hit. After that Helen was invited to do bass playing for a 90’s super group, Ash Naylor, Kram and Adalita, for a ‘Spicks & Specks’ television spot and since then Moler got on a bit of a roll with a 90’s resurgence in the live scene. Moler took off on a bit of a ride and then decided, with new guitarist and writer JJ McCann, let’s get some new material out, like an album and let’s see where that takes us next.”

 

JJ McCann steps seamlessly into the role of guitarist, taking over from founding member Julian Poulson, who now lives in Cambodia. Known for his work with Nunchukka Superfly, The Drones, and an extensive solo career, JJ brings his own flair and energy to the band while staying true to Moler’s unmistakable sound. Originally joining as a fill-in when Julian couldn’t make a show, JJ recalls, “When Helen asked me to join and learn 16 songs in two weeks, I thought I couldn’t do it. So, I asked my good friend and late-night conversationalist Patrick Emery, and he said, ‘do it.’” The rest, as they say, is history — JJ has well and truly cemented his place in the iconic trio.

While their long-awaited follow-up to 1997’s Golden Duck is as yet unannounced, a sophomore Moler album is absolutely on the cards; and if AI is any indication, it will be undeniably worth the wait.

 

AI is out today through Proper Remote Records & MGM.

 

 

Stream: AI

Watch: AI

 

MOLER – UPCOMING 2025 TOUR DATES:

 

SAT 8 NOV | SINGLE LAUNCH | SHOTKICKER, THORNBURY VIC | 18+

Tickets available from www.moshtix.com.au | 1300 GET TIX | All Moshtix Outlets

 

SUN 16 NOV | RIVER ROCKS FESTIVAL BARWON CLUB, GEELONG VIC | 18+

Tickets available from www.oztix.com.au 

 

SAT 29 NOV | THE TOTE, COLLINGWOOD VIC | 18+

3pm FREE www.thetotehotel.com/gig-guide

TILLY FENTON SHARES PUNCHY NEW SINGLE + VIDEO ‘IT’S YOU!’ DEBUT EP ‘IT’S A FEELING THAT I KNOW’ SET FOR RELEASE OCTOBER 10

A sparkling new chapter is imminent for Melbourne/Naarm indie pop artist Tilly Fenton, with a punchy new single It’s You! out in the world today, and the announcement of her anticipated debut EP it’s a feeling that i know set for release on October 10.

 

Playful, effervescent and with some charmingly gritty rock edges around the gloss within, It’s You! showcases Tilly’s expansive nuance as a songwriter, capturing her cheeky, fun side while also embracing some iconic pop icons and a soundtrack-inspired modus operandi for the end result. “Olivia Rodrigo’s music definitely had a huge influence on the sound for this song,” shares Tilly. “Ever since her first album came out, I had always wanted to write a super upbeat, angsty and playful pop rock song after hearing ‘good 4 u’ for the first time when I was in high school. It feels pretty full circle considering this was the music I was listening to, while I was going through the experiences that inspired It’s You! Another artist that shaped the sound of this song was Hannah Montana and the early Miley Cyrus music. I was so obsessed with the Hannah TV show and movie growing up, so a lot of the music from it was engraved in my brain from a very young age. I had always wanted to write a guitar driven song with punchy hooks and confident, cheeky lyrics, so I definitely channelled my inner Hannah for It’s You!”

 

Marking an exciting step closer to the release of her first-ever EP, It’s You! also balances its upbeat stylings with relatable and immersive storytelling, with Tilly delivering an empowering ode to standing up for yourself on her latest track, as she elaborates, “It’s You! is about that one person who really gets under your skin. It’s a love letter to the kind of people who twist things, make you question yourself, and somehow turn you into the villain. It’s that moment you stop biting your tongue and finally say what you should’ve said ages ago, with just the right amount of pettiness “my co-star said you’re hurt because you picked a fight with your best friend”. It’s playful, dramatic and weirdly healing screaming “it’s not me, it’s you!”

 

Initially penning It’s You! during a session with Anna Laverty (Lady Gaga, Nick Cave and the Bad Seeds), Tilly sought to write “a vengeful yet cathartic song”, with the pair brainstorming lyrics that ultimately led to a discussion of the common saying: “it’s not you, it’s me”. “I thought it would be fun to reword it to “it’s not me, it’s you”,” Tilly explains. “I then brought this song to my producer Michael Belsar and my drummer Ben Ellingworth and started the recording process, and we all had so much fun experimenting with different sounds. Michael and I then spent more time on the song, and it continued to evolve into what it is today.”

 

Mixed by Michael Belsar and mastered by Dale Becker, the accompanying music video for It’s You! saw Tilly work alongside Jesse Richards, who returned after working on Tilly’s previous live video for The Secret, with the brand new clip bringing It’s You!’s underlying message to life via a live performance, mirroring the dramatic yet liberating themes. “The video for It’s You! is a live performance we shot in an empty theatre,” shares Tilly. “The concept came from the idea of performing to no one but yourself. There is something really dramatic but also freeing performing a song like “It’s You!” in that kind of space. It’s kind of like dancing in your bedroom when no one is watching. I have had a vision to do a music video in a theatre for so long and I think it’s so perfect that I ended up doing it for this song!”

 

Sitting as the energetic closing moment for the broader five-track EP it’s a feeling that i know, It’s You! powerfully concludes the EP’s oscillating moods and moments. Opening with pillowy-soft introspection with The Secret, Tilly’s dulcet vocals float over serene instrumentals and vulnerable lyricism. The percolating bliss of the EP’s midway point, Valentine, dazzles in driving rhythms and dreamy hooks, and It’s You! concludes on a grittier yet jubilant note, with the entire EP resoundingly reflecting Tilly’s ultimate mission statement. “This EP is a very coming of age story,” says Tilly. “I wrote these songs while I was navigating all the confusing, emotional, and overwhelming moments that come with growing up, especially in your teenage years. They’re honest and vulnerable, but always with a sense of hope that everything is going to be ok. I hope that these songs offer comfort and remind people they’re not alone in what they’re feeling and allow them to find joy in the chaos.”

 

Starting her musical journey back in 2023, Tilly Fenton has spent the past few years crafting her debut EP, working alongside renowned producers and songwriters Anna Laverty and Michael Belsar, while also channelling inspiration from Lizzy McAlpine, Gracie Abrams and Phoebe Bridgers into her own unique sound. An artist capable of balancing vulnerability with strength, Tilly is one of the rare few who can imbue the emotional complexity of growing up and navigating relationships through a mature lens far beyond her 22 years, with her debut single The Secret and Valentine already captivating listeners along the way, and the latter also featured on The Hot Hits with Nic and Loren on the HIT Network.

 

Earlier this year, Tilly also ticked off another massive first: completely selling out her first headline show at The Bergy Bandroom, with more live performances slated for later this year to launch her brand new EP which has been many worthwhile years in the making. “Performing live is one of my favourite parts of making music,” shares Tilly. “There’s something so special about feeling the energy in a room, connecting with people in real life, and sharing that moment together. Fans can expect a fun, high-energy show where we dance our hearts out, mixed with intimate acoustic moments for some of my slower songs.”

 

It’s You! Is out today.

it’s a feeling that i know EP due out October 10.

 

 

Stream: IT’S YOU!

Watch: IT’S YOU!

EMILY ULMAN SHARES EVOCATIVE NEW SINGLE ‘MOUNTAINS MOUNTAINS MOUNTAINS’

A longtime champion of the Australian music industry, and an equally talented artist and storyteller herself, Melbourne’s Emily Ulman today returns with a raw yet charismatic new single Mountains Mountains Mountains, which also serves as a peek into her upcoming full-length album set for release later this year.

 

Channelling the serene confessional qualities of Julia Jacklin with the poetic beauty of Big Thief and the folksy charm of Pinegrove, Mountains Mountains Mountains is a cinematic and tender ode to life’s juxtaposing moments, with Ulman lyrically wearing her heart on her sleeve while also delivering a mesmerising performance rooted in softly blurred indie rock, folk and pop hues. “I love the Japanese proverb: The reverse side has a reverse side”, shares Ulman. “Nothing is ever just one thing. Beneath every surface there is something else waiting to be seen; it reminds us to look deeper, to question first impressions. Mountains Mountains Mountains is about the beauty and the rot, about pleasure and grief, and how even the most pristine places carry traces of what came before. We live in the layers. In what is visible, what is hidden, and the quiet charge in between.”

“This song came out of a moment that felt both intimate and expansive,” Ulman adds. “A parked car. A sweeping view. A private undoing. It’s about renewal, about sexuality, about finding awe in the aftermath. There’s tension in it. Between what’s pristine and what’s overgrown. The beauty lives not in the separation, but in the merging of the two to become something new.”

 

Produced and mixed by Bonnie Knight (Amyl and the Sniffers, Angie McMahon, Teen Jesus and the Jean Teasers), and mastered by Simon Berckelman (Courtney Barnett, Passenger, Lime Cordiale, Cate Le Bon), Mountains Mountains Mountains expands on Ulman’s most recent single, the softly amiable Every Hillside which unveiled back in March, with the latest track also featuring contributions from Gab Strum (Japanese Wallpaper, Mallrat, Gretta Ray) on piano, bass and synth, Soren Maryasin (Stella Bridie, Chitra) on drums, and Alex Lashlie (Closet Straights, Loose Tooth) on guitar and backing vocals.

 

For over two decades, Emily Ulman has been a driving and defining voice in Australian music, both on stage and behind the scenes. Through her lengthy tenure championing artists, Ulman has curated and programmed lineups at some of Melbourne’s most iconic venues, including The Prince Bandroom, The Gasometer Hotel, and The Toff In Town, and has also programmed some of Australia’s most significant music events, including Brunswick Music Festival, White Night Melbourne, the CHANGES summit, and her own award-winning online festival Isol-Aid, which was awarded Best Festival at the 2021 Music Victoria Awards. Most recently, Ulman served as Executive Program Director for ALWAYS LIVE, a Victorian state-wide celebration of contemporary music that spans emerging artists through to international icons, with everything from sell-out stadiums to intimate venues playing home to these one-off, exclusive and community-focused events.

 

A key force motivating the Australian music scene towards a more progressive, inclusive and artist-first future, Ulman’s musical output is as revered as her work behind the scenes, renowned for her raw and evocative songwriting and infectious melodies that bewitch the soul. Releasing her first new music in over a decade in 2025, Ulman’s latest single, Mountains Mountains Mountains, is a delightful step closer to the long-awaited release of her brand-new album, with the follow-up to her 2015 album WEAR IT WELL set to release later this year.

 

“I think of songwriting as emotional archaeology,” says Ulman, “digging through memory and feeling to see what might still be living underneath. I’m drawn to the quiet intensity of a moment or phrase and the way a single word can unearth something you thought was long buried. I write to excavate. I sing to preserve. I make to stay awake to the mess and the magic of it all.”

 

“Releasing Mountains Mountains Mountains, and music again in general, is both a relief and a revelation,” Ulman concludes. “It feels like returning to a part of myself I almost forgot I missed.”

Mountains Mountains Mountains is out today.

 

 

EMILY ULMAN – UPCOMING TOUR DATES:

MON 2 JUN | MERRI CREEK TAVERN, NORTHCOTE VIC
Tickets

Stream: Mountains Mountains Mountains

FLYNN GURRY SHARES ROUSING NEW SINGLE + VIDEO ‘DON’T STOP DREAMING’

An inspired and energetic folk pop bop, today marks the arrival of a brand new single, Don’t Stop Dreaming, from Aussie singer-songwriter Flynn Gurry, also armed with an accompanying new music video. Penned during some post tour blues, Don’t Stop Dreaming also comes ahead of a special East Coast run of shows through June, with Flynn set to visit Melbourne, Warrnambool, Sydney and Brisbane next month for his first ever headline tour.

 

Evoking the sparkling melodies of Vance Joy and the exuberance of Mumford & Sons, Don’t Stop Dreaming lyrically opens with introspection before blossoming into a soaring chorus, with Flynn proclaiming, “Don’t stop dreaming now / Don’t stop dreaming now / Keep that fire burning / Let it all pour out”.

 

Produced by Joel Quartermain (Eskimo Joe, Meg Mac, Dan Sultan) and Edwin White (Vance Joy, Amy Shark, Fergus James), Don’t Stop Dreaming marks Flynn’s first single to be released via his new home at ABC Music, while also ultimately detailing the highs and lows of life on the road – and finding the spark to keep moving forward when the post tour blues inevitably come. This song was written post-comedown from my first big tour,” shares Flynn. “The last show I had played on that tour is still one of my most memorable shows and I had begun writing the lyrics in the green room whilst the headline band was playing. Feelings of bittersweet. There was a period after that tour where I spent a lot of my time wondering what was next because essentially, I had ticked off a very important bucket list moment – and the chorus came from this place. Ultimately this song is a reminder to myself to not stop dreaming, reminding me to keep pushing and not forget the little person with his guitar just wanting to play the fuck out of it in front of people.”

 

Co-written by Brad Arthur, mixed by Phil Threlfall (Ed Sheeran, Pierce Brothers) and mastered by Andrei Eremin, Don’t Stop Dreaming also brought Flynn creatively together with Michael Peters (Nike, Alfa Romeo) and Patrick Pierce (Cat Empire, Alice Ivy) on the visual side, with the end result organically emerging during the photo shoot for the single’s cover artwork. The concept for the music video came to Michael and myself as we were shooting the single cover which is me running up a hill,” Flynn explains. “The narrative of the clip became about being playful and remembering our dreaming inner-child. My nephew, who looks very much like me when I was younger, portrays a younger Flynn in the music video. The young self is reminding the present self not to lose that playful energy and curiosity that that got you excited about life in the first place.”

 

Hailing from Warrnambool in Victoria, Flynn Gurry has spent the past few years rapidly making waves in the Australian music industry, most recently signing to Cult Artists for bookings and Woolstore Music, the management company helmed by beloved indie folk duo Pierce Brothers, and also inking a deal with ABC Records. Following a remarkable few years supporting the likes of Ian Moss, King Stingray, Ash Grunwald and Kim Churchill, Flynn also won the triple j Unearthed One Night Stand competition in 2024, which saw him perform alongside G Flip, Ruel, What So Not, Thelma Plum and more at their event in Warrnambool. Shortly after, Flynn became a triple j Unearthed feature artist, going on to support The Dreggs on a national tour, and closed out 2024 performing at Beyond The Valley Festival. And with 2025 now firmly in full swing, Flynn has already ticked off a national tour with Pierce Brothers, was named Port Fairy Folk Festival’s ‘Emerging Artist of the Year’, and has also supported The Dreggs, Kim Churchill, The 502s, and DICE.

 

With word of mouth around his live shows and his ongoing releases turning heads, 2025 will also find Flynn levelling up to tick off his first ever headline tour this June, kicking off on June 6 in Northcote before heading to Warrnambool and Sydney, and concluding proceedings in Brisbane on June 21. “This will be my first ever tour, so I’m really excited to be playing headline shows in major cities that I’ve not headlined in before,” enthuses Flynn. “I’ve been touring quite a lot the last 18 months opening up for some of the best live acts in the country and feel like I’ve been able to learn so much about connecting with your audience and putting on a great show. Audiences can expect lots of songs, stories and 12 string guitar.”

 

And before Flynn’s headline run next month, the world has plenty of time to fall head over heels for Don’t Stop Dreaming; an inspiring and relatable cut that also showcases Flynn at his most realised form to date.

 

“This feels like such a MOMENT in my career,” says Flynn. “I am really excited for everyone to hear this track because I feel it is my strongest work to date, and I also had the best time making it with such incredible people. The writing of DSD also happened for me at such an important time as it was right after I had finished my first big tour and while I was experiencing the post tour blues wondering what was next this song kind of fell into my lap and has become the inspiration to just keep going and keep dreaming. 

 

“At the heart I love telling stories, I also love trying to bring lots of energy into a space even if it’s just me and my acoustic guitar.” 

 

Don’t Stop Dreaming is out today via ABC Music.

 

 

FLYNN GURRY – DON’T STOP DREAMING TOUR

FRI 6 JUNE | WESLEY ANNE, NORTHCOTE VIC
Tickets available from www.flynngurry.com.au

 

SAT 7 JUNE | THE SPACE, WARRNAMBOOL VIC
Tickets available from www.flynngurry.com.au

 

FRI 20 JUN | LOW 302, SYDNEY NSW
Tickets available from www.flynngurry.com.au

 

SAT 21 JUN | JUNK BAR, BRISBANE QLD
Tickets available from www.flynngurry.com.au

 

Stream: Don’t Stop Dreaming

Watch: Don’t Stop Dreaming

FLYNN GURRY – DON’T STOP DREAMING – Official single artwork

News: DIESEL ANNOUNCES ‘BOOTLEG MELANCHOLY ALBUM TOUR 2024’ + SHARES NEW SINGLE & VIDEO ‘REMEMBER MY LOVE’ TAKEN FROM 17TH STUDIO ALBUM ‘BOOTLEG MELANCHOLY’ OUT NOW

Following the acclaimed release of his seventeenth studio album Bootleg Melancholy late last year, Australian icon Diesel is proud to today announce a national headline run to close out 2024, hitting the road with a full band for the Bootleg Melancholy Album Tour, presented by New World Artists. And accompanying Diesel’s tour excitement is the addition of a brand new music video for Remember My Love, aka the modern swoon closing out 2023’s Bootleg Melancholy.

 

Commencing a 13-date national run on Saturday 31 August in Adelaide, Diesel’s Bootleg Melancholy Album Tour will also journey through Melbourne, Warragul, Hobart, Brisbane, Newcastle, Sydney, Batemans Bay, Canberra, Perth and Darwin, with proceedings drawing to a close on Friday 13 December in Caloundra. Pre-sale tickets for the Bootleg Melancholy Album Tour 2024 will be available from 12pm AEST on Thursday 11 July, with general tickets on sale from 12pm AEST on Monday 15 July. To keep up to date with all things Diesel, including upcoming tour pre-sale opportunities, head to dieselmusic.com.au/mailinglist.

 

An exuberant and multi-faceted collection of 14 tracks, Bootleg Melancholy coalesces the myriad of talents wielded by Diesel, aka the prolific American-born and Aussie-based roots/rock guitarist and vocalist Mark Lizotte. Loaded with hooks, honeyed vocals, and a range of stylistic hues, Bootleg Melancholy’s songs greet with the warmth and familiarity of a good friend, with songs about family, mortality, childhood, and dreams. Travelling across time, place, and memory, this is rousing yet reflective pop music that celebrates the joys of everyday life while braving the difficult stuff – the challenges we all eventually face – with insights and tenderness; a fact witnessed vividly on the album’s closing track Remember My Love. The song is about not forgetting that there are others around us who are experiencing the same human condition and not to get stuck in a moment,” shares Diesel of Remember My Love. “In part, I’m speaking to myself; a reminder that one must be at peace to some degree to be able to give solace to others. It’s also a mantra that in times of despair I’ve tapped into, just the idea of being loved can snap me out of spiralling down.”

 

As with the broader album’s output, Remember My Love was tracked by Diesel on his own, later bringing in Lee Moloney on drums (“to add some more weight”, as Diesel puts it). Starting with an 808 drum pattern heard in its verses, Remember My Love grew continuously over the space of a few days, resulting in the eerie yet bright track ultimately heard on the album that is also brought to stunning life today via its accompanying music video. “The music video for Remember My Love was shot by my daughter Lily Lizotte and edited by Blake Fraser, who worked on the multi-award-winning Patricia Moore series,” shares Diesel. “For the video, I thought it would be a good fit to return to where I remember writing most of the song, which is down by the nearby ports where I spend a lot of time decompressing. With a wide open horizon leading west, the sunsets are always vivid.”

 

Recently showcasing his enigmatic live show as part of his solo Forever Tour, including a sold out performance at the Sydney Opera House, Diesel’s upcoming performances in the latter half of 2024 will feature a three-piece band along with a celebration of the talented artist’s abundant back catalogue – including, of course, the tour’s titular release Bootleg Melancholy. “17 albums in, I’m probably not second guessing as much about the process,” shares Diesel. “My experiences working with other artists collaborating has really rubbed off on what I make too. I’ve had a lot of really positive feedback from people on this record, especially after making and releasing 2 albums during the pandemic, it’s affirming to get peoples reaction first-hand in real life!”

 

“Having so much material to draw from is a nice problem,” Diesel adds. “My band have been good at reminding me of songs and albums that I may have neglected for no particular reason. Having a new piece of the puzzle in Bootleg Melancholy will help shape the set. I can already see songs from other albums “putting up their hands” to be in the set, as I’ve found new songs will evoke feelings and parallel lines to older songs. We make quite a bit of sound it’s been said for a three-piece band and these shows coming up won’t be an exception, I really enjoy the juxtapose of playing band shows, and the same could be said for solo shows, I’m pretty blessed to have both!”

 

One of Australia’s greatest success stories, the American-born Diesel, aka Mark Lizotte, has spent three decades weaving his one-of-a-kind musical magic into his rock and blues-fuelled sounds, both as part of the band Johnny Diesel & The Injectors and, more recently, as a solo artist. With multiple #1 ARIA charting albums under his belt, six ARIA award wins and millions of streams alongside a legion of fans, Diesel’s creative skillset also expands beyond his own projects, with the talented artist also renowned for his work as a producer and multi-instrumentalist. And good news for Diesel fans and music lovers in general out there – the man himself is primed for some exciting upcoming creative endeavours alongside his impending tour, as he concludes, “It’s pretty normal for me to start writing another body of songs and start the recording process for another album, and I’ve been doing just that, in between shooting eps for an upcoming TV series where I get to interview music artists and shine a light on concerts and the stories behind them. Even though I’m a working musician, I’m still a fan and love talking music with anyone whose interest is piqued!”

Diesel’s Bootleg Melancholy Album Tour commences this August. Exclusive fan pre-sale from 12pm AEST Thursday July 11 ends 10am AEST Monday July 15 (online pre-sale, password required, join dieselmusic.com.au list for unique code & link), public on sale 12pm AEST Monday July 15 from outlets and dieselmusic.com.au.

Bootleg Melancholy is out now via Bloodlines.

 

DIESEL – BOOTLEG MELANCHOLY ALBUM TOUR DATES

Proudly Presented by New World Artists 

 

SAT 31 AUG | NORWOOD CONCERT HALL | ADELAIDE | SA | 7:30-10:30 PM*

Tickets available from www.ticketmaster.com.au | All Ticketmaster Outlets

 

SUN 1 SEP | SHEDLEY THEATRE | ELIZABETH | SA | 6:30-9:30 PM*

Tickets available from  https://www.theshedley.com.au 08 8256 0500, Box Office

 

SAT 7 SEP  | RMIT – THE CAPITOL | MELBOURNE | VIC  | 7:30-10:30 PM

Tickets available from www.ticketmaster.com.au |All Ticketmaster Outlets

 

SUN 8 SEP | WEST GIPPSLAND ARTS CENTRE | WARRAGUL | VIC | 6:30-9:30 PM

Tickets available from https://wgac.com.au  03 5624 2456, Box Office

 

FRI 4 OCT  | THEATRE ROYAL | HOBART | TAS | 7:30-10:30 PM

Tickets available from https://www.theatreroyal.com.au 03 6146 3300, Box Office

 

FRI 11 OCT  | REDLAND PAC | BRISBANE | QLD | 7:30-10:30 PM*

Tickets available from https://www.rpac.com.au  07 3829 81 31, Box Office

 

FRI 18 OCT | CITY HALL | NEWCASTLE | NSW | 7:30-10:30 PM

Tickets available https://tickets.civictheatrenewcastle.com.au | 02 4929 1977

 

SAT 19 OCT | YORK THEATRE-SEYMOUR CENTRE | SYDNEY | NSW | 7:30-10:30 PM

Tickets available from https://www.seymourcentre.com 02 7255 1561, Box Office

 

FRI 25 OCT | BAY PAVILIONS | BATEMANS BAY | NSW | 7:30-10:30 PM

Tickets available from https://baypavilions.com.au  02 4415 1800, Box Office

 

SAT 26 OCT | THE STREET THEATRE-ANU | CANBERRA | ACT| 7:30-10:30 PM

Tickets available from https://www.thestreet.org.au  02 6247 1223, Box Office

 

FRI 8 NOV | STATE THEATRE CENTRE OF WA, HEATH LEDGER TH | PERTH | WA | 7:30-10:30 PM

Tickets available from https://www.artsculturetrust.wa.gov.au   08 6212 9292, Box Office

 

SAT 16 NOV | ENTERTAINMENT CENTRE | DARWIN | NT | 7:30-10:30 PM*

Tickets available from https://www.yourcentre.com.au  08 8980 3333, Box Office

 

FRI 13 DEC | PLAYHOUSE THEATRE, THE EVENTS CENTRE | CALOUNDRA | QLD | 7:30-10:30 PM*

Tickets available from https://theeventscentre.com.au   07 5491 4240, Box Office

 

 

EXCLUSIVE PRE-SALE: 12PM AEST THURSDAY 11 JULY – 10AM AEST MONDAY 15 JULY or until allocation is exhausted.

Online pre-sale, password required, join  dieselmusic.com.au list for unique code & link.

PUBLIC ON SALE: 12PM AEST MONDAY 15 JULY – From outlets and dieselmusic.com.au .

 

DIESEL performs entire concert – Greatest Hits + songs from the Bootleg Melancholy Album in 2 parts + intermission, with band – except solo shows*

FULLY RESERVED SEATING. DIESEL Presale available for mailing list members to access the best seats. Times shown above are for doors open & close.

Limited VIP Meet & Greet front row seat Packages & Premium Seating options available. Concert is suitable for AA (11+ recommended).

Listen: REMEMBER MY LOVE
Watch: REMEMBER MY LOVE