News: HE DANCED IVY CROSS RAGE AGAINST THE MACHINE & AVRIL LAVIGNE IN RETURNING SINGLE GUILLOTINES
Between stints alongside Circa Survive, Protest The Hero and Dead Letter Circus manic monsters He Danced Ivy have concocted their new single Guillotines; a raging tear that pulls at the borders between Rage Against the Machine and Avril Lavigne.
After spending years together and months in the studio, He Danced Ivy share an almost psychic bond; Guillotines was created by jamming everything and anything together.
“Guillotines is kind of our Frankenstein’s Monster track. It naturally fell together with mits and pieces of riffs and ideas that we had lying around,” said bassist, Mitch Hart.
“And we slapped a big o’l Avril Lavigne chorus in the middle,” said vocalist, David Cheney.
Lyrically, the track takes on a more structured beast; bruised egos and hilarity.
“We thought it would be great to center around the idea of being thrown out of a puband trying to drunkenly explain your way out of a quickly escalating high stakes misunderstanding.,” said guitarist, Sean Rudner.
“Sure, their band name may be kinda silly but always remember: never judge a book by its cover because sometimes there is some really good shit to be found within those pages.”Alex Sievers – Killyourstereo
News: FLYNN EFFECT “MONUMENT” EP OUT NOW
Brisbane’s high-flying metal outfit Flynn Effect’s EP MONUMENT is out today!
“…feels as though it could form part of the soundtrack to a film of the Gothic oeuvre like The Crow.” – Overdrive Mag
“Flynn Effect sound inspired and this release is an addictive piece of work that will consume your listening schedule.” – Insert Review Here
“Flynn Effect have slowly but surely been making their way up the heavy music scene with their combinations of hard rock, alluring vocals and impressive stage presence.” – Wall of Sound
Surfacing as a live band in August 2014 and releasing their first album Skin just a few months later, Flynn Effect quickly established themselves within their scene as a force to be reckoned with – delivering a refreshing take on alternative rock and a theatrical live show featuring the band’s own self-created automatic lighting system, CO2 and pyrotechnics.
Flynn Effect’s ambitious live performances have seen the band share the stage with rock and metal royalty, including Lacuna Coil, Wednesday 13, Davey Suicide and Seether, as well as perform alongside Australian heavyweights Orpheus Omega, Osaka Punch and Darkcell. In 2018, Flynn Effect are embarking on a new journey with the release of a new EP and a national tour in its support.
Flynn Effect’s Monument EP is out now. All Singles are also available now in Spotify and Apple Music. More details at flynneffectmusic.com.
News: BIGSOUND 2018 GETS FATTER: PAUL KELLY, LAGWAGON’S JOEY CAPE & FAT WRECK CHORDS FOUNDER ERIN KELLY-BURKETT PLUS FIRST-OF-ITS-KIND MENTAL HEALTH WORKSHOP
BIGSOUND 2018 GETS FATTER:
PAUL KELLY, LAGWAGON’S JOEY CAPE & FAT WRECK CHORDS FOUNDER ERIN KELLY-BURKETT PLUS FIRST-OF-ITS-KIND MENTAL HEALTH WORKSHOP
After the bombshell of its delicious first-half live lineup last month, BIGSOUND has again stepped it up a notch today, welcoming Australian music legend Paul Kelly for a keynote interview. Reflecting on both his career and the future of Australian music, Paul Kelly will educate and inspire both those new to the industry and veterans needing a reminder of why Australian music is the best in the world.
And once the patriotic sentiment clears, seminal US punk label Fat Wreck Chords will crash the party with Lagwagon’s Joey Cape and label founder Erin Kelly-Burkett heading downunder for a presentation set to rock the house.
BIGSOUND will also lead change through a partnership with Support Act, Levi’s ® and Access EAP to present an exclusive workshop helping delegates identify mental health issues, learn to manage them and create strategies to help others. A practical session run by trained clinicians, the session will be a first for the industry and is another step towards breaking down the stigma of mental illness in the music community, following on from the recent launch of Support Act’s Wellbeing Helpline.
“Employees of corporate organisations in other industries have free access to professional development opportunities that independent music entrepreneurs could only dream of being able to afford,” said QMusic CEO and BIGSOUND producer Joel Edmondson. “This is a big reason that the music industry is decades behind many other industries in terms of gender equity, mental health, corporate governance and overall people and culture development. The evolution of the BIGSOUND conference experience is designed to give delegates exposure to learning experiences that can radically transform how they think, work and relate to other people.”
In keeping with this year’s new BIGSOUND format, we also welcome a whole host of experts who will participate in workshops, panels, case studies and forums including triple j, Double J and Unearthed music directors Nick Findlay, Dorothy Markek and Dave Ruby Howe, US visa expert Brian Zabinski (Tamizat), expat legend and Collab Asia YouTube guru Jerry Soer, indie label organization A2IM UK’s Sky McElroy, Gusher Magazine’s Juliette Younger and Isabella Trimboli and ex-industry worker and now life coach Viv Fantin.
Complementing these exciting changes are yet another round of international legends including agents, labels, festival promoters, sync and publishing A&R and media, all heading to Brisbane to both share their wisdom and check out one of the 150 acts spearheading the future of Australian music.
what is one of BIGSOUND’s biggest ever contingents of promoters and agents, we welcome reps from Panache, Billions, 33 and West and Superfly in the US as well as ATC Live, From the Fields and Live Nation UK and France’s Live Art Factory as well as those previously announced. From the world of labels, publishing and sync we welcome reps from Universal Music (US), Downtown Music (AUS), Low Profile (US), Nettwerk (Canada), The Orchard (AUS) and WhatsYourRupture (US).
The expanded BIGSOUND Music Tech showcase is also open for applications until July 15, with mentors including Innovyz’s Philip Vafiadis, international funding expert and consultant Paul Niederer and Techstars’ Terry Gold ready to help take Australian tech to the next level through practical business help and industry linkages which will benefit both creative industries. If you work in music tech and would like to showcase your product, idea or innovation, visit www.bigsound.org.au/music-tech
BIGSOUND FESTIVAL TICKETS ARE ON SALE NOW
FROM OZTIX
ONE NIGHT PASS – $45.00 (+BF)
(One night of live music of your choosing)
RAINBOW PASS – $85.00 (+BF)
(Four nights of live music)
PURPLE PASS – START AT $470.00 (+BF)
(Exclusive access to festival showcases, conferences, parties and networking events
+ fast track access to all shows)
Hurry… special rate for Purple Passes ends strictly on July 31
News: Legs Electric to tour new EP ‘Two Sides’; ‘Dark Paradise’ out now
Legs Electric summon the spirit of the golden days of heavy rock – overcharging ’70s blues-based riffs with a full-power vocal attack and a live show worthy of Sunset Strip. In just a few years, the Legs Electric ladies have chiselled their name in stone as one of the most electrifying, must-see bands in their home city of Perth.
Taking the sonic boom of their live show and capturing it like a storm in a bottle, Legs Electric have channelled everything they have into their new EP, Two Sides. With some songs produced by Ken Watt (a legendary Perth guitar-slinger from such bands as Asteroid B-612, Atom Smasher and Valvolux) and others produced by Eskimo Joe’s Joel Quartermain, Two Sides shows off the band’s innate talent for both songwriting and delivery.
The EP’s first single, Dark Paradise, is Legs Electric in perfect summary: huge guitars, huge drums, huge vocals and huge hooks. In under three and a half minutes, Legs Electric arrive, destroy the place and leave. Every song that follows on the EP is like the next wave of assault – from the driving, head-nod rhythm of Kingdom, to the groove-laden riffery of Shine Right Through, to the fittingly monstrous bass of Strange Addiction – each song coming packed with an explosive, super-sized chorus. At the insistence of fans, I Wanna Riot, the band’s debut single and live favourite, also finds is deserved place on the EP, rounding out the record with a huge punch.
Each Legs Electric song is a wall of guitar, from bone-crunching rhythms to slick, powerful leads. All credit for this goes to the band’s accomplished guitarist, Elana Haynes. Behind her is the unshakable rhythm section of drumming prodigy Kylie Soanes and thundering bassist, Erin Gooden. Last, but most certainly not least, there is the voice of Ama Quinsee. The heart and soul of Legs Electric’s sound, Quinsee’s voice is raw power tamed into snarling melodic hooks that span from smoky, sultry lows, to a full-velocity howl that can bring the house down.
Legs Electric will be touring in support of Two Sides throughout July, taking their high octane show across Australia. Rock fans should be warned not to miss this incredible band in the flesh. As a choice of support from names like Baby Animals, Ace Frehley, Sebastian Bach, The Supersuckers, Uriah Heep and many more, you won’t be disappointed.
Two Sides EP out July 13 via Firestarter Distribution
Dark Paradise single out now
iTunes – Apple Music – Spotify – Google Music
News: Last Dinosaurs Release Soaring New Single ‘Eleven’ & Announce East Coast Tour
Last Dinosaurs Release Soaring New Single ‘Eleven’
& Announce East Coast Tour
w/ Special Guests To Be Announced
Tickets On Sale Friday, July 6 at 9.00am
It only takes Sean Caskey six words to cement ‘Eleven’ as an absolute classic Last Dinosaurs song.
As, “If I lose my head I’m sorry!” interrupts the swirling guitars and boom-boom-bap drumming that open this brand-new single, you can almost hear rapturous crowds already singing it back to him from packed rock clubs and swarming festival mosh pits in the not-too-distant future.
As the song progresses, that sentiment only gets solidified more, because in many ways ‘Eleven’ is a marriage of all that’s come before it – the driving guitars of In A Million Years and the assured pop dynamics of Wellness – presented with a revitalised, effervescent energy that captures Last Dinos bursting with inspiration.
‘Eleven’ also sends shivers through its showcase of Sean’s vocal range. Slightly affected, like it’s being blasted out of an AM radio, one minute he’s soaring high and recalling Discovery era Daft Punk, the next he’s diving to his lower register and delivering a vintage Julian Casablancas. It’s subtly emotional, slightly jagged, and slathered in a beautifully distorted sheen.
‘Eleven,’ which premiered on Good Nights on triple j last night, stands in many ways as the perfect counterpart to the wallop that was the band’s comeback single ‘Dominos,’ which has been dominating the airwaves since the start of the year. Again, both songs combine to give a nod to Dino’s earlier, guitar driven sound, while reinforcing the impeccable pop song structure they’ve developed through their last six years in the spotlight.
Speaking about the song, Sean Caskey says he gained inspiration for it from one of the all-time rock greats. “We were at Splendour In The Grass a few years ago, watching The Strokes play and I was immediately inspired. I went home and wrote this song on my brand-new Rickenbacker guitar, even writing my first proper guitar solo for the track, and it ended up being one of the first of a new batch of songs that informed our upcoming album.”
The band also announce today that they’ll be embarking on an East Coast tour that will see them play a unique offering of smaller venues in Sydney, Brisbane and Melbourne, performing a combination of classic tracks and future classics they’ve now loaded into their arsenal and are set to launch in the not-too-distant future.
The band’s bassist Michael Sloane says the group are itching to be out on the road again and can’t wait to reconnect with fans. “We’re so keen and ready to play our own shows again, and kicking it off in these close-quarters venues is going to focus all that energy.”
“We can’t wait to play new material,” added Caskey. “This is going to be the first time we get to play a lot of them live, so it’s going to be a really memorable run.”
Taking inspiration from ghost towns in Japan, to neon cityscapes in America, Last Dinosaurs third album is set to be an eclectic mix of music and influence that sees the band recapture the vitality and dynamism they made their original mark with, while pouring in the experiences they’ve had on the road and in life along the way.
Last Dinosaurs Tour
w/ Special Guests To Be Announced
Tickets On Sale Friday, July 6 at 9.00am
Wednesday 3rd October: The Foundry, Brisbane QLD
https://thefoundry.oztix.com.au/?Event=89916
Thursday 4th October: The Lansdowne, Sydney NSW
http://tickets.oztix.com.au/?Event=89956
Saturday 6th October: Northcote Social Club, Melbourne VIC
https://www.eventbrite.com/e/last-dinosaurs-tickets-47748544181
Live Gallery: QUINN XCII
Quinn XCII, Manning Bar Sydney
Detroit singer/songwriter QUINN XCII (pronounced Quinn 92) recently bought his own brand of electro-pop hip-hop Down Under for the first time.
The artist is fresh off selling out over 60 consecutive sold-out shows across North America following his debut album The Story Of Us, which dropped late 2017.
Live Gallery: Pendulum
Pendulum, The Forum Melbourne
After several years of silence, the ever-so-popular drum ‘n’ bass band, Pendulum, has been making a slow return. They recently returned to the stage on tour to support recent release The Reworks.
Behind the Lens Jose Sanchez
27 Listicle Series: Boulevarde
Hailing from Sydney, Boulevarde are the musical duo preparing to leap onto the scene with their debut single ‘I Needed You Feat. Nick De La Hoyde’. Walking a fine line between pop and indie Boulevarde highlight songwriting sensibility beyond their years.
We asked the duo what things they need in their life right now.
Top Things you NEED in You Life Right Now with Boulevarde
C H I L L I
Humans are literally the only animals in earth to consume something that inflicts pain for pleasure. I think maybe we just got so bored with food we decided to make it hurt us. Part of what makes Boulevarde such a strong union is our shared passion for the burn.
D A N K M E M E S
We used to write letters, then we sent emails, we used to use online chat. Now only the most sincere form of communication is used amongst loved ones – tagging them in dank memes. You know who your true friends are when you hit that @ symbol in the comments and you don’t even have to search for their name. We tag each other in an unhealthy amount of memes per day. It keeps us going.
2 0 1 2 M A C M I N I
Have you ever had a friend who you treated so badly, yet they were still always there for you when you needed them? And they were like small and silver, and packed with technologies. Three words. 2012 Mac Mini. The very first Boulevarde track was conceived on our Mini, it literally handles everything we throw at it.
N O I S E C A N C E L L I N G H E A D P H O N E S
Imagine, you’re looking out over a tranquil lake. Sparrows whisper sweet nothings in your ear as you sip Prosecco and nibble away at the little picnic you’ve laid out for yourself. Snap back to reality (oh, there goes gravity) – you’ve taken off your Bose QC35’s and you’re slammed up against the cold window of a sweaty, smelly Sydney Train’s carriage. How can it be so cold, yet so sweaty in here? You ask yourself. Oh well, at least you have your noise cancelling headphones.
M U S I C

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