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Florida’s Wage War have released their third album Pressure via Fearless Records/Caroline Australia. The album is the follow up to 2017’s well-received Deadweight and is available here.
Premiering at Billboard over the weekend, they are also releasing the clip for latest single from the record, “Grave”. The track made it’s way to Spotify playlist New Metal Tracks immediately – and previous singles from the record received love from playlists such as Kickass Metal and New Core (for which they made the cover photo!)!
Here’s what Australian Media are saying about Wage War’s album Pressure:
“This review is one of those rare reviews where its writer genuinely wishes that Hysteria could name more than three standout tracks. Standout tracks in Wage War’s Pressure? Every. Single. Bloody. One!” – Hysteria Mag – 9/10
“Wage War hone in on their melodic side, yet still stay true to their style and sound. Progressive yet not too far removed from their previous releases…” – Paul ‘Browny’ Brown, Wall of Sound
A whirlwind four years set the foundation for such a statement. The group’s 2015 debut, Blueprints, yielded multiple fan favorites with “Alive” cracking 12 million Spotify streams and “The River” exceeding 8 million to date. Meanwhile, 2017’s Deadweight established them as a rising force. Totaling nearly 50 million cumulative streams in two years, the single “Stitch” racked up 14 million streams on Spotify as Deadweight received widespread praise from Metal Injection, New Noise, Metal Hammer, and Rock Sound who dubbed it, “a relentless, genre-evolving treat.” Meanwhile, they toured alongside everyone from I Prevail and Of Mice & Men to Parkway Drive and A Day To Remember, logging countless miles on the road.
In order to approach their next evolution from a different angle, Wage War enlisted the talents of producer Drew Fulk (Motionless in White, Lil Peep, IDKHOW) and recorded in Los Angeles for the first time.
Wage War’s new album “Pressure” is out now in Australia and New Zealand through Fearless Records/Caroline Australia. “Pressure” can be found now at https://lnk.to/wwpressure.
Electronic masters Nadisko have today announced their iridescent new single Take Me Away, a track made to be spun in the summer (or to heat up the winter months!) out August 9. The group, consisting of Alex Hopkins and Blake Wood, have also released a stunning lyric video to accompany Take Me Away.
Nadisko formed during the Myspace glory days of mid-2008; an era when MGMT’s debut album was being blasted all over the radio and ultimate-cringe head-to-toe flouro attire was widespread. They quickly cemented themselves as premier resident DJs in Sydney, and from there they gained airplay on BBC Radio One for their debut EP, they supported Steve Aoki, Tiga, Uffie and heaps more massive names, remixed Peking Duk’s first EP, and played shows all across Australia, Europe and Mexico. It’s been a wild ride, and the guys are super excited to be back with their new single Take Me Away, as Wood enthuses, “After a four year hiatus, we have developed a more mature sound, using the knowledge that one gains after 50 releases and a love of dance music. We are super keen to release new music and share it with everyone!”
Evocative of electronic dance auteurs RÜFÜS DU SOL and Crooked Colours, Take Me Away is the much-needed antidote to a chilly Australian winter. Hypnotic percussion percolates underneath wistful, beautiful vocals, and it’s a masterclass in electronic dance production and arrangement. Offering a little insight into the inspiration behind the track, Hopkins says, “Take Me Away is an intimate, summery, poolside tune with a hypnotic guitar riff and dreamy soulful vocals. It is a new direction of what we are vibing musically, and in that, something we have only recently tapped into. It was inspired by equality and relationships. With the world being so busy and with so much division, we often struggle and forget to spend time with those closest to us. It was inspired by a very tough time for us in our lives and was used as a form of escapism. It comes back to the idea of a ‘perfect’ dream or idealism of what relationships should be like. It brought us back to the things that are important to us in life.”
Nadisko are a part of the Hot Sunday Records label family, run by Australian DJ and producer Color Castle (Christian Pilot), joining the roster alongside Sidney Charles, Miguel Campbell, Dennis Quin and more. Hand in hand with their label, Nadisko are ready to celebrate their return with Take Me Away. Wood describes how the pair’s relationship has developed over the years and how honing and interchanging their skills has resulted in Take Me Away, saying, “We both work in media and have a penchant for everything television and movies. We first met socially and uncovered a joint passion for music. Alex had been making music since he was 12, from this, I took care of the live element and Alex was mostly production, with these roles changing often over the years. Between this and music, I guess you could say we have a very proactive work ethic after years of relying on each other through various hurdles!”
Nadisko is Alex Hopkins and Blake Wood.
Take Me Away is set for release on August 9, 2019
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Get Ya Rocks Off New Monthly Melbourne Rock Club Event Presented by Silverback Touring To Open
GET YA ROCKS OFF by name and by nature, it is just what we want you to do as Silverback Touring presents its first ever club event on Friday 30thAugust in Melbourne at Globe Alley. After a bumper 18 months, the Silverback team want to bring back the party atmosphere of yesteryear and you’re invited!
The monthly event will provide a platform for local, and interstate, live talent and up for it rock DJ’s playing a bastardised fusion of “every damn era of rock” Best of all, the event will always be free!
Speaking on the event, Silverback Director, Danny Bazzi said, “the time was right for this type of event and, in Melbourne particularly, where there remains a culture and appreciation of live music as well as a vibrant nightlife scene. Bringing the elements of live music and party vibes is something I have always wanted to do and the opportunity to do it in a like-minded venue, is too hard to pass up”.
View the event: HERE
The debut event will feature Melbourne band ABLAZE, who have been touring solidly in support of their debut album, “No Chaser”, in one of their final shows before heading off on their monster two month long debut European tour. There will also be ticket giveaways to DANKO JONES and BACKYARD BABIES, and CDs from NUCLEAR BLAST and more!
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Following on from her national For Your Love single tour in April, Montaigne has today released her new single Ready, and confirmed details of her forthcoming LP and national tour.
Ready is undoubtedly Montaigne’s most anthemic single to date, and is lifted from her soon to be released second album entitled Complex, the follow up to her ARIA Award winning, Top 5 debut album, Glorious Heights. Complex is set for release on August 30 and is available to preorder now, with all preorders scoring a bonus illustrated poster. There will also be a spectacular limited edition red vinyl of Complex available to preorder, along with CD/vinyl bundles with an environmentally friendly tote bag included.
To celebrate the new record, Montaigne will be hitting the road for her Complex album tour (presented by triple j) in November 2019, kicking off in Adelaide on November 7, then moving through Perth, Fremantle, Maroochydore, Brisbane, Byron Bay, Bendigo, Torquay, Melbourne, Canberra, Sydney, and finishing up in Wollongong on November 30. Montaigne has partnered with PLUS1 so that $1 from every ticket goes to support Bush Heritage Australia a national non-profit organisation conserving biodiversity in Australia. www.bushheritage.org.au
New single Ready is a heartfelt call to arms, a soundtrack for activism. There’s an undeniable element of pop to this song as Montaigne’s soaring vocals elevate the chorus, and the irresistible hook ‘I think I’m ready to go, I think I’m ready’, cycles like a mantra around shifting drumbeats. However, like all of Montaigne’s music, there is a deeper element, a considered purpose for this song, as she explains, “To me the song is about this political moment, where humanity is starting to realise how actually cooked this planet is, that it never had to be like this, and that we have the power now to overthrow those who’ve forced us into this corner. It’s music that I’m proud of representing, because I think that it reflects the feelings swirling around the current political shitfest my generation is facing, and it attempts to transform the anxiety amongst those feelings into angry power. It’s like a fuel source.”
Complex is certainly an accurate name for the articulate popstress’ second album. Themes will range from loneliness, isolation, distorted love narratives, confused sense of self, the desire to escape, self-image issues and self-realisation. All these concepts interact and percolate amongst themselves on Complex, and Montaigne does a spectacular job of expressing herself with eloquence, passion and powerful vocal authority. Speaking on the inspiration and work behind the album, she says, “The right songs all came together over a couple of years and each song pertains to a different period of my life. It’s basically a series of portraits of all of my insecurities, or the weird relationships I’ve been in, or neurotic feelings I’ve felt while being attracted to others. The album’s like this veil behind which I stashed all these secrets I was keeping from myself.”
Montaigne worked with a wide range of producers on Complex, including long-time collaborator Tony Buchen (Courtney Barnett, The Preatures), Wynne Bennett (Twin Shadow, Janelle Monae), Kyle Shearer (Dua Lipa, Broods, K. Flay), Mozella (Madonna, Miley Cyrus, One Direction), Dave Sitek (TV On The Radio, Yeah Yeah Yeahs, Foals), Mario Späte (Tkay Maidza, Urthboy, Allday) and Eric J Dubowsky (Flume, St. Vincent, Dua Lipa).
Montaigne will be playing shows around the country in November to celebrate the release of Complex. Her unique, theatrical and emotional performance style never fails to impress. Fans should get in early to avoid disappointment.
Ready is available now. STREAM/BUY READY SINGLE
Complex is set for release on August 30, PREORDER COMPLEX NOW.
Exclusive Complex National Tour presale available from Wednesday 12 June at 9AM AEST from http://www.montaignemusic.com.au/live/
General onsale Friday 14 June at 9AM AEST. Tickets available from www.montaigne.oztix.com.au
Ready single artwork
Complex album artwork
MONTAIGNE ‘COMPLEX’ NATIONAL ALBUM TOUR
Presented by triple j
Tickets from www.montaigne.oztix.com.au
THU 07 NOV – THE GOV, ADELAIDE
FRI 08 NOV – BADLANDS, PERTH
SAT 09 NOV – MOJO’S, FREMANTLE
THU 14 NOV – SOLBAR, MAROOCHYDORE
FRI 15 NOV – THE ZOO, BRISBANE
SAT 16 NOV – THE NORTHERN, BYRON BAY
THU 21 NOV – TAP HOUSE, BENDIGO
FRI 22 NOV – TORQUAY HOTEL, TORQUAY
SAT 23 NOV – THE CROXTON, MELBOURNE
THU 28 NOV – UC HUB, CANBERRA
FRI 29 NOV – THE METRO, SYDNEY
SAT 30 NOV – UOW UNIBAR, WOLLONGONG
The legendary Queen and Adam Lambert will be heading to Australia next year for a massive nationwide tour, following the mammoth success of the Freddy Mercury biopic Bohemian Rhapsody.
It hasn’t been too long between drinks for Queen and their Aussie fans, as the band were last here just in 2018. But with the wild success of Bohemian Rhapsody, they’ve surely found themselves a whole slew of new fans who are ready to see hits like ‘We Are The Champions’, ‘We Will Rock You’ and, of course, ‘Bohemian Rhapsody’ performed live by the band fronted by electrifying Lambert.
It’s a tour of mammoth proportions, too. Brian May, Roger Taylor and Lambert will be playing six huge stadium shows, with brand new production. The ‘Rhapsody’ tour will kick off in Brisbane next February, before taking on Sydney, Melbourne, Perth, Adelaide and Gold Coast.
It’s already been a big year for the band, having performed at the 2019 Academy Awards. Bohemian Rhapsody also won big that night, with Rami Malek’s portrayal of Freddie Mercury earning him the Oscar for Best Actor.
Check out full dates, venues and ticketing details below.
Queen 2020 ‘Rhapsody’ Australian Tour
Tickets on sale 10:30am AEST, Monday, 15th April
Thursday, 13th February
Suncorp Stadium, Brisbane
Tickets: Ticketek
Saturday, 15th February
ANZ Stadium, Sydney
Tickets: Ticketek
Wednesday, 19th February
AAMI Park, Melbourne
Tickets: Ticketek
Sunday, 23rd February
Optus Stadium, Perth
Tickets: Ticketek
Wednesday, 26th February
Adelaide Oval, Adelaide
Tickets: Ticketek
Saturday, 29th February
Metricon Stadium, Gold Coast
Tickets: Ticketek
PREPARE FOR A SONIC APOCALYPSE!
THE DARKNESS ANNOUNCE
‘EASTER IS CANCELLED’
AUSTRALIA & NEW ZEALAND TOUR 2020
+ NEW SINGLE HEART EXPLODES
The Darkness will be spreading their Easter Is Cancelled message across the land with an Australian and New Zealand headline tour in March 2020. On a mission to lead us to the sunlit uplands of inclusivity, togetherness and rock’ n’ roll fellowship, The Darkness will play shows in Perth, Sydney, Melbourne, Adelaide, Brisbane and Auckland.
These performances promise to be incredibly special, reflecting the grand scope and vision from the band’s new album Easter Is Cancelled, alongside epic live favourites such as ‘I Believe In A Thing Called Love’ and ‘Love Is Only A Feeling’ from their spectacular canon of hits.
The Darkness have also released today a new single Heart Explodes, taken from their jaw-droppingly ambitious quasi-sci-fi concept album. Heart Explodes is an almighty mini-rock opera, which finds The Darkness baring all in a multitude of heartfelt emotions reflecting the hardships, struggles and changing relationships of life.
‘EASTER IS CANCELLED’
AUSTRALIA & NEW ZEALAND TOUR 2020
EARLY BIRD TICKET PRE-SALE
TUESDAY AUG 20 – 9AM [AEST]
WED 11 MARCH – METROPOLIS, FREMANTLE
FRI 13 MARCH – ENMORE THEATRE, SYDNEY
SAT 14 MARCH – FORUM, MELBOURNE
SUN 15 MARCH – THE GOV, ADELAIDE
WED 18 MARCH – THE TIVOLI, BRISBANE
FRI 20 MARCH – POWERSTATION, AUCKLAND
GENERAL PUBLIC TICKETS ON SALE
THURS AUG 22 – 9AM [AEST]
Pre-order the new Easter Is Cancelled HERE. Out Oct 4 via Cooking Vinyl.