All posts by Matt Gee

Live Gallery: RISING: Gil Scott-Heron by Brian Jackson and Yesiin Bey

RISING: Gil Scott-Heron by Brian Jackson and Yesiin Bey

Forum Theatre

Thursday 28th May 2026

Rising festival really kicked off this week honoring the great Gil Scott-Heron, with an amazing performance by Brian Jackson and Yasiin Bey on stage at the Forum theatre on a cold Thursday night.  A sold out show had the theatre packed from wall to wall with eager fans of poetry, spoken word and hip hop origins.

Images by Matt Gee

 

Live Gallery: Wu Tang Clan and Bliss N Eso

The Wu Tang Clan and Bliss N Eso

Rod Laver Arena

Friday 27th March 2026

The “ruckus” was brought to Rod Laver on Friday night with the Wu Tang Clan claiming the stage and giving a final performance for fans in Aus.  Not all members could attend, but the stage was still alive with energy and classic hip hop for all to enjoy.

Support act Bliss N Eso warmed up the crowd and got everyone ready for a big night.

Images by Matt Gee

 

 

Bliss N Eso

Live Gallery: The Streets

 

The Streets

Palace Foreshore

Thursday 5th March 2026

The Streets led by Mike Skinner played to a sold out crowd at the Palace Foreshore on Thursday. The show opened with the band playing their 2004 release ‘A Grand Don’t Come For Free.’ After a short break, Skinner returned to the stage playing all the classics.  The show was full of stand out moments including Skinner parting the the crowd to secure a pint from the bar and then “Bell’s Beachin’ it” (in his words) back to the stage, whilst managing not to spill a drop of his beer!

Images by Matt Gee

Live Review: Droppin’ Science starring De La Soul, Oddisee & Good Company, Miss Kaninna

Droppin’ Science starring

De La Soul, Oddisee, Good Company,Miss Kaninna

Palace Foreshore

27 February 2026

St Kilda turned it on for Droppin Science, providing a hot and humid evening at the Palace Foreshore that was reminiscent of the St Kilda Festival.  As the sun set over the bay, Miss Kaninna and Oddisee & Good Comp’ny set the stage. Miss Kaninna opened to a small but enthusiastic crowd, commanding the stage and bringing the audience along by asking them to shout out songs of hers to play. The set culminated in the song Black Britney, a raw, hard-hitting rap that established Ms Kaninna as a voice in Australian Hip Hop that must be heard.

Oddisee and Good Comp’ny realigned the vibe, blending their soulful production with socially conscious lyrics. Oddisee, while much younger than De La Soul, demonstrated a craft and stage presence that culminated in That’s Love, working the crowd to sing along with the chorus. However, the atmosphere was mostly defined by the anticipation for De La Soul’s first Melbourne appearance in ten years.

The venue, the weather, and relaxed outdoor setting suited De La Soul’s community-focused style of hip hop and offered enough breathing room for a crowd that was there to honour one of Hip Hop’s most enduring and important acts. The proximity to the water and the open sky mirrored the organic, daisy soul that the group pioneered, making the Foreshore feel more like a backyard gathering than a rigid concert space.

The audience was largely made up of middle-aged fans who had clearly grown up with the music. It felt less like a standard concert and more like a massive hip hop reunion. Old friends were bumping into each other and catching up on old times, drawn together by Melbourne’s reputation as the hip hop capital of Australia. People were dancing and singing along to tracks that have been part of the cultural landscape for over thirty years, creating a sense of shared history that did not need much spectacle to work.

The performance was grounded in the kind of experienced crowd work that comes from decades on the road. Posdnuos and Maseo kept the audience engaged, which was necessary because the sound system was lacking. The mix was thin and missed the heavy low end required to fully anchor their catalogue, but the duo managed to carry the set through sheer presence and experience and the crowd had no complaints. They moved through a setlist that touched their 1989 debut while incorporating tracks from their late 2025 release, Cabin in the Sky.

The momentum built toward Ring Ring Ring (ha ha hey) and A Roller Skating Jam Named Saturday, which pulled the crowd together for a finale of sorts. These songs became a bridge back to the late eighties and early nineties, with the familiar grooves of those iconic singles triggering an immediate shift in the crowd’s energy. Even in 2026, the utility of Me Myself and I and The Magic Number was obvious, proving the catalogue has not lost its relevance. The crowd didn’t just listen to these songs, they inhabited them, rapping the verses with a precision that only comes from decades of plays.

Other staples like Eye Know served as a reminder of how the group originally shifted the genre away from aggression and toward something more philosophical and playful. Hearing these tracks played live against the Melbourne bay underscored how their inventive use of sampling and jazz-inflected rhythms has managed to stay vibrant. They saved the best until last, and those that were not there for their latest albums were sucked back into the crowd for the classics. The transition between their newer material and the foundational hits felt fluid, demonstrating a living catalogue that continues to evolve while respecting where it came from and why they’re universally loved.

The finale belonged to the memory of Dave. After the last track, Maseo gave a heartfelt and emotional dedication to his late partner and called on everyone to show each other love while we still had the chance. The tribute was handled with a sincerity that hit just right, focusing instead on the strength of the bond between the members and their fans. Given what is happening around the world and what we were about to wake up to on Saturday morning, it was a reminder that the positive energy of groups like De La Soul is more important now than it ever was.

27 February 2026 Setlist

Run It Back!!

The Package

Stakes Is High

Say No Go

Peg (Steely Dan Song)

Eye Know

The Bizness

Dinninit

Oooh

YUHDONTSTOP

Day In The Sun (Gettin’ Wit U)

Potholes In My Lawn

Much More

Change In Speak

Yours

A Quick 16 For Mama

Cabin In The Sky

Just How It Is (Sometimes)

Ring Ring Ring (Ha Ha Hey)

A Roller Skating Jam Named “Saturday”

Different World

Me Myself And I

The Magic Number

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Words by Anthony Weare

Images by Matt Gee

 

 

Live Review: The Offspring and Simple Plan

The Offsping and Simple Plan

Rod Laver Arena, Melbourne

The Offspring @ Rod Laver Arena Thursday, May 8, 2025,

Warm up act, Simple Plan (Canada) opened with an emotional performance that resonated with the punters who were singing along to every song. 

The Offspring followed with a high-octane celebration of punk rock, marking a triumphant return to Melbourne as part of their SUPERCHARGED Worldwide in ’25 tour. Lead singer Dexter Holland’s charismatic stage presence was complemented by the band’s tight musicianship, creating an electrifying atmosphere throughout the night. 

They delivered an eclectic setlist that spanned their massive catalogue, including fan favorites “Come Out and Play,” “Light It Up,” and “The Kids Aren’t Alright.” Rounding  out the night belting out an encore of “Self Esteem.” 

The audience’s enthusiasm was solid , the fans were singing along to every word. The band’s interaction with the crowd made the night even better.  They were grateful for the sold out crowd and loved being in Australia.

The fireworks, streamers, confetti explosions and massive skeletons on stage really made the night a spectacle.  For those who missed this unforgettable night, the tour continues with upcoming shows in Sydney and  Brisbane.

Images and words by Matt Gee

Live Review : Fatboy Slim

Fatboy Slim

Mt Duneed Estate, Waurn Ponds Vic.

Fatboy Slim’s Fatboy Slim Loves Australia tour stopped at Mt Duneed Estate Winery on Saturday night. The weather was ideal—cool, but comfortable with the crowd—and the venue’s natural slope meant even those at the back had a clear view of the stage. The sound was solid throughout.

The crowd was a mixed bag: young families, long-time fans from the ’90s, and a new generation discovering his music. The set was driven entirely by the music and visuals—Fatboy Slim didn’t speak, but he didn’t need to. The lighting and video displays were a highlight, featuring AI-generated celebrities and nods to pop culture that resonated with the audience. A remix of Born Slippy stood out, and he closed the night with a version of Praise You.

The energy stayed high from start to finish. Fatboy Slim knows how to structure a set, building momentum without losing the crowd. If you’re a fan, it’s worth catching him live.

Words by Anthony Weare

Images by Matt Gee

Live Gallery: D12, Obie Trice and Xzibit

D12, Obie Trice and Xzibit 3: Twenty Anniversary Tour

The Forum, Melbourne

Sunday 23rd June 2024

D12 with D12 world, Obie Trice with Cheers and Xzibit with Man vs. Machine celebrated the 20 anniversary of their three best releases.

On a Sunday night the punters came out to celebrate these artists in a packed Forum Theatre and they were treated to three hard hitting performances.  Xzibit was a real crowd pleaser with his hit tracks “PAPARAZZI” and “ALCAHOLIK”, with the crowd rapping along with him and enjoying the night.

Behind the lens: Matt Gee

D12

Obie Trice

Xzibit

Live Gallery: Press Club

Press Club

The Corner Hotel 9/04/21

Press Club rocked out with the crowd at the iconic  Corner Hotel on Friday night. To navigate the crowd restrictions the hard working band smashed out an early show  and a late show, the punters were keen to experience live music. Press Club did not disappoint, playing all the band’s well known songs, including some new material.

From the moment she took her first step onto the stage, front-woman, Natalie Foster was on fire putting on  her characteristic high- octane performance, engaging the crowd throughout the show. Her onstage antics have made her one of the cities most popular punk live acts on the local scene, unpredictable and a live wire.

Ending the  evening with the classic “Suburbia” which Nat belted out as she jumped down into the middle of the pit, in a scene which we couldn’t have imagined during the last year.

Behind the lens: Matt Gee