Category Archives: News

Review: Nikki Justice 1 & a Half Weddings & a Funeral

Nikki Justice

1 & a Half Weddings & a Funeral

Solo comic Nikki Justice serves up the laughs in her one woman hour of comedic brilliance in her show 1 & a Half Weddings & a Funeral.

Down in the basement of Bard’s Apothecary, which seems an appropriate place to host such a raw and honest show, Nikki tells viewers an abridged story of her life. From marrying a biker to having a questionable upbringing, Nikki’s self depreciating humour is delivered in a way that you’re not sure whether to laugh or cringe, and it’s delivered brilliantly.

Nikki Justice is not your typical comic, she doesn’t do observation comedy, her story is based on her experiences, and her inability to see red flags in the men she dates among other things.

Her story is relatable, hilarious and clever comedy. She includes the audience in jokes, making viewers feel connected, at times a little awkward but the laughter just keeps on coming.

The one hour show is a rapid fire show full of jokes that will shock, entertain and make viewers squeal with laughter.

Justice invites you into her chaotic life, where she touches on topics that most fear to discuss. But she does it in such a way that you  fall in love with her and  you laugh along the way at her mishaps. She has an endearing way of making viewers feel like she’s speaking solely to them- and that’s a part of her charm.

Nikki Justice serves up an hour of solid comedy that is timed perfectly, the laughter doesn’t stop and by the end of the show, you really want her to keep on going. She’s a powerhouse comic with jokes that land, self depreciating humour that endears her to audiences and leaves you wanting more.

⭐️⭐️⭐️⭐️⭐️

5/5 Stars- Absolutely Brilliant show, what’s not to love about Nikki Justice.

Melbourne International Comedy Festival

Nikki Justice

1 & a Half Weddings & a Funeral

Bard’s Apothecary

9:15 pm 26 Mar – 5 Apr

7/24 Crossley St, Melbourne

 

News: CMAT ANNOUNCES NEW ALBUM EURO-COUNTRY OUT FRIDAY 29 AUGUST SHARES NEW SINGLE “RUNNING/PLANNING”

“Ireland’s biggest new star” – The Independent

“CMAT – Irish country-pop singer Ciara Mary-Alice Thompson – writes funny, bone-deep songs about love and other horrors. She also plays her white acoustic guitar like an axe hero” – The Guardian

“A distinctive voice in every way” – Mojo

“The room bellows with a sound once reserved for early Beatles shows at CMAT’s first-ever headline show in Australia” – The Music

CMAT today announces her new album EURO-COUNTRY – the Irish star’s “most important record” to date – set for release on Friday 29 August via AWAL Recordings. The announcement is accompanied by lead single Running/Planning, out today. This follows CMAT’s recent stint in Australia, where the BRIT Award winner performed sold-out headline shows, which resulted in a venue upgrade in Melbourne due to overwhelming demand. Now, she unveils a mammoth run of live dates – including a high-profile Glastonbury slot and her biggest headliners to date: London’s O2 Academy Brixton and Dublin’s 3 Arena.
On “Running/Planning”, which premiered as a Hottest Record on BBC Radio 1 – CMAT says:

Running/Planning’ is about having to chase your own tail to be good enough to exist. It’s an abstracted view of societal pressure on women – specifically through a relationship lens: You start dating someone, you get engaged, you get married, you have kids etc etc etc… everything has to follow this linear pattern. (That’s the reason for the repetitive chorus!). And the minute you don’t follow that path, your mam starts giving out to you. That narrow path that everyone is supposed to be on… the minute you get outside of that, it gets incredibly stressful. And I don’t know anyone who is like, ‘Yeah, love this!

Despite this being her third album, this fully-formed acronymic star feels like she’s been part of the culture forever. EURO-COUNTRY follows 2023’s brilliant Crazymad, For Me – an album that propelled her to wider attention and garnered numerous accolades: including a BRITs Best International Artist nod; and ‘Best Album’ nominations from the Ivors; Mercury Prize and the Choice Music Prize in her native Ireland (an award she won for her debut, If My Wife New I’d Be Dead).

Press, radio and television have all been integral in her rise, with numerous covers, five-star reviews, playlists, Maida Vale sessions and TV appearances, including Jools Holland (both Later… and a memorable turn on his Hootenanny) and TheGraham Norton Show. A relentless touring schedule with The Very Sexy CMAT Band has cemented her reputation as one of the best live acts around.

The new album – released via AWAL Recordings – was recorded in New York and co-produced by long-time collaborator Oli Deakin and CMAT. EURO-COUNTRY tackles a number of big themes, including personal reflections on economics, identity and grief. It marks another step in the unstoppable rise of CMAT and cements her position as a generational songwriter.

What has endeared fans to her heart-sore tunes and humour is Ciara Mary-Alice Thompson’s ability to combine contradictory themes and moods: wide-eye drama with self-deprecation; the fusion of country and pop, with even more influences stretching across decades and genres. EURO-COUNTRY is no different: an aural tight-rope walk that balances big themes, specifically: the impact of economics on a small country, the attention that comes with increased fame (not all of it good) and being a woman.

Speaking about the LP, CMAT said: “EURO-COUNTRY is, I think, the best thing I have ever made. I felt halfway through recording it was the most important record I’ve made for myself… mainly because it was making me go crazy.”

“I’m always going to make the work I want to make, because there is a little gremlin in my head that tells me if it’s shit. More than success, there’s a bigger gremlin that wants me to make music that’s really good. She’s brutal and has ruined my life at times, but she is the keeper of my life and she’s always right.”

Running/Planning by CMAT is out now.
CMAT’s new album EURO-COUNTRY will arrive Friday 29 August 2025.
Pre-order / save the album HERE.
CMAT 2025 TOUR DATES
* Supporting Sam Fender
May 23rd – Wide Awake Festival, London, UK
May 25th – Neighbourhood Festival, Warrington, UK
Jun 5th – Primavera, Barcelona, ESP
Jun 6th – London Stadium, London, UK *
Jun 12th – St James Park, Newcastle, UK *
Jun 14th – St James Park, Newcastle, UK *
Jun 15th – St James Park, Newcastle, UK *
Jun 27th – Glastonbury, UK
Jul 12th – NOS, Lisbon, POR
Jul 26th – Truck Festival, Oxfordshire, UK
Jul 27th – Tramlines Festival, Sheffield, UK
Aug 1st – Belladrum Tartan Heart, Belladrum, UK
Aug 2nd – All Together Now, Waterford, IRE
Aug 7th – Syd For Solen, Copenhagen, DEN
Aug 8th – Way Out West, Gothenburg, SWE
Aug 15th – Lowlands, Biddinghuizen, NL
Aug 16th – Green Man Festival, Crickhowell, UK
Aug 28th – Boucher Playing Fields, Belfast, UK *
Oct 2nd – O2 Academy Brixton, London, UK
Oct 4th – Academy, Manchester, UK
Oct 5th – O2 Academy, Leeds, UK
Oct 6th – NX, Newcastle, UK
Oct 9th – Barrowland Ballroom, Glasgow, UK
Oct 12th – Rock City, Nottingham, UK
Oct 13th – Corn Exchange, Cambridge, UK
Oct 15th – Dome Concert Hall, Brighton, UK
Oct 16th – O2 Institute, Birmingham, UK
Oct 17th – UEA, Norwich, UK
Oct 19th – Octagon, Sheffield, UK
Oct 20th – O2 Academy, Bristol, UK
Dec 5th – 3Arena, Dublin, IRE
EURO-COUNTRY is available from the CMAT store on the following physical formats: limited coloured double vinyl; standard double vinyl, CD and tape.

News: PUP Announce Tour + Share New Single “Get Dumber” ft. Jeff Rosenstock

PUP
SHARE NEW SINGLE “GET DUMBER” FEATURING JEFF RO

Toronto punk heroes PUP— comprised of Stefan Babcock, Nestor Chumak, Zack Mykula, and Steve Sladkowski— will release their highly anticipated forthcoming album Who Will Look After The Dogs? on May 2nd via Little Dipper / Rise Records. The band have already previewed the record with “Hallways” and “Paranoid,” and today they share another ripper entitled “Get Dumber” featuring long-time buddy and collaborator Jeff Rosenstock. PUP have also announced they will return to Australia in August for a headline tour around the country!

On the scathing “Get Dumber,” with backing vocals and unintentionally flubbed lyrics from Jeff Rosenstock, PUP is classically searing in all the best ways.

Stefan Babcock says of the song, “I wrote “Get Dumber” in Jeff’s basement. I was house sitting for him while he was on tour. I recorded the first demo for it on his guitar using his mics and his computer. Maybe because the ghost of Jeff was in the room with me, I always imagined our voices on this song together, so I was very happy when he agreed to sing on it.

“We recorded the vocals together, in the same room, facing each other. What that means is, we both had to nail it at the same time because we couldn’t really cut between takes. On the first take, he forgot a line in the second verse and said “ahhhhhh, lyrics” instead. I couldn’t finish the take because I was laughing too hard. Anyway, he practiced singing the correct lyrics but then we decided those lyrics kinda sucked and he should just stick to “ahhhh lyrics” because it’s funny and the song is called Get Dumber. We nailed it on the second take.”

WATCH: PUP – “GET DUMBER (FEAT. JEFF ROSENSTOCK)”

Who Will Look After The Dogs?, PUP’s pummeling and cathartic fifth LP, is their most immediate, no-frills, and hard-hitting full-length yet. It was made in Los Angeles with producer John Congleton over the course of three weeks, and it’s the culmination of PUP’s past decade of constant touring and their palpable, livewire chemistry. The album evokes the lightning-in-a-bottle intensity of their self-titled debut (except they are much better at their instruments now), and finds our self-deprecating frontman Stefan Babcock at his most reflective, vulnerable and prolific. Over 12 tracks, Babcock excavates his life’s relationships—romantic, with his bandmates, and most ruthlessly, his relationship to himself. There’s plenty of growth, but also plenty of unpredictable mayhem in the arrangements and an acerbic bite in the writing. And while PUP historically are at one another’s throats during the album process, this time they scrapped their tedious perfectionism and rediscovered the joy of making loud music together.

PRE-ORDER WHO WILL LOOK AFTER THE DOGS? NOW

“Within days of announcing our last album, coincidentally titled The Unraveling of PUPTHEBAND, my life unexpectedly imploded. I wrote the lyrics for ‘Hallways’ while all that was going on. It was a weird fucking week,” says Babcock. “The title of our new record, Who Will Look After The Dogs?, is what I wrote at the top of the page, the very first thing written for this album. I think it’s devastating, but in a ‘holy shit this is overdramatic’ kinda way. At least in context of the line that comes before it. That’s what makes it funny to us. That overblown stuff we all say in our dark moments can be hilarious once you’ve cooled off a bit. I don’t know if anyone else thinks it’s funny, but sometimes you gotta laugh at yourself. It’s the only way out of the abyss. Trust me.”

PUP will return to Australia this August for a headline tour around the country. Last spied Down Under in 2022 for Splendour In The Grass, the PUP tour will kick off in Brisbane on August 8 and will do a lap around the continent, with stops in Sydney, Melbourne, Adelaide and Perth. Tickets on sale Friday March 29 via puptheband.com

PRAISE FOR PUP

“The Toronto band Pup has long made frenetic punk-pop with neat verse-chorus-bridge structures underlying Stefan Babcock’s raucously overwrought and fully self-aware lead vocals.” – New York Times

“PUP’s fourth album, ‘The Unraveling of PUPTheBand,’ finds the quartet completely removing any of the limits left on their music, pushing things as far as possible” – The New Yorker

“Hearts on their sleeves, the group captures the rage and frustration of human fallibility with crashing drums and infectious irreverence” – NPR Music

“The new songs are boisterous, catchy, and meta while also earnestly wading through the nuances of depression in a manner often reserved for “confessional” indie rock…an instant mood-booster.” – Pitchfork

“transmuting life’s frustrations into unhinged visceral joy” – Stereogum (Album of the Week)

“‘The Unraveling of PUPTHEBAND’…reinforces the message that it’s okay to be yourself, no matter who you are.” – Vulture 

“PUP’s winning recipe is 49% snark, 51% heart” – Bandcamp (Album of the Day)

PUP – WHO WILL LOOK AFTER THE DOGS?

Out May 2 Via Little Dipper / Rise Records

PRE-ORDER | PRE-SAVE

SENSTOCK
+ ANNOUNCE AUSTRALIAN TOUR

New Album Who Will Look After The Dogs?
Out May 2

Live Review : Fatboy Slim

Fatboy Slim

Mt Duneed Estate, Waurn Ponds Vic.

Fatboy Slim’s Fatboy Slim Loves Australia tour stopped at Mt Duneed Estate Winery on Saturday night. The weather was ideal—cool, but comfortable with the crowd—and the venue’s natural slope meant even those at the back had a clear view of the stage. The sound was solid throughout.

The crowd was a mixed bag: young families, long-time fans from the ’90s, and a new generation discovering his music. The set was driven entirely by the music and visuals—Fatboy Slim didn’t speak, but he didn’t need to. The lighting and video displays were a highlight, featuring AI-generated celebrities and nods to pop culture that resonated with the audience. A remix of Born Slippy stood out, and he closed the night with a version of Praise You.

The energy stayed high from start to finish. Fatboy Slim knows how to structure a set, building momentum without losing the crowd. If you’re a fan, it’s worth catching him live.

Words by Anthony Weare

Images by Matt Gee

News: KAMASI WASHINGTON ANNOUNCES FEARLESS MOVEMENT AUSTRALIAN TOUR

KAMASI WASHINGTON ANNOUNCES

FEARLESS MOVEMENT AUSTRALIAN TOUR

HEADLINE SHOW CONFIRMED FOR MELBOURNE

Australian tour dates include Vivid Sydney and Open Season at QPAC, Brisbane

MELBOURNE, Monday March 24, 2025: Acclaimed US multi-instrumentalist, composer, bandleader and neo-jazz icon Kamasi Washington returns to Australia in June for a series of very special live dates.

An exclusive Melbourne headline show has been confirmed for Wednesday, June 11 at Palais Theatre.

A Live Nation presale commences at 9am on Wednesday, March 26, running for 24 hours.

General public tickets go on sale on Thursday, March 27 at 10am (local). For tickets and further information, head to livenation.com.au

Emmy and Grammy nominated Kamasi Washington is one of the most revered figures in modern music. His three bodies of work to date – The Epic; Harmony of Difference, an EP originally commissioned for the 2017 Whitney Biennial; and Heaven and Earth – are among the most acclaimed of this century. Washington has toured the world over and collaborated and shared stages with Kendrick Lamar, Florence + the Machine, Herbie Hancock – with whom he will curate the Hollywood Bowl Jazz Fest for the second year in a row – and many more. 

Washington will be joined by special guest, up and coming Australian artist Micah Heathwood, on his Sydney and Melbourne dates. A name familiar to many in the underground jazz circles of Australia, Heathwood possesses a diverse and formidable skillset as a jazz drummer by trade, but with a strong sensibility for hybrid electronic sounds.

 

KAMASI WASHINGTON

FEARLESS MOVEMENT AUSTRALIAN TOUR 2025

With special guest Micah Heathwood

CARRIAGEWORKS (VIVID) SYDNEY                     SUNDAY, JUNE 8

PALAIS THEATRE, MELBOURNE                           WEDNESDAY, JUNE 11*

QPAC CONCERT HALL, BRISBANE                      THURSDAY, JUNE 12

 

* Live Nation presale: Wednesday, March 26, 9am – Thursday, March 27, 9am (local).

*General public tickets on sale: Thursday, March 27 at 10am (local).

For tickets and further information, head to livenation.com.au

Live Review and Gallery – Lookout Festival Mornington

Lookout Festival at Mornington Racecourse on March 23, 2025, delivered an electrifying experience that left attendees buzzing with excitement. Featuring a stellar lineup of Australian rock legends, the festival showcased the enduring appeal of homegrown talent and the unifying power of live music.

Set against the backdrop of Mornington Racecourse, the festival provided an ideal setting for a day of rock and revelry. The expansive grounds accommodated a diverse crowd, from long-time rock aficionados to younger fans experiencing these iconic bands for the first time. The layout was thoughtfully designed, with ample space for food and beverage stalls, merchandise stands, and relaxation areas, ensuring attendees could navigate the venue with ease and comfort.

The festival kicked off with a high-energy performance by Magic Dirt, who took the stage at 1:10 pm. Their gritty sound and dynamic presence set the tone for the day, captivating the audience from the outset. Following them, Jebediah delivered a tight set at 2:10 pm, blending nostalgic hits with newer material, which resonated with both long-time fans and newcomers.

Spiderbait’s performance was a standout, as they effortlessly blended their eclectic mix of punk, rock, and electronica. The crowd erupted during their rendition of “Black Betty,” with many singing along, creating a unified and exhilarating atmosphere.

The Veronicas took the stage shortly after, infusing the festival with their pop-rock flair. Their set was a seamless blend of catchy hooks and emotive ballads, demonstrating their versatility and broad appeal. The duo thrilled fans with energetic performances of Hook Me Up, 4ever, and Untouched, sending the crowd into a frenzy as they danced and sang along to the iconic hits. Their interaction with the audience was heartfelt, expressing gratitude for the unwavering support over the years.

Grinspoon’s performance was nothing short of explosive. Their raw energy and commanding stage presence reignited the crowd’s passion, with mosh pits forming and fans chanting along to every song. The band delivered powerful performances of Hard Act to Follow and More Than You Are, both of which had the crowd singing along passionately. Their synergy was palpable, reflecting their seasoned experience and passion for live performance.​

The festival culminated with a headline performance by Jet. Their set was a masterclass in rock ‘n’ roll, delivering hits like “Are You Gonna Be My Girl” and “Cold Hard Bitch” with the same force that catapulted them to international fame. The crowd’s response was ecstatic, with waves of fans dancing and singing in unison, embodying the timeless allure of rock music.

The festival’s organisation was commendable. Entry procedures were efficient, with minimal wait times despite the large attendance. The availability of various food and beverage options catered to diverse tastes and dietary requirements, and the provision of water stations ensured attendees remained hydrated throughout the day. Merchandise stalls offered a range of memorabilia, allowing fans to take home a piece of the experience.

Security and medical staff were visibly present yet unobtrusive, contributing to a safe and enjoyable environment. The festival’s commitment to sustainability was also evident, with numerous recycling stations and eco-friendly initiatives in place, reflecting a growing awareness of environmental responsibility within the event industry.

Lookout Festival at Mornington Racecourse was a resounding success, celebrating the rich tapestry of Australian rock music. The seamless blend of legendary acts and emerging talents provided a dynamic and engaging experience for all in attendance. As the final chords reverberated and the crowd dispersed, there was a shared sense of fulfilment and anticipation for future instalments of this remarkable festival.

Words and images by Monique Pizzica

Live Review: Summersalt Festival

Summersalt Festival

Mornington Racecourse

The sun is shining over the Mornington Racecourse as fans are squeezed in like sardines to witness some of Australia’s finest musicians for the annual Summersalt Festival.

First up on the billing is Josh Pyke. His relaxed performance style and catchy music is a great way to kick off the day, and as people settle into their seats, Josh is the perfect choice to get people in the mood.

Next up is sister act The Waifs. With Donna Simpson on lead vocals and Vicki Thorn on harmonica the band gets everyone up and dancing with his like ‘ London Still’ and ‘Lighthouse ’. The standing room section is packed with smiling faces and fans thoroughly enjoying the set. At one point Donna exclaims that she’s amazed that her music still has such a strong impact on people.

After a short break Tim Freedman seats himself at a piano and greets the eagerly awaiting crowd. Playing a plethora of hits including ‘ No Aphrodisiac’ ‘ Blow Up the Pokies’  ‘ Thank You ( For Loving Me At My Worst) and the tongue in cheek song about working at Maccas ‘ I Make Hamburgers’, Freeman proves what a fantastic entertainer he is, as he belts out hit after hit.

There is a bit of a chill coming as the sun is beginning to dip in the horizon as Fanning Dempsey National Park grace the stage with their presence.

 

News: OPEN SEASON 2025: LINEUP ANNOUNCEMENT 🚨

The Tivoli, The Princess Theatre & QPAC present…
OPEN SEASON 2025
LINEUP ANNOUNCEMENT
MAY – JULY 2025, BRISBANE / MAGANDJIN
Presale available from 8am AEST Wednesday 26 March
Tickets on sale to the general public from 9am AEST Thursday 27 March
Sign Up For Presale Link
Winter is rolling in, but Open Season 2025 is turning up the heat! Running from May – July, Brisbane’s most thrilling music and arts series is back – bigger, bolder and better than ever. The fifth edition will ignite six iconic venues with over thirty electrifying events, spanning intimate gigs to full-blown spectacles. Now in its 5th year, Open Season has raised the bar even higher thanks to a fresh new partnership with QPAC, teaming up with The Tivoli and The Princess Theatre to deliver its most dynamic lineup yet. The result? A city-wide celebration of world-class artists, genre-defying performances and must-do music experiences, all on Brisbane’s doorstep.
“This program is designed to inspire, to awaken our adventurous spirit, step out of the house and get amongst some seriously excellent live music,” says Dave Sleswick, Creative Director of The Tivoli Group. “Every year, Open Season expands and evolves. This time, with QPAC on board, we’re taking over the whole damn city. International icons, national treasures and incredible local talent will take over a variety of intimate and grand venues throughout Brisbane. It’s an open invitation for everyone to experience the magic of live performance and the power of community through music.”

QPAC Chief Executive Rachel Healy said the partnership was a great opportunity to throw open QPAC’s doors to a wider audience and to work with another of Brisbane’s leading live performance presenters.

“This is the first time we’ve partnered with Dave and the team at The Tivoli Group to present performances at QPAC as part of Open Season; it’s proving to be a brilliant collaboration, and we love that we’re increasing the footprint and audience of this awesome festival.

“Both QPAC and The Tivoli Group are all about ensuring as many people as possible experience live performance together. We’re passionate about presenting both new and emerging artists as well as those established and already loved, and shouting from the rooftops that Brisbane is well and truly a live music capital.

“It’s thrilling to see Open Season grow every year and the program this year is better than ever. It really is fast becoming a destination music festival for Brisbane and we’re very proud to be on board.” 

Open Season 2025 delivers a stacked lineup of world-class artistry. To kick things off, audiences are invited to experience the ethereal soundscapes of iconic Icelandic three-piece Sigur Rós when they’re joined by the Brisbane Philharmonic Orchestra for a spine-tingling, must-see performance in QPAC’s Concert Hall. Feel the cosmic pulse of Emmy and Grammy-nominated multi-instrumentalist, composer and bandleader Kamasi Washington and sway to the trademark dusty soul, slow disco and Afrobeat grooves of Pale Jay, before diving into the shimmering yet haunted world of DIIV’s latest record Frog in Boiling Water – a moving and reflective body of work from the masters of indie-rock and shoegaze.

Mix some Afro-Cuban jazz with salsa, add a dash of reggae, a drip of soul, and a hint of hip-hop and you have an idea of what to expect when Mercury Prize and BRIT Award-winning jazz-funk outfit Ezra Collective hit Brisbane with their joyfully exuberant live show. One of the most singular and distinctive songwriters of her generation Jessica Pratt will grace Open Season with the bewitching, elusive and mystical blend of her acoustic guitar and graceful vocals.

Brace yourself for what influential, Icelandic electronic duo Kiasmos have in store as they return to the live stage for the first time in over five years. And get ready to transcend as you delve into the experimental and textured electronic sounds of Mount Kimbie – one of the UK’s most innovative and adventurous musical forces. See why Chicago born, LA based Ravyn Lenae has been making huge waves in the global R&B scene when she takes over The Tivoli stage with her atmospheric sound and honey-sweet vocals.

Homegrown heroes Skegss will bring their signature high-energy show to Brisbane, while a host of other beloved Aussie bands will celebrate some major milestones at Open Season 2025. Reuniting for the first time in over a decade, Blue Mountains act Cloud Control will mark 15 years of Bliss Release, the debut album that introduced them to the world. With founding bassist Jeremy Kelshaw back, they’ll take the stage in their original lineup for this special anniversary set. Don’t miss the chance to revisit a record that left a lasting mark on Australian music history.

Speaking of Aussie music legacies, Killing Heidi will also grace the stage for a 25-year anniversary performance of Reflector, the debut album that saw the duo win 4 major ARIA Awards and sold 4x Platinum, while also taking out the prestigious APRA Songwriters of the Year award in 2001. See why the early ‘00s belonged to Killing Heidi with their incredible performance! Then, it’s time to catch The Preatures blazing live show as they mark ten years since their debut LP, Blue Planet Eyes, cemented them as one of Australia’s most electrifying rock ‘n’ roll bands.

Blak Day Out returns for its fourth year, boasting a powerful lineup of First Nations artists for an unforgettable celebration of music, culture and community. Taking over The Princess Theatre on Saturday 26 July, this landmark event, curated by Alethea Beetson (Blak Social) and co-presented with QPAC’s Clancestry, honours the strength, resilience and creativity of First Nations voices, inviting all to be part of this transformative experience. Leading the 2025 lineup is the legendary Christine Anu, the 17-time ARIA nominated, APRA AMCOS Award-winning artist celebrating 30 years of her platinum debut album Stylin’ Up. Joining her is the soulful and deeply moving sounds of Gamilaraay woman Thelma Plum and the fierce, uncompromising Miss Kaninna, who is currently taking the world by storm. An all-ages event designed for music lovers of all backgrounds, Blak Day Out is an opportunity to connect with Country, celebrate powerful storytelling and witness some of the best live music Australia has to offer. Stay tuned for the full lineup to drop soon.

Electronic music features heavily in this year’s Open Season program. Fresh from dancefloors across the world, catch Moktar’s distinct cross of club and techno merged with traditional Arabic instrumentation when he is joined by a lineup of very special guests for a sweaty night of dance. Local legend and Grammy nominee Maxwell Byrne (aka Golden Vessel) will hit the stage with his house project 1tbsp, supported with a live set from Melbourne-based producer Pruient, while Shouse bring their drum machines, synths and anthemic, globally adored, bangers.

Local singer-songwriter Sahara Beck will return to Open Season with her boundary-pushing pop songs and captivating stage presence. This very special, intimate performance will see Sahara take over the stunning Grand on Ann in Brisbane’s CBD – an architectural masterpiece that exudes timeless elegance and historic grandeur. There’ll be the candid musings of Soccer Mommy, the vivid arrangements of Surprise Chef and the neon-drenched sounds of MonoNeon, otherwise known as “the greatest f*cking electric bass player” by Flea of Red Hot Chilli Peppers. Brisbane-based collective The Gin Club will also reunite for the first time in years to ignite The Princess Theatre with their dynamic live show, celebrating the 20-year anniversary of their sophomore album Fear of the Sea.

Brisbane will also be treated to pop-up performances as part of Quivr’s Quiet on Set program in Fortitude Valley’s Winn Lane, featuring tomboy, electronic-pop artist Handsome, and Melbourne-based jazz virtuoso Emma Volard. To wraps things up, a free jazz and martini night featuring home-grown ensemble Accomplice Collective will be on offer at The Inchcolm Hotel in Spring Hill. Patrons are invited to take up unique hospitality offerings and special deals on King Street in Bowen Hills and grab a specially brewed Open Season Lager from Green Beacon at all participating venues.

Stay tuned, as more acts will be added in the coming months!

More than just a festival, Open Season is a statement for the city. Since its inception, it has earned a reputation for curating a cutting-edge blend of music and immersive experiences. From exclusive must-see performances to unexpected collaborations in unique spaces, Brisbane’s live music scene is hot and flourishing and Open Season is at the heart of it all.

Now it’s time to go and play! Tickets to Open Season go on sale at 9am AEST Thursday 27 March, with presale available from 8am AEST Wednesday 26 March. Head to the Open Seasonwebsite for all the details.

In alphabetical order…
1tbsp | Accomplice Collective | Christine Anu | Cloud Control | DIIV | Emma Volard
Ezra Collective | Handsome | Jessica Pratt | Kamasi Washington | Kiasmos
Killing Heidi | Miss Kaninna | Moktar | MonoNeon | Mount Kimbie
Pale Jay | Purient |  Ravyn Lenae | Sahara Beck | Shouse
Sigur Rós w Brisbane Philharmonic Orchestra | Skegss | Soccer Mommy
Surprise Chef | The Gin Club | The Preatures | Thelma Plum
+ more to be announced.

OPEN SEASON
May – July 2025, Brisbane/Magandjin
openseason.live

TICKETS
Presale available from 8am AEST Wednesday 26 March
Tickets on sale to the general public from 9amAEST Thursday 27 March

Live Review: HONNE

HONNE

Supported by Liang Lawrence

Forum, Melbourne

20th of March, 2025

 

A rainy Thursday Melbourne night was treated to the cheerful and rhythmic by HONNE – The English electronic music duo from London. With the rough weather outside of Forum, performing tracks from their 2016 hit album Warm on a Cold Night seemed nothing but appropriate.

After Lawrence’s incredible set with a great acoustic piece, the headliner opened with a brief performance-piece from their latest album Ouch! with the main character coming on to sweep the stage and woo the crowd. The stage freshly swept, crowd engagement, the duo entered and launched into tracks from their discography.

Imaginary had great synth rhythm filled with flute and sax notes. free love and its classic bop had the barricade of HONNE-goers all shouting the chorus back to the duo. Lean on Me filled Forum with some higher pitch soul and drum kicks. The rest of the evening had a great spread of HONNE’s most popular pieces to take the Melbourne crowd through their decade of electronic soul.

With just a quick 2-show stop in Sydney and now Melbourne before they continue their tour to the Philippines and Japan, the local synth and electronic scene are excited to welcome the duo back soon.

 

 

HONNE’s latest album Ouch! is available to stream on all music platforms, with the Vinyl and CD available to order from JB Hi-Fi.

Photos and Words by Matt Ling

News: CRASH TEST DUMMIES March and April 2025 Australian Tour

CRASH TEST DUMMIES March and April 2025 Australian Tour

 

 

Canadian alternative folk-rockers, CRASH TEST DUMMIES, make their long-awaited return to Australia for the First Time since 1992 as part of their God Shuffled His Feet 30thAnniversary World Tour. Lead single ‘Mmm Mmm Mmm Mmm’ reached #1 on the ARIA Charts and the Album holds a special place in the hearts of many. They’ll play the album alongside other fan favourites like ‘Superman’s Song’and ‘The Ballad of Peter Pumpkinhead’.

‘’The band drops banger after banger throughout the set list’’

 

The original lineup of Brad Roberts, Ellen Reid, Dan Roberts and Mitch Dorge reunited in 2017 and have been touring together since. Produced by Jerry “Talking Head” Harrison their 1993 sophomore album God Shuffled His Feet was Certified Platinum in Australia. The album has stood the test of time and as well as ‘Mmm Mmm Mmm Mmm’ which stayed at #1 for 3 weeks, it also included the singles ‘Afternoons & Coffeespoons’, ‘Swimming in Your Ocean’ and the title track ‘God Shuffled his Feet’.

CRASH TEST DUMMIES are still beloved in a way that transcends nostalgia. Join them on their God Shuffled His Feet 30th Anniversary World Tour.

“Everything about this show was what I needed. It was a testament to the healing power of music and pure escapism. The playfulness, the artistic focus, and the passion for giving their fans the best show they could possibly give them made this show truly magical.”

“Crash Test Dummies played with such intimacy and passion that I felt like the only one in the room during these songs, only to snap out of it with each applause”

“Crash Test Dummies is a band I have a newly rekindled love for, and I’ll be damned if I ever let go of them”

 

CRASH TEST DUMMIES March and April 2025 Australian Tour Dates and Tickets:

https://metropolistouring.com/crash-test-dummies-2025/

On sale now