Category Archives: News

27 Listicle Series: Julie Kember

Capturing her story in all its globetrotting glory, Julie Kember is proud to announce the arrival of her album Million Lives. As the title implies, Kember has woven her experiences throughout the album, documenting her trials and triumphs over the years through honeyed melodies and honest yet inviting lyrics. The album’s somewhat title track Lived A Million Lives is wonderfully autobiographical – a musical retrospective diary. Driving the song is the same power that fuels all of Kember’s work: love.

 

Julie Kember’s Top 5 memories of her shack days in Leeman, WA

  1. The track winding back to our family shack: My uncle laid the foundation for a two-story shack in 1985, and our whole family pitched in to make it our second home. Situated on the edge of a cliff with endless views of the ocean, it had all the basic comforts of home – even a fully working stove and a flushing toilet which we would fill with sea water collected with rope and bucket over the cliff edge. No TV for us in those days – and we didn’t miss it. Over time, ten shacks were erected in our Bay, mostly owned by fellow Eneabba residents, who like us, took pride in their environment, respected the fauna and flora and always kept the area free of rubbish.
    In 1990, the local shire deemed that all shack owners had to pay rates. Regardless of our willingness to comply, the shire later made the decision to remove the shacks from along the coast. In 1993, they issued an order for all of the shacks to be pulled down. It was a sadbh loss, but how lucky we were to have made so many happy, healthy, family memories.

  2. Setting the net – what a marathon: Every time we went to the shack, Dad’s fishing net came with us and we were all involved in setting it in the ocean. I remember standing on the shoreline holding onto the rope which was attached to a heavy anchor whilst Dad and Mum walked the length of the net out to sea. When it was time to check the net, two would go out in the dingy, clear the net of fish, and set it again. We caught mullet, tailor, herring, whiting, blowfish and plenty of seaweed! My job was to pull the weed out of the net and Mum and I would mend the holes made by sharks and seals trying to eat the fish. Oh, and then I had to help clean and scale the fish. It was a big job, but they sure tasted good!

  3. Reef walking collecting Bailer shells: I remember struggling to get up when the alarm went off at 5am, but I knew how sad I would be if they left without me. With bucket and gidgee, we would walk for miles along the exposed reef, trying not to get caught as the tide came back in. Mainly we would look for Bailer shells which Dad took home, buried in the back yard and then scrubbed up. I would paint the dead ones and Dad would make lamps out of the shiny healthier ones.

  4. The amazing Pinnacles: Located 200km north of Perth, the Pinnacles were only a 25-minute drive from our shack – we visited these on several occasions, and I remember being amazed by the thousands of limestone formations of all shapes and sizes, some standing up to four metres in height. Residing in the Nambung National Park, the formations are believed to be a part of a lost city with records dating back to 1650!

  5. Campfires & Sing-along songs: My last favorite memory is of sitting around a campfire with our neighbors playing our guitars and singing along to classic country tunes and rude ditties. When the spoons came out, it was even more fun. Nights such as these were where my love of music first begun. I was so lucky to have experienced the freedom and beauty of the shack days.

 

 

News: Voyager & Chaos Divine add Adelaide date to joint Australian Tour July 2019!

Announced earlier this month, the Perth Prog royalty double bill tour featuring VOYAGER & CHAOS DIVINE has today, due to popular demand, added an Adelaide show at Jive on Thursday 11th July, kicking off the prog-tastic tour, that culminates back in hometown Perth.

Tour presenter, Josh Terlick from Beardfoot Bookings says, “As soon as the first tour dates were announced, the Beardfoot page, as well as comment threads on both bands’ pages were innundated with requests for an Adelaide show – so… don’t say we don’t listen – here’s a show, Adelaide – show Voyager and Chaos Divine what you’ve got!”

It’s been a busy start to 2019 for both bands, with VOYAGER releasing single Brightstar – their first musical offering under new label Season of Mist, toured alongside Twelve Foot Ninja and put in two stellar performances at 2019’s Download Festival Sydney and Melbourne. Voyager have toured with artists such as Deftones, Leprous, Nightwish, Coheed and Cambria, as well as headlining a number of European festivals. The Music saw them at Download Festival and had nothing but praise for the outfit’s performance – “Voyager have long projected a personality and demeanour larger than the pub and club venues they’ve frequented. Kicking off the Red Stage, the Perth crew didn’t squander the opportunity to broaden their fanbase. A standout was new single Brightstar, which segued from ’80s pop glory to a prog-metal workout.”

Perth’s enigmatic prog metal five-piece CHAOS DIVINE have well and truly immersed themselves in a realm of sound and style matched by few, and admired by many. They recently dropped their new single ‘Unspoken’ alongside a beautiful animated video – the single reached #6 on the Australian iTunes metal charts and was added to Spotify’s international playlists New Metal Tracks and Progressive Metal, as well as Australian list Homegrown & Heavy. Their 2019 has also been busy as a cat burying shit on concrete (and we all know that’s busy, thank you Twelve Foot Ninja), where they joined the likes of THE OCEAN, MONUMENTS and SKYHARBOR for the national PROGFEST tour. Metal Roos praised their show, saying that “Chaos Divine came all the way form Perth to just about steal the entire show. Soldiers sounded gargantuan, One Door was sublime. David Anderton vocals were immense, and their killer cover of Africa is always welcome. Chaos Divine were amazing.”

Tickets are on sale now for all shows on VOYAGER and CHAOS DIVINE’S Australian Tour July 2019 at http://beardfoot.com.au/voyager, including the newly added Adelaide show. All shows are 18+.

NEW SHOW ADDED
Thursday 11 July 2019 – Adelaide
Jive

Friday 12 July 2019 – Melbourne
The Workers Club

Saturday 13 July 2019 – Brisbane
Dead Of Winter Fest, The Tivoli

Sunday 14 July 2019 – Sydney
Crowbar Sydney

Friday 19 July 2019 – Perth
Jack Rabbit Slims

Tix via www.beardfoot.com.au/voyager

News: WAAX RETURN WITH RAW AND RAUCOUS NEW SINGLE ‘I AM’ + ANNOUNCE NATIONAL TOUR

RETURN WITH RAW AND RAUCOUS NEW SINGLE ‘I AM’
+ ANNOUNCE NATIONAL

“WAAX have always been raw and unhinged and appeal to that side of you that wants to jump around like no one’s watching and let off some steam.” – triple j

“Boasting dark, hooky riffs, an anthemic chorus and uncompromising raw lyrics, the band wear their anger on their sleeves.”
– Hysteria Mag

“For a band yet to release a debut album, Waax seem fully formed – don’t be surprised if they become a very big deal this year.”
– The Guardian

As they march towards the release of their debut album later this year, WAAX has once again reasserted themselves as one of premiere acts in Australian music today with the release of a brand-new single, ‘I Am,’ and with it details of a sweeping, national tour.

In all honesty, we could have tried to write something clever and attention-grabbing at the start of this press release that describes just how WAAX continue to set themselves apart from the pack in the Australian landscape, however it’s only upon listening to the new single that you can really hear what we’re talking about.

LISTEN TO WAAX’S NEW SINGLE ‘I AM’ HERE

The exact moment comes 46 seconds into the song – when you get a rare glimpse at the band’s music minus the distortion and the chaos we’ve come to love as their sound. Instead, gently plucked acoustic guitar notes and Maz DeVita’s intimate vocals are laid bare, as she sings:

I’m only human,
Why can’t you understand?
You put the pressure on,
And now I’m falling…

The façade of the often intimidating and wild presence that is the band’s frontwoman is shed to the wayside, and in its place is an emotional vulnerability – exposed like an open vein. These lyrics are just as personal and as revealing as we’ve heard on ‘Labrador’ and ‘FU’ before them (DeVita has made a real point of opening herself up emotionally in her writing). However, paired against nothing but acoustic notes, they land like anvils and shake you to your core. From there the chorus continues and the rest of the band kick their pedals back on and explode into action, but now it’s that original openness that dictates the mood of the rest of the song. The crunch and drive and bang are all still palpable, but now you’re hooked on an intangible, raw energy.

It doesn’t take a detective either to hear these lyrics and recognise the story of a crumbling relationship – “I forgot the person that I am” she continues later in the chorus, a refrain many of us have said in the heat of arguments towards the end. Yet here DeVita takes that self-confession and empowers it as a rallying cry to herself and to the audience, calling to rise like a phoenix and fly forward.

That emotional and musical power of ‘I Am’ was instantly recognised by triple j who premiered the song overnight, continuing to endorse the Brisbane four-piece as they march towards the release of their debut LP this year. That march is now set to take them around the country once again this July, as they head out on the ‘I Am’ national tour – starting in Fremantle on August 8 at Mojos Bar.

There’s no denying WAAX kicked down the door with ‘Labrador,’ and set fire to the joint with ‘FU.’ It’s on ‘I Am’ though, in the aftermath of all that destruction, that the take a moment to take stock of all that’s happened and really open themselves up. The song still rocks and rocks hard – the guitar lines soar, the drums thump like a kick to the guts, and that quiet vocal delivery (although short) is only a fleeting moment of sweetness from DeVita before she’s back to her howling best. However, ‘I Am’ really shows the depth that the band has discovered in this new phase of their creativity and career that has undeniably reached a new wave of fans, and been complemented by a deserving wave of critical and cultural celebration.

After years winning hearts and minds with their music and selling out national show after show across the country, WAAX finally signed to Dew Process last year for the record deal they deserved. Now they’re having their rightful moment in the spotlight. It’s not always easy when you’re exposed to that light – after all light is the greatest disinfectant there is and you never know what toxicity will be exposed (see certain recent shows for reference). However, WAAX are ready for it. They’re pushing ahead hard and not stopping or slowing down for anything or anyone.

Just make sure you scream, “I forgot the person that I am,” loud along with them.f

WAAX ‘I Am’ National Tour 2019
For all the latest releases and touring news, head to: www.waax.band

Thursday, August 8 – Mojos Bar, Fremantle
Friday, August 9 – Jack Rabbit Slims, Perth
Saturday, August 10th – Jive, Adelaide
Friday, August 16th – The Triffid, Brisbane
Saturday, August 17th – The Corner Hotel, Melbourne
Friday, August 23rd – The Cambridge Hotel, Newcastle
Saturday, August 24th – Oxford Art Factory, Sydney

My Dream Rider: Variations of Light

Each with a diverse musical history of their own, Variations of Light comprises of producer/multi-instrumentalist ​​Alnitak Kid,​ ​vocalist ​​Nelson Dialect, and keyboardist ​​Nate88​.​ Their collaborative substance is a blend of sample-based production and live compositions which together form a Hip Hop and neo soul influenced soundscape.
Their recently released debut album Lunar Beautific is an ode to the moon and night, which was when most of its’ compositions were created. It is about keeping a positive mind frame and trusting your inner voice, whether it is in respect to artistic pursuits, relationships, business or otherwise.

Nelson Dialect:

My dream rider is a car parked backstage and it is the car from Knight Rider, and Winona Ryder is the passenger riding shotgun. The driver is Minnie Driver, and she is actually miniature, like a mini Minnie Driver. David Hasselhoff is not a part of this Knight Rider dream. The car has various compartments which store all my ideas and songs in fortune cookie style confetti. Mini Minnie Driver drives Knight Rider on stage and does a burnout and me and Winona Ryder ghost ride Knight Rider and throw my ideas on the crowd like confetti while Flo Rida hypes up the crowd. Then I wake up, wow, what a dream rider!

Alnitak Kid:

After our performance we’re greeted by the Mothership and taken for a grand tour of the Universe and all its meaning but not before cleaning up Nelson’s atrocious fortune cookie confetti littering event.

Nate88:

Pam Anderson & Cocaine

WATCH ‘OVERLOOK HOTEL ‘ HERE

 

Wa

News: BORN LION tackle the taboo subject of suicide on new single SUNSHINE

Born Lion dont mind covering certain subjects that others wouldn’t touch with the proverbial barge pole! Always looking for an edge, Born Lion’s frontman, John Bowker was curious about how you could turn a suicide note into a song and make it upbeat. New single, ‘Sunshine’ is the result of his experiment.
“The lyrics are written to read as a suicide note. The person writing the note is fine with the decision however and is ready to go. The song serves as a celebration for all that has been and for all that awaits.”
– John Bowker vocals/guitar)

This curious songwriting approach into a dark subject, has been juxtaposed by the upbeat sonic feel of the song and the song title ‘Sunshine’.
“I’m kind of fascinated by the act of suicide. Like how can someone reach that point and carry it out? I think the deaths of icons like Chris Cornell and Keith Flint who seem almost immortal to me, triggered the theme for the song.’’
– John Bowker (vocals/guitar)

‘Sunshine’ comes off the back of the the band’s previous single ‘Bigger Than Jesus’.
‘Bigger Than Jesus’ followed last years sophomore full-length album, Celebrate the Lie produced by Jimmy Balderstone (Luca Brasi, High Tension) and mixed by Ryan Hazell (The Drones, Green Buzzard).
“This album will provide you with much gnarly enjoyment’. ‘Celebrate the Lie’ combines angsty punk-rock, frenetic hardcore and unapologetic monstrous pop-hooks, to deliver on what is quite simply a straight up, raucous, no bull-shit, razor-sharp rock n’ roll record.”
– TheMusic.com.au
‘Sunshine’ was engineered by Jason Blackwell (Midnight Oil, The Hard-Ons), Matthew Hilley, and mixed and mastered by Forrester Savall (Karnivool, Shihad).

STREAM ‘SUNSHINE’ HERE

 

News: Mike Patton, Jean-Claude Vannier | Legendary Artists Team Up For Album ‘Corpse Flower’

MIKE PATTON,
JEAN-CLAUDE VANNIER
LEGENDARY ARTISTS TEAM UP FOR ALBUM CORPSE FLOWER – OUT FRI 13 SEP
+ RELEASE FIRST SINGLE ‘ON TOP OF THE WORLD

Mike Patton (Faith No More, Mondo Cane) and renowned French composer Jean-Claude Vannier, who is perhaps best known for his work with Serge Gainsbourg, have announced the release of Corpse Flower, a 12-song album featuring the first single, ‘On Top Of The World’.

Listen to ‘On Top Of The World’ here

“Jean-Claude and I met while working together on a Gainsbourg retrospective at the Hollywood Bowl in 2011,” explains Patton. “We bonded immediately. I could see he had a dedication and attention to detail that was relentless so the respect I had for him in my mind was magnified in person. We spoke loosely about working together in the future… and it took some time, but after a few years I contacted him and we began to ignite some sparks.”

“I would send Mike rough versions of the songs to get his thoughts, then I’d wait impatiently, staring at the clock, until I received his response,” offers Vannier about the process the duo used to create Corpse Flower. “He made my music awaken with his unique perspective and interpretations of my songs. A formidable vocalist, with a sense of humour, Mike and I created a strong, beautiful and sincere collection of music, as well as a friendship.”

A variety of musicians, both in Los Angeles and Paris, took part in the recording of Corpse Flower with the Los Angeles team including Smokey Hormel (Beck, Johnny Cash), Justin Meldal-Johnsen (Beck, Air, Nine Inch Nails) and James Gadson (Beck, Jamie Lidell). The Parisian players are Denys Lable, Bernard Paganotti (Magma), Daniel Ciampolini, Didier Malherbe, Léonard Le Cloarec and the Bécon Palace String Ensemble. The lyrics for ‘Ballad C.3.3.’ are drawn from Oscar Wilde’s “The Ballad of Reading Gaol” poem, which was initially published using the name C.3.3.

Corpse Flower is available now for pre-orders, including special embossed versions featuring Kenro Izu’s stunning cover photo. The album will be available on180gram coloured vinyl, as well as a CD digipak and digitally.

Mike Patton’s resume is virtually limitless, having kicked off his musical career as a teenager in the band Mr. Bungle, joining Faith No More in 1989 and going on to create a smorgasbord of bands and solo releases including Fantômas, Tomahawk, Mondo Cane, Dead Cross, Lovage and Peeping Tom. Jean-Claude Vannier, born in Paris during World War II, The Guardian dubbed him “the sound sculptor in Serge Gainsbourg’s shadow,” referencing his extensive work with the French musician including Histoire de Melody Nelson. His career has spanned nine solo records, countless contributions to film and TV scores, and his influence has been cited by numerous musicians including Beck, Pulse, Portishead, Massive Attack, Air and Tricky.

NEW MUSIC ALERT……… Lady Antebellum “What If I Never Get Over You?”

MULTI- GRAMMY AND CMA AWARD WINNERS LADY ANTEBELLUM HAVE RECENTLY SIGNED TO BIG MACHINE LABEL GROUP

NEW SINGLE “WHAT IF I NEVER GET OVER YOU” OUT NOW
LISTEN HERE | WATCH HERE
Lady Antebellum return with “What If I Never Get Over You” serving as the first single under BMLG Records. Representing a new chapter as well as a return to the beginning for Charles Kelley, Hillary Scott and Dave Haywood, the plush mid-tempo ballad features Scott and Kelley trading anxiety and shared despair over an ending relationship.
“I feel like ‘What If I Never Get Over You’ is a turn back to our beginning, both in the sound and the core of who we are,” said Haywood. “We love being able to put out those big questions about lost love, like ‘What if time doesn’t do what it’s supposed to do?’ or ‘What if I never move on from this relationship?”
Produced by Dann Huff (Hank Williams, Faith Hill, Rascall Flatts), “What If I Never Get Over You” is one of those instant classics – a song that feels like it’s been around for years because of its relatable lyrics and warm, comforting energy.
“We hit this place of wanting to go back to where we came from,” explained Scott. “This single is a great example of that. We’ve got 13 years of life together, of work together, of ups and downs in our personal lives. All of that kind of encompasses one same feeling: ‘We’re here, we’re loving it, and we’re turning over a new leaf — one that feels really familiar and authentic to ourselves as a band.'”
“It’s been several years since we’ve had a chance to release a duet like this as a single,” added Kelley. “When we played it for our team their excitement reassured us this song was the one to lead with out of the gate. It’s been a bit of our magic from day one. Our very first song in 2006, ‘All We’d Ever Need,’ was just written for Hillary, but she said, ‘Charles, you should sing a verse too’ and that’s how we started the co-lead singer thing.”
The ailing lyrics behind “What If I Never Get Over You” are heightened through its official music video. Director Sarah McColgan (Charli XCX, Mariah Carey, Kelly Clarkson) hones in on the sentiment of a love-lost relationship and its haunting thoughts that are left behind.
Over the course of their decade-long career, Lady Antebellum has become one of the 21st century’s premier vocal groups, blending heartfelt emotions with classic country sounds. As a Country-radio staple, the trio has amassed record-breaking success with nine US #1 hits while ushering in more than 18 million album units and 34 million tracks sold, and over 1 billion digital streams.
Known for their 9X PLATINUM hit “Need You Now” which is the highest certified song by a Country group, they have earned ACM and CMA “Vocal Group of the Year” trophies three years in a row and countless other honors including 7 GRAMMY awards, Billboard Music Awards, People’s Choice Awards and Teen Choice Awards along with a Tony Award nod.
The trio continues their first-ever Las Vegas residency, OUR KIND OF VEGAS, with upcoming shows in May and August.

 

News: Bag Raiders announce national tour ahead of forthcoming EP, Horizons

In celebration of their forthcoming sophomore album, Horizons, Bag Raiders (Jack Glass and Chris Stacey) today announce a brand new live show, due to head around the country in August. This will be the electronic duo’s first headline tour of Australia in three years.

The Horizons Tour will showcase new tracks, such as the already popular “Lightning” featuring The Kite String Tangle and the recently released “Wild At Heart” starring Mickey Kojak, as well as old time favourites. The pair will kick off the tour at Sydney’s Metro Theatre on August 9, before heading to Wollongong on August 10 to play at UOW UniBar.The following week they’ll back up a trifecta of shows, hitting Melbourne’s The Croxton on August 16, Jack Rabbit Slims in Perth on August 17 and Brisbane’s The Flying Cock on August 23. The next night, the pair round up the tour in Adelaide at the Lion Art Factory on August 24. Taking up special support duties across the entire tour will be Sydney’s own producer, vocalist, and “Wild At Heart” collaborator, Mickey Kojak, alongside future pop house queen Chase Zera.

Due out later this year, Horizons, documents the journey the production dream team have been on since the release of their ARIA-nominated, self-titled debut in 2010. From club stardom to world tours and festival slots, the pair have built a reputation for mammoth dance releases that keep the world moving with them. Outside of their multi-platinum, global hit “Shooting Stars”, they’ve also released the widely-loved “Way Back Home” & gold-certified “Sunlight”, a string of EPs as well as remixes for the likes of Riton, Totally Enormous Extinct Dinosaurs, Crooked Colours and Banks.

It’s been nine years since the Bag Raiders debut, and the iconic single “Shooting Stars” that won them international acclaim. Now swiftly stepping into a new era, with unshakeable new hit singles like “Lightning” and the never-ending nostalgic fun of “Wild At Heart”, don’t miss catching the dynamite duo in concert with a brand new live show, in just a few short months.

TOUR DATES BELOW

“WILD AT HEART” FEAT. MICKEY KOJAK IS OUT NOW
VIA ISLAND RECORDS AUSTRALIA
BUY/STREAM HERE

BAG RAIDERS
FACEBOOK | INSTAGRAM |TWITTER | WEBSITE

BAG RAIDERS HORIZONS TOUR DATES
WITH SPECIAL GUEST MICKEY KOJAK & CHASE ZERA
TICKET INFO HERE
SIGN UP FOR PRE-SALE HERE

Pre-sale sign up closes: 4pm AEST Wednesday, May 22
Pre-sale tickets on sale: 6pm AEST Wednesday, May 22
General tickets on sale: 12pm AEST Thursday, May 23

Friday, 9 August – Metro Theatre, Sydney – TIX HERE
Saturday, 10 August – UOW UniBar, Wollongong – TIX HERE
Friday, 16 August – The Croxton, Melbourne – TIX HERE
Saturday, 17 August – Jack Rabbit Slim’s, Perth – TIX HERE
Friday, 23 August – The Flying Cock, Brisbane – TIX HERE
Saturday, 24 August – Lion Arts Factory, Adelaide – TIX HERE

Live Gallery: Ne Obliviscaris

Ne Obliviscaris,  170 Russell Melbourne
Ne Obliviscaris are a six-piece progressive metal band from Melbourne. Formed initially as a four-piece in April 2003, the group was founded by Xenoyr and Adam Cooper. The current line-up comprises vocalist Xenoyr, violinist and clean vocalist Tim Charles, guitarists Matt Klavins and Benjamin Baret, bassist Martino Garattoni and drummer Daniel Presland.

Behind the lens Gus Morainslie